The Barbarian Invasions by Eric Michaud

Zu Produktinformationen springen
1 von 1

Klicken, um hineinzusehen

The Barbarian Invasions by Eric Michaud

Regular price
Checking stock...
Regular price
Checking stock...
Proud to be B-Corp

Our business meets the highest standards of verified social and environmental performance, public transparency and legal accountability to balance profit and purpose. In short, we care about people and the planet.

The feel-good place to buy books
  • Free delivery in the UK
  • Supporting authors with AuthorSHARE
  • 100% recyclable packaging
  • B Corp - kinder to people and planet
  • Buy-back with World of Books - Sell Your Books

The Barbarian Invasions by Eric Michaud

How the history of art begins with the myth of the barbarian invasion--the romantic fragmentation of classical eternity.

The history of art, argues ric Michaud, begins with the romantic myth of the barbarian invasions. Viewed from the nineteenth century, the Germanic-led invasions of the Roman Empire in the fifth century became the gateway to modernity, seen not as a catastrophe but as a release from a period of stagnation, renewing Roman culture with fresh, northern blood--and with new art that was anti-Roman and anticlassical. Artifacts of art from then on would be considered as the natural product of races and peoples rather than the creation of individuals. The myth of the barbarian invasions achieved the fragmentation of classical eternity.

This narrative, Michaud explains, inseparable from the formation of nation states and the rise of nationalism in Europe, was based on the dual premise of the homogeneity and continuity of peoples. Local and historical particularities became weapons aimed at classicism's universalism. The history of art linked its objects with racial groups--denouncing or praising certain qualities as Latin or Germanic. Thus the predominance of linear elements was thought to betray a southern origin, and the painterly a Germanic or northern source. Even today, Michaud points out, it is said that art best embodies the genius of peoples. In the globalized contemporary art market, the ethnic provenance of works--categorized, for example, as African American, Latino, or Native American--creates added value. The market displays the same competition among races that was present at the foundation of art history as a discipline.

Éric Michaud is Directeur d'études at the École des hautes études en sciences sociales, Paris, and a 2018-2019 Fellow at the Italian Academy at Columbia University.
SKU Nicht verfügbar
ISBN 13 9780262043151
ISBN 10 0262043157
Titel The Barbarian Invasions
Autor Eric Michaud
Serie October Books
Buchzustand Nicht verfügbar
Bindungsart Hardback
Verlag MIT Press Ltd
Erscheinungsjahr 2019-12-03
Seitenanzahl 280
Hinweis auf dem Einband Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.