{"title":"Studies In Medieval And Renaissance Music","description":"\u003cp\u003eDelve into the captivating world of early music with this essential series. Explore the intricate history, theory, and performance practices of medieval and Renaissance musical traditions. Perfect for scholars and enthusiasts alike!\u003c\/p\u003e","products":[{"product_id":"music-in-elizabethan-court-politics-book-katherine-butler-bsc-mbbch-9781783274031","title":"Music in Elizabethan Court Politics","description":"Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.  Queen Elizabeth I (1558-1603) had a strong reputation for musicality; her court musicians, Thomas Tallis and William Byrd, even suggested that music was indispensable to the state. But what roles did music play in Elizabethan court politics? How did a musical image assist the Queen in projecting her royal authority? What influence did her private performances have on her courtships, diplomatic affairs, and relationships with courtiers? To what extent did Elizabeth control court music, or could others appropriate performances to enhance their own status and achieve their ambitions? Could noblemen, civic leaders, or even musicians take advantage of Elizabeth's love of music to present their complaints and petitions in song?  This book unravels the connotations surrounding Elizabeth's musical image and traces the political roles of music at the Elizabethan court. It scrutinizes the most intimate performances within the Privy Chamber, analyses the masques and plays performed in the palaces, and explores the grandest musical pageantry of tournaments, civic entries, and royal progresses. This reveals how music served as a valuable means for both the tactful influencing of policies and patronage, and the construction of political identities and relationships. In the late Tudor period music was simultaneously a tool of authority for the monarch and an instrumentof persuasion for the nobility.    KATHERINE BUTLER is a Senior Lecturer at Northumbria University, Newcastle.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49740098994449,"sku":"NGR9781783274031","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52615586513169,"sku":"NLS9781783274031","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1783274034.jpg?v=1750962400"},{"product_id":"critical-companion-to-medieval-motets-book-jared-c-hartt-9781783276080","title":"A Critical Companion to Medieval Motets","description":"First full comprehensive guide to one of the most important genres of music in the Middle Ages.  Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically involved in the early development of polyphony. This volume - the first to be devotedexclusively to medieval motets - aims to provide a comprehensive guide to them, from a number of different disciplines and perspectives. It addresses crucial matters such as how the motet developed; the rich interplay of musical,poetic, and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France, England, and Italy. It also seeks to question many traditional assumptions and received opinions in the area.   The first part of the book considers core concepts in motet scholarship: issues of genre, relationships between the motet and other musico-poetic forms, tenor organization, isorhythm, notational development, social functions, and manuscript layout. This is followed by a series of individual case studies which look in detail at a variety of specific pieces, compositional techniques, collections, and subgenres.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49741624606993,"sku":"NGR9781783276080","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52613703336209,"sku":"NLS9781783276080","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1783276088.jpg?v=1751435926"},{"product_id":"dorset-rotulus-book-margaret-bent-9781783276189","title":"The Dorset Rotulus","description":"The exciting discovery of new music from the Middle Ages sheds new light on knowledge of the medieval motet.  From its origins in the thirteenth century, the Latin-texted motet in England and France became the most significant and diverse polyphonic genre of the fourteenth, a body of music important both for its texts and its variety of musical structures. However, although the motet in England plays a vital role in the music-historical narrative of the first decades of the 1300s, it has too often been overlooked in modern scholarship, due largely to its preservation in numerous but almost entirely fragmentary sources. In 2017, substantial new fragments of medieval polyphony came to light. They originated at the Benedictine monastery of Abbotsbury, a major institution located high above Chesil Beach on Dorset's Jurassic Coast. The two leaves once headed an imposing musical scroll, and preserve significant portions of four large-scale Latin-texted motets from early fourteenth-century