Five Fifty-Five by Maura Dooley
Maura Dooleys poetry is renowned for embracing both lyricism and political consciousness, for its fusion of head and heart. Five Fifty-Five is a book of quizzical poems concerned with time and mortality which ask fundamental questions about our lives. It is her sixth collection, her first since The Silvering (2016).
The Silvering occupies and explores more deeply the well-planted ground she has made for herselfThe poems in this book move with customary reverence between the stripped lyric and something that approaches narrative but never quite becomes it. Her lyrics are often pared back, transformative acts, particularly adept at the making strange... This is not just an act of compression but a master-class in the paradox of elliptical inclusion. And there are many poems in this collection that achieve this. -- Vona Groarke & Tim Liardet * PBS Bulletin *
A collection of elegiac poems that make us think in new ways about absence. Dooley looks at what happens when we encounter the memory of something or someone lost, and records how those memories are fixed, like photographs, in the “silvering”. The emotions revisited are as fresh and powerful as they were when first felt. -- Lavinia Greenlaw * The Week (Best books), on The Silvering *
Mystery, memory, uncertainty are recurring motifs in these (mostly) brief lyrics that both relish our perceptions and doubt their staying power. -- Beverley Bie Brahic * Times Literary Supplement, on The Silvering *
A collection of elegiac poems that make us think in new ways about absence. Dooley looks at what happens when we encounter the memory of something or someone lost, and records how those memories are fixed, like photographs, in the “silvering”. The emotions revisited are as fresh and powerful as they were when first felt. -- Lavinia Greenlaw * The Week (Best books), on The Silvering *
Mystery, memory, uncertainty are recurring motifs in these (mostly) brief lyrics that both relish our perceptions and doubt their staying power. -- Beverley Bie Brahic * Times Literary Supplement, on The Silvering *
Maura Dooley was born in Truro, grew up in Bristol, worked for some years in Yorkshire, and has lived in London for the past 25 years. She is a freelance writer and lectures at Goldsmiths’ College. She edited Making for Planet Alice: New Women Poets (1997) and The Honey Gatherers: A Book of Love Poems (2002) for Bloodaxe, and How Novelists Work (2000) for Seren. Her selection, Sound Barrier: Poems 1982-2002, was published by Bloodaxe in 2002, drawing on collections including Explaining Magnetism (1991) and Kissing a Bone (1996), both Poetry Book Society Recommendations. Kissing a Bone and her later collection Life Under Water, a Poetry Book Society Recommendation in 2008, were both shortlisted for the T.S. Eliot Prize. Her poem 'Cleaning Jim Dine's Heart' was shortlisted for the Forward Prize for Best Single Poem in 2015, and was included in her collection, The Silvering (2016), also a Poetry Book Society Recommendation. She received a Cholmondeley Award from the Society of Authors in 2016. Her translation (with Elhum Shakerifar) of Azita Ghahreman's Negative of a Group Photograph (Farsi title: نگاتیو یک عکس دسته جمعی) was published by Bloodaxe Books with the Poetry Translation Centre in 2018. Negative of a Group Photograph was shortlisted for the Warwick Prize for Women in Translation 2019. A new collection, Five Fifty-Five, is published by Bloodaxe in 2023.
| SKU | Nicht verfügbar |
| ISBN 13 | 9781780376578 |
| ISBN 10 | 178037657X |
| Titel | Five Fifty-Five |
| Autor | Maura Dooley |
| Buchzustand | Nicht verfügbar |
| Bindungsart | Paperback |
| Verlag | Bloodaxe Books Ltd |
| Erscheinungsjahr | 2023-04-27 |
| Seitenanzahl | 64 |
| Hinweis auf dem Einband | Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden. |
| Hinweis | Nicht verfügbar |