
America on Film by Harry M Benshoff
"America on Film: Representing Race, Class, Gender, and Sexuality in the Movies" is a lively introduction to issues of diversity as represented within the American cinema. The first synthetic and historical text of its kind, "America on Film" provides a comprehensive overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, and sexuality. The volume chronicles the cinematic history of various cultural groups, examines forces and institutions of bias, and stimulates discussion about the relationship between film and American national culture.Accessible and user-friendly, "America on Film" features 101 illustrations, a glossary of key terms, questions for discussion, and lists for further reading and further viewing. The book is organized within a broad historical framework, with specific theoretical concepts - including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory - integrated throughout. Each individual chapter features a concise overview of the topic at hand, a discussion of representative films, figures, and movements, and an in-depth analysis of a single film, including "The Lion King", "The Jazz Singer", "Smoke Signals", "The Grapes of Wrath", and "The Celluloid Closet".
Although referring to race, class, and gender has been commonplace in film studies for some time, remarkably this excellent textbook is the first to give a full, comprehensive account of these important issuesBenshoff and Griffin write in a clear style and illustrate all their major points with case studies of films. Their work is up-to-date and historically informed. A broad range of topics includes heterosexual and queer perspectives, masculinity and femininity, Whiteness, Native Americans, African Americans, Asian Americans, and Latinos. Highly recommended. Peter Lehman, Arizona State University With W. E. B. DuBois's twentieth-century 'color line' now morphing into the twenty-first-century 'difference line', America on Film becomes particularly relevant in its comprehensive exploration of the new cinematic horizon. This outstanding volume is necessary and compelling reading for all - from scholar, to student, to movie fan - who want to understand the politics of representation in the age of 'difference'. Ed Guerrero, New York University
Harry M. Benshoff is associate professor of radio, television, and film at the University of North Texas and author of Monsters in the Closet: Homosexuality and the Horror Film. Sean Griffin is associate professor of film and media studies at Southern Methodist University and author of Tinker Belles and Evil Queens: The Walt Disney Company from the Inside Out. They are the co-authors of America on Film and the co-editors of Queer Cinema: The Film Reader.
| SKU | Nicht verfügbar |
| ISBN 13 | 9780631225836 |
| ISBN 10 | 0631225838 |
| Titel | America on Film |
| Autor | Harry M Benshoff |
| Buchzustand | Nicht verfügbar |
| Bindungsart | Paperback |
| Verlag | Wiley-Blackwell |
| Erscheinungsjahr | 2003-08-26 |
| Seitenanzahl | 392 |
| Hinweis auf dem Einband | Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden. |
| Hinweis | Nicht verfügbar |