England. Discovery of this source brings to the fore a massive seven-section motet on St Margaret, hitherto known only through highly fragmentary snippets of two of its four voices, as well as a unicum with extraordinary features addressed to the Virgin Mary and St Nicholas. When coupled with the remaining motets, one on the Ascension and the other on the Virgin Mary, the Dorset motets expand our understanding of how the English developed their own approaches to the genre, forging styles and techniques quite independently of the continental norms against which earlier scholarship has judged (and sometimes demeaned) them. This book introduces the manuscript and its provenance in Abbotsbury, relates it to other scrolls of late medieval music, contextualizes its motets within the larger corpus of contemporary Latin-texted motets, and analyses and reconstructs each of the motets, providing complete performable transcriptions of three of these compositions as well as three of its large-scale comparands. Spurred by the Dorset discovery, this monograph, the first in thirty-five years devoted to the medieval motet in England, offers a new evaluation of the richness of the English repertory in its own terms.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":49802247897361,"sku":"CIN1783276185VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1783276185.jpg?v=1750832817"},{"product_id":"music-and-instruments-of-the-middle-ages-book-tess-knighton-9781783275564","title":"Music and Instruments of the Middle Ages","description":"Essays on important topics in early music.  Christopher Page is one of the most influential and distinguished scholars and performers of medieval music. His first book, Voices and Instruments of the Middle Ages (1987), marked the beginning of what might be called the\"Page turn\" in the study and performance of medieval music. His many subsequent publications, radio broadcasting (notably the series Spirit of the Age) and performances and recordings with his ensemble Gothic Voices changed the perception of and thinking about music from before about 1400 and forged new ways of communicating its essence to scholars as well as its subtle beauty to wider audiences.  The essays presented here in his honour reflectthe broad range of subject-matter, from the earliest polyphony to the conductus and motet of the thirteenth and fourteenth centuries, the troubadour and trouvère repertories, song and dance, church music, medieval music theory, improvisation techniques, historiography of medieval music, musical iconography, instrumental music, performance practice and performing, that has characterised Page's major contribution to our knowledge of music of the Middle Ages.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51051618074897,"sku":"NIN9781783275564","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52678839140625,"sku":"NLS9781783275564","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1783275561.jpg?v=1751248480"},{"product_id":"european-music-1520-1640-book-james-haar-9781843838944","title":"European Music, 1520-1640","description":"An authoritative survey of music and its context in the Renaissance.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51058649596177,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51058652184849,"sku":"NIN9781843838944","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52530483429649,"sku":"NLS9781843838944","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53573206507793,"sku":"GOR009726757","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/184383894X.jpg?v=1751217963"},{"product_id":"juan-esquivel-a-master-of-sacred-music-during-the-spanish-golden-age-book-clive-walkley-9781843835875","title":"Juan Esquivel: A Master of Sacred Music during the Spanish Golden Age","description":"Juan Esquivel was a cathedral choirmaster and composer, active in Spain during the period c.1580-c .1623 in which all aspects of the arts flourished, and one of the few peninsular composers of his generation to see his works published. He is known to have produced three large volumes of sacred polyphony - masses, motets, hymns, psalms, magnificats, and Marian antiphons - under the titles Liber primus missarum, Motecta festorum( both published 1608)and Tomus secondus, psalmorum, hymnorum. et missarum (published 1613); they reveal him to be a highly skilled craftsman. This first full-length study of his life and works presents a critical assessment of the man and his music, setting him within the social and religious context of the so-called Counter-Reformation. Beginning by outlining the facts of his life, the book goes on to offer an analysis and assessment of his output. Clive Walkley was until his retirement a lecturer in music and music education at Lancaster University.