The Future of Memory
The Future of Memory
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The Future of Memory by Nicolaus Schafhausen
Digital communication and virtual interlacing shape our world today and influence our collective memory. Remembering the past, experiencing the present and imagining the future all meld to become part of a seemingly equivalent imagery in digital space. Held at Kunsthalle Wien from February 4 until March 29, 2015, the exhibition The Future of Memory critically challenged constructions of reality and investigated the conditions under which individual and collective memory evolve. - - Digitale Kommunikation und virtuelle Vernetzung pragen nicht nur unsere Gegenwart, sondern beeinflussen auch unser kulturelles Gedachtnis. Die Erinnerung an die Vergangenheit, das Erleben der Gegenwart und die Vorstellung von der Zukunft vereinen sich im digitalen Raum zu fur uns scheinbar gleichen Bildern. Die Ausstellung The Future of Memory wurde vom 4. Februar bis 29. Marz 2015 in der Kunsthalle Wien gezeigt. Die ausgewahlten Arbeiten untersuchten Konstrukte von Realitat und die Bedingungen, zu denen individuelle Erinnerung und ein kollektives Gedachtnis entstehen. Artists-Kunstler/innen: Julius von Bismarck, Igor Bo njak, Antