Everyday Writing Center by Anne Ellen Geller

Everyday Writing Center by Anne Ellen Geller

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Everyday Writing Center by Anne Ellen Geller

The Everyday Writing Center challenges some of the most comfortable traditions in its field, and it does so with a commitment and persuasiveness that one seldom sees in scholarly discussion. The book, at its core, is an argument for a new writing center consciousness--one that makes the most of the writing center's unique, and uniquely fluid, identity.

Writing center specialists live with a liminality that has been acknowledged but not fully explored in the literature. Their disciplinary identity is with the English department, but their mission is cross-disciplinary; their research is pedagogical, but they often report to central administration. Their education is in humanities, but their administrative role demands constant number-crunching. This fluid identity explains why Trickster--an icon of spontaneity, shape-shifting, and the creative potential of chaos--has come to be a favorite cultural figure for the authors of this book.

Adapting Lewis Hyde and others, these authors use Trickster to develop a theme of ordinary disruptions ("the everyday") as a source of provocative learning moments that can liberate both student writers and writing center staff. At the same time, the authors parlay Etienne Wenger's concept of "community of practice" into an ethos for a dynamic, learner-centered pedagogy that is especially well-suited to the peculiar teaching situation of the writing center.

Through Trickster, they question not only accepted approaches to writing center pedagogy, but conventional approaches to race, time, leadership, and collaboration as well. They encourage their field to exploit the creative potential in ordinary events that are normally seen as disruptive or defeating, and they challenge traditions in the field that tend to isolate a writing center director from the department and campus.

Yet all is not random, for the authors anchor this high-risk/high-yield approach in their commitment to a version of Wenger's community of practice. Conceiving of themselves, their colleagues, student writers, and student tutors as co-learners engaged together in a dynamic life of learning, the authors find a way to ground the excess and randomness of the everyday, while advancing an ethic of mutual respect and self-challenge.

Committed to testing a region beyond the edge of convention, the authors of The Everyday Writing Center constantly push themselves and their field toward deeper, more significant research, and more reflective, dynamic teaching.

Shannon Madden holds a Ph.D. in composition, rhetoric, and literacy from the University of Oklahoma. Her coedited and coauthored work on equitable and inclusive practices for student writers has been published in Writing and Pedagogy, Praxis: A Writing Center Journal, Computers and Composition, and Kairos Praxis Wiki.

Michele Eodice is the Senior Writing Fellow in the Center for Faculty Excellence at the University of Oklahoma. She is a coauthor of The Meaningful Writing Project, Working with Faculty Writers, The Everyday Writing Center, and (First Person)�.

Kirsten T. Edwards is the Linda Clarke Anderson Presidential Professor and associate department chair of Educational Leadership and Policy Studies, as well as core affiliate faculty for African and African American Studies, Women's and Gender Studies, and the Center for Social Justice at the University of Oklahoma.

Alexandria Lockett is assistant professor of English at Spelman College. She publishes about the technological politics of race, surveillance, and access. Her work has appeared in Composition Studies, Enculturation, and Praxis, as well as in several chapters in edited collections.

SKU Nicht verfügbar
ISBN 13 9780874216561
ISBN 10 0874216567
Titel Everyday Writing Center
Autor Anne Ellen Geller
Buchzustand Nicht verfügbar
Bindungsart Paperback
Verlag Utah State University Press
Erscheinungsjahr 2006-12-28
Seitenanzahl 154
Hinweis auf dem Einband Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.