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51438671757585,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51438672052497,"sku":"GOR014281118","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1843835878.jpg?v=1750802697"},{"product_id":"composers-in-the-middle-ages-book-gal-saintcricq-9781837650354","title":"Composers in the Middle Ages","description":"A reflection on the idea of the \"composer\" in the medieval period, including a study of the individuals and groups active in the creation of medieval music.   The modern concept of the individual composer is central to accounts of Western music, and continues to represent a critical field of research in musicology. However, this approach cannot be straightforwardly transposed to the Middle Ages, as it does not reflect the complex creative realities of medieval composition, and conflicts with the evidence from extant sources and documentation.   This collection, the first full-length study of the subject, questions and revises the concept of the composer for the medieval period through five thematic parts: 'Historiographical Critique', 'Ascriptions, Attributions, Signatures', 'Medieval Constructions of Authority and of the Authorial Persona', 'The Composing Workshop', and 'Composers as Communities'.  Spanning a period from the seventh century to the early Renaissance, and taking in different cultural and geographical areas of Western Europe, the essays examine a range of repertoires and fields - plainchant, Latin devotional song, medieval motet, trouvère song, Ars nova, drama, and illuminated Gothic manuscripts - in diverse contexts, from clerical communities, to princely courts and lay workshops. Overall, the new perspectives here shed fresh light on the musical practices and repertoires of the Middle Ages.  Chapters 6 and 10 are available as Open Access under the Creative Commons license CC-BY-NC-ND.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51646387912977,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51646388142353,"sku":"NIN9781837650354","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52478696358161,"sku":"NLS9781837650354","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1837650357.jpg?v=1750963323"},{"product_id":"machaut-s-music-new-interpretations-book-elizabeth-eva-leach-9781843830160","title":"Machaut's Music: New Interpretations","description":"Guillaume de Machaut was the foremost poet-composer of his time. Studies look at all aspects of his prodigious output.  Guillaume de Machaut (1300-1377) is regarded as the greatest French poet-composer of the middle ages, as he was during his lifetime. A trained secretary, with a passion for collecting, copying and ordering his own work, the numberof surviving notated musical works attributed to him far exceeds that of any of his contemporaries. All the main genres of song - lais, virelais, balades, and rondeaux - together with Machaut's motets, and his famous Masscycle are considered here from a variety of perspectives. These incorporate the latest scholarly understanding of both Machaut's poetry and music, and the material form they take when notated in the surviving manuscripts. The bookthus presents a detailed picture of the current range of interpretative approaches to Machaut's music, focusing variously on counterpoint, musica ficta, text setting, musico-poetic meanings, citation and intertextuality, tonality, and compositional method. Several of Machaut's works are discussed by a pair of contributors, who reach conclusions at times mutually reinforcing or complementary, at times contradictory and mutually exclusive. That Machaut's music thrives on such constructive debate and disagreement is a tribute to his scope as an artist, and his musico-poetic achievement.    Contributors: JENNIFER BAIN, MARGARET BENT, CHRISTIAN BERGER, JACQUES BOOGAART,THOMAS BROWN, ALICE V. CLARK, JANE E. FLYNN, JEHOASH HIRSHBERG, KARL KUEGLE, ELIZABETH EVA LEACH, DANIEL LEECH-WILKINSON, ETER M. LEFFERTS, WILLIAM PETER MAHRT, KEVIN N. MOLL, VIRGINIA NEWES, YOLANDA PLUMLEY, OWEN REES, ANNE STONE.     ELIZABETH EVA LEACH lectures in music at Royal Holloway, University of London.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52127491293457,"sku":"NLS9781843830160","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781843830160.jpg?v=1757486881"},{"product_id":"music-and-ceremony-at-the-court-of-charles-v-book-mary-tiffany-ferer-9781843836995","title":"Music and Ceremony at the Court of Charles V","description":"Shows how Charles V used music and ritual to reinforce his image and status as the most important and powerful sovereign in Europe.  The presentation of Charles V as universal monarch, defender of the faith, magnanimous peacemaker, and reborn Roman Emperor became the mission of artists, poets, and chroniclers, who shaped contemporary perceptions of him and engaged in his political promotion. Music was equally essential to the making of his image, as this book shows. It reconstructs musical life at his court, by examining the compositions which emanated from it, the ordinances prescribing its rituals and ceremonies, and his prestigious chapel, which reflected his power and influence.    