An American Tragedy (Volume II) by Theodore Dreiser

An American Tragedy (Volume II) by Theodore Dreiser

The pocket-sized FLAME TRE COLECTABLE CRIME CLASICS are chosen to create a delightful and timeless gift library of classic crime and mystery thrillers. Each stunning unabridged edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges.

Theodore Dreiser's An American Tragedy was inspired by an infamous real life criminal case. First published in 1925, Dreiser chronicles the life of a young man eager to raise his status, but whose recklessness and moral weakness prove to be his undoing. Raised in poverty by devout missionaries, Clyde Griffiths longs for more. After getting a job at a grand Kansas City hotel, his dreams finally seem in reach, but his self-interest and obsession with the material lead him to commit one transgression after another, ultimately leading to murder. A specially commissioned biography of the author and a glossary of Victorian and Literary terms make this new edition essential for all classic crime fans

A specially commissioned biography of the author and a glossary of Victorian and Literary terms make this new edition essential for all classic crime fans

Theodore Dreiser, one of the principal exponents of naturalism in American literature, was born in Terre Haute, Indiana, on August 27, 1871, into a large family of German ancestry. He endured a rootless upbringing as his parents moved their ten children to different towns in search of employment. Along the way Dreiser received an erratic education in various parochial and public schools; he read voraciously from an early age and was largely self-taught. He began his writing career in 1892 as a cub reporter for the Chicago Daily Globe, an experience he recalled in A Book About Myself (1922; republished as Newspaper Days in 1931), and later wrote for the St. Louis Globe-Democrat and the Pittsburgh Dispatch. His years as a journalist proved instrumental in developing the exhaustively detailed style that is the hallmark of his fiction. In 1894 Dreiser arrived in New York City and became editor of Ev'ry Month, a moderately successful literary magazine. Encouraged by a publishing colleague, he turned out short stories and entertained thoughts about writing a novel.

In October 1899 Dreiser inscribed two words--'Sister Carrie'--on a clean sheet of paper and proceeded to compose a breakthrough work that propelled American literature into the twentieth century. 'I have found a masterpiece . . . it must be published, ' said Frank Norris, a reader for Doubleday, Page and Company, to whom Dreiser submitted the manuscript. (The firm had just brought out Norris's novel McTeague, another unretouched picture of American life.) Despite the strong objections of senior partner Frank Doubleday, who detested the book and refused to promote it, Sister Carrie was published on November 8, 1900. The reviews were violently adverse, and the novel sold poorly. Genteel readers perceived the unsparing story of Caroline Meeber's rise to riches as a direct affront to the standards by which respectable Americans claimed to live.

'Ultimately, what shocked the world in Dreiser's work was not so much the things that he presented as the fact that he himself was not shocked by them, ' observed Robert Penn Warren.

The commercial failure of Sister Carrie forced Dreiser to abandon fiction temporarily, and over the next decade he occupied editorial positions on several popular magazines. With the encouragement of H. L. Mencken, one of his most persistent defenders and promoters, Dreiser eventually resumed writing. His second novel, Jennie Gerhardt, was both a commercial and a popular success when it appeared in 1911, though many regarded this frank story about the sexual experiences of a young girl as a threat to moral standards. After its publication Dreiser pledged all of his creative energy to literature, writing The Financier (1912), a story about the rise of an unscrupulous tycoon, which became the first book in a trilogy that included The Titan (1914) and The Stoic (1947).

Dreiser's next novel, The 'Genius' (1915), a highly autobiographical work portraying the artist as Nietzschean superman who lives beyond conventional moral codes, was threatened with censorship. The successful campaign to save it from suppression proved a pivotal victory in the fight for American literary freedom. During this period Dreiser also wrote two engaging memoirs, A Traveler at Forty (1913) and A Hoosier Holiday (1916); a compendium of philosophical essays, Hey Rub-a-Dub-Dub (1920); two volumes of drama, Plays of the Natural and the Supernatural (1916) and The Hand of the Potter (1919); as well as several collections of short stories, sketches, and articles, including Free and Other Stories (1918), Twelve Men (1919), and The Color of a Great City (1923).

The publication of An American Tragedy in 1925 established Dreiser as the foremost American novelist of his time. Based on newspaper accounts of a sensational murder case, the work was dramatized on Broadway and sold to Paramount Pictures, which released a film version in 1931. Yet afterward Dreiser virtually abandoned the novel as an art form. He composed two books of poetry, Moods, Cadenced and Declaimed (1926) and The Aspirant (1929). He also wrote Chains (1927), a second volume of short stories, and A Gallery of Women (1929), a collection of biographical sketches. Dawn, another work of autobiography, came out in 1931.

Dreiser became increasingly preoccupied with philosophical and political issues during the last two decades of his life. Two volumes of essays, Dreiser Looks at Russia (1928) and Tragic America (1932), reflect his growing involvement with socialism. America Is Worth Saving (1941), the last book Dreiser published during his lifetime, announced his complete conversion to Communism. In 1944, the year before his death, he was honored with an Award of Merit by the American Academy of Arts and Letters. Theodore Dreiser died of a heart attack at his home in Hollywood on December 28, 1945. His two last novels, The Bulwark (1946) and The Stoic (1947), appeared soon afterward, along with The Best Short Stories of Theodore Dreiser (1947).

Several works drawn from Dreiser's unpublished papers and diaries appeared in later years, notably Letters of Theodore Dreiser (1959), Theodore Dreiser: A Selection of Uncollected Prose (1977), American Diaries, 1902-1926 (1982), and An Amateur Laborer (1983). Three volumes of his early journalism were also issued posthumously: Selected Magazine Articles of Theodore Dreiser (1985), Journalism, Volume One (1988), and Theodore Dreiser's 'Heard in the Corridors' Articles and Related Writings (1988).

'Dreiser more than any other man, marching alone, usually unappreciated, often hated, has cleared the trail from Victorian timidity and gentility in American fiction to honesty and boldness and passion of life, ' concluded Sinclair Lewis.

SKU	Nicht verfügbar
ISBN 13	9789388370912
ISBN 10	9388370910
Titel	An American Tragedy (Volume II)
Autor	Theodore Dreiser
Buchzustand	Nicht verfügbar
Bindungsart	Paperback
Verlag	Lector House
Erscheinungsjahr	2019-07-08
Seitenanzahl	320
Hinweis auf dem Einband	Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Hinweis	Nicht verfügbar