A major contribution, offering new documentary material and bringing together the widely dispersed information on the music composed to mark the major events of Charles's life. It offers.a very useful insight into music as one of many elements that served to convey the notion of the emperor-monarch in the Renaissance. TESS KNIGHTON     Mary Ferer is Associate Professor at the College of Creative Arts, West Virginia University.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52135034257681,"sku":"NLS9781843836995","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781843836995.jpg?v=1757546708"},{"product_id":"critical-companion-to-medieval-motets-book-jared-c-hartt-9781783273072","title":"A Critical Companion to Medieval Motets","description":"First full comprehensive guide to one of the most important genres of music in the Middle Ages.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52143277048081,"sku":"NLS9781783273072","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781783273072.jpg?v=1757583749"},{"product_id":"music-and-meaning-in-old-hispanic-lenten-chants-book-emma-hornby-9781843838142","title":"Music and Meaning in Old Hispanic Lenten Chants","description":"The tradition of Old Hispanic liturgical chant is here examined through a new methodology, enabling striking new insights into its use.  Medieval Iberian liturgical practice was independent of the Roman liturgy. As such, its sources preserve an unfamiliar and fascinating devotional journey through the liturgical year. However, although Old Hispanic liturgical chanthas long been considered one of the most important medieval chant traditions, what musical notation to survive shows only where the melodies rise and fall, not precise intervals or pitches. This lack of pitch-readable notation has prevented scholars from fully engaging with the surviving sources - a gap which this book aims to fill, via a new methodology for analysing the melodies and the relationship between melody and text.  Focussing on three genres of chant sung during the Old Hispanic Lent (the threni, psalmi, and Easter Vigil canticles), the book takes a holistic view of the texts and melodies, setting them in the context of their liturgical and intellectual surroundings, and, for the Easter Vigil, exploring the relationship between different Old Hispanic traditions and other western liturgies. It concludes that the theologically purposeful text selections combine with carefully shaped melodies to guide the devotional practice of their hearers.    Emma Hornby is a Reader in Music , University of Bristol; Rebecca Maloy is Associate Professor of Music, University of Colorado at Boulder.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52148392231185,"sku":"NLS9781843838142","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":53084088140049,"sku":"NIN9781843838142","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781843838142.jpg?v=1757603457"},{"product_id":"segovia-manuscript-book-wolfgang-fuhrmann-9781783274635","title":"The Segovia Manuscript","description":"Essays illuminating a complex and sophisticated musical manuscript.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52149383790865,"sku":"NLS9781783274635","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781783274635.jpg?v=1757606663"},{"product_id":"medieval-liturgical-chant-and-patristic-exegesis-book-emma-hornby-9781843834717","title":"Medieval Liturgical Chant and Patristic Exegesis","description":"A sensitive and detailed investigation of the complex relationship between text and music in medieval chant.  How do text and melody relate in western liturgical chant? Is the music simply an abstract vehicle for the text, or does it articulate textual structure and meaning? These questions are addressed here through a case study of the second-mode tracts, lengthy and complex solo chants for Lent, which were created in the papal choir of Rome before the mid-eighth century. These partially formulaic chants function as exegesis, with non-syntactical text divisions and emphatic musical phrases promoting certain directions of inner meditation in both performers and listeners. Dr Hornby compares the four second-mode tracts representing the core repertory to related ninth-century Frankish chants, showing that their structural and aesthetic principles are neither Frankish nor a function of their notation in the earliest extant manuscripts, but are instead a well-remembered written reflection of a long oral tradition, stemming from Rome.   Dr EMMA HORNBY teaches in the Department of Music at the University of Bristol.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52338003607825,"sku":"NLS9781843834717","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781843834717.jpg?v=1758168284"},{"product_id":"church-music-of-fifteenth-century-spain-book-kenneth-kreitner-9781843830757","title":"The Church Music of Fifteenth-Century Spain","description":"Winner of the 2007 AMS Robert M. Stevenson prize The arrival of Francisco de Pe alosa at the Aragonese court in May 1498 marks something of an epoch in the history of Spanish music: Pe alosa wrote in a mature, northern-oriented style, and his sacred music influenced Iberian composers for generations after his death. Kenneth Kreitner looks at the church music sung by Spaniards in the decades before Pe alosa, a repertory that has long been ignored because much of it is anonymous and because it is scattered through manuscripts better known for something else. He identifies sixty-seven pieces of surviving Latin sacred music that were written in Spain between 1400 and the early 1500s, and he discusses them source by source, revealing the rapid and dramatic change, not only in the style and sophistication of these pieces, but in the level of composerly self-consciousness shown in the manuscripts. Within a generation or so at the end of the fifteenth century, Spanish musicians created a new national music just as Ferdinand and Isabella were creating a new nation. KENETH KREITNER teaches at the University of Memphis.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52403799982353,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52403800310033,"sku":"NLS9781843830757","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781843830757.jpg?v=1758762203"},{"product_id":"medieval-songbook-book-elizabeth-eva-leach-9781783276523","title":"A Medieval Songbook","description":"Detailed exploration of an enigmatic manuscript containing the texts to hundreds of songs, but no musical notation.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52407796531473,"sku":"NLS9781783276523","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":52863723602193,"sku":"NGR9781783276523","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781783276523.jpg?v=1758773140"},{"product_id":"citation-and-authority-in-medieval-and-renaissance-musical-culture-book-suzannah-clark-9781843831662","title":"Citation and Authority in Medieval and Renaissance Musical Culture","description":"Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.  Essays in honour of Margaret Bent.  The chapters of this book probe the varied functions of citation and allusion in medieval and renaissance musical culture. At its most fundamental level musical culture relied on shared models for musical practice, used by singers and composers as they learned their craft. Several contributors to this volume investigate general models, which often drew on earlier musical works, internalized in the process of composers' own training as singers.  In written theoretical musical pedagogy, conversely, citation of authority is deliberate and intentional. The adaptation of accepted wisdom in theoretical treatises was the means by which newer authors stamped their own authority. Further kinds of citation occur in specific musical texts, either within the words set to music or in the music itself.  The diverse functions of citation and allusion for the creator, reader, scribe, performer and listener are here given due consideration. In doing so, this volume is a fitting tribute to Margaret Bent, whose pedagogy, publications, and presence are honoured in this Festschrift.  Contributors: SUSAN RANKIN, GILLES RICO, CHRISTIAN THOMAS LEITMEIR, BARBARA HAGGH, LEOFRANC HOLFORD-STREVENS, ANDREW WATHEY, KEVIN BROWNLEE, ALICE V. CLARK, LAWRENCE M. EARP, VIRGINIA NEWES, JOHN MILSOM, DAVID HOWLETT, REINHARD STROHM, THEODOR DUMITRESCU, CRISTLE COLLINS JUDD, BONNIE J. BLACKBURN","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52453578572049,"sku":"NLS9781843831662","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781843831662.jpg?v=1759368427"},{"product_id":"music-in-elizabethan-court-politics-book-katherine-butler-bsc-mbbch-9781843839811","title":"Music in Elizabethan Court Politics","description":"Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.  Queen Elizabeth I (1558-1603) had a strong reputation for musicality; her court musicians, Thomas Tallis and William Byrd, even suggested that music was indispensable to the state. But what roles did music play in Elizabethan court politics? How did a musical image assist the Queen in projecting her royal authority? What influence did her private performances have on her courtships, diplomatic affairs, and relationships with courtiers? To what extent did Elizabeth control court music, or could others appropriate performances to enhance their own status and achieve their ambitions? Could noblemen, civic leaders, or even musicians take advantage of Elizabeth's love of music to present their complaints and petitions in song?  This book unravels the connotations surrounding Elizabeth's musical image and traces the political roles of music at the Elizabethan court. It scrutinizes the most intimate performances within the Privy Chamber, analyses the masques and plays performed in the palaces, and explores the grandest musical pageantry of tournaments, civic entries, and royal progresses. This reveals how music served as a valuable means for both the tactful influencing of policies and patronage, and the construction of political identities and relationships. In the late Tudor period music was simultaneously a tool of authority for the monarch and an instrumentof persuasion for the nobility.    KATHERINE BUTLER is a Senior Lecturer at Northumbria University, Newcastle.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52472041242897,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52472041898257,"sku":"NLS9781843839811","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781843839811.jpg?v=1759837266"},{"product_id":"young-choristers-650-1700-book-susan-boynton-9781843834137","title":"Young Choristers, 650-1700","description":"First full-length consideration of the role played by young singers, bringing out its full significance and its development over time.  Young singers played a central role in a variety of religious institutional settings: urban cathedrals, collegiate churches, monasteries, guilds, and confraternities. The training of singers for performance in religious services was so crucial as to shape the very structures of ecclesiastical institutions, which developed to meet the need for educating their youngest members; while the development of musical repertories and styles directly reflected the ubiquitous participation of children's voices in both chant and polyphony. Once choristers' voices had broken, they often pursued more advanced studies either through an apprenticeship system or at university, frequently with the help of the institutions to which they belonged.  This volume provides  the first wide-ranging book-length treatment of the subject, and will be of interest to music historians - indeed, all historians - who wish to understand the role of the young  in sacred musical culture before 1700.   SUSAN BOYNTON is Associate Professor of Historical Musicology at Columbia University; ERIC RICE is Assistant Professor of Music at the University of Connecticut at Storrs.   CONTRIBUTORS: SUSAN BOYNTON, SANDRINE DUMONT, JOSEPH DYER, JANE FLYNN, ANDREW KIRKMAN, NOEL O'REGAN, ALEJANDRO PLANCHART, RICHARD RASTALL, COLLEEN REARDON, ERIC RICE, JUAN RUIZ JIMENEZ, ANNE BAGNALL YARDLEY","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52477864509713,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52477865853201,"sku":"NLS9781843834137","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781843834137.jpg?v=1759846305"},{"product_id":"essays-on-renaissance-music-in-honour-of-david-fallows-book-fabrice-fitch-9781843836193","title":"Essays on Renaissance Music in Honour of David Fallows","description":"This volume celebrates the work of David Fallows, one of the most influential scholars in the field of medieval and Renaissance music. 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This small book, packed with gorgeous gold leaf illuminations, historiated initials, and exquisite music calligraphy, is one of the most famous of all surviving music manuscripts, fundamental to understandings of the development of thirteenth- and fourteenth-century polyphonic composition. At some point in its historyan eighth section (fascicle) of 48 folios was appended to the codex: when and why this happened has long perplexed scholars. The forty-three works contained in the manuscript's final section represent a collection of musical compositions, assembled at a complex moment of historical change, straddling the historiographical juncture between the thirteenth and fourteenth centuries. This book provides the first in-depth exploration of the contents and contexts of the Montpellier Codex's final fascicle. It explores the manuscript's production, dating, function, and notation, offering close-readings of individual works, which illuminate compositionally progressive features of therepertoire as well as its interactions with existing musical and poetic traditions, from a variety of perspectives: thirteenth- and fourteenth-century music, art history, and manuscript culture. CATHERINE A. BRADLEY isan Associate Professor at the University of Oslo; KAREN DESMOND is Assistant Professor of Music at Brandeis University. Contributors: Rebecca A. Baltzer, Edward Breen, Sean Curran, Rachel Davies, Margaret Dobby, Mark Everist, Solomon Guhl-Miller, Anna Kathryn Grau, Oliver Huck, Anne Ibos-Aug , Eva M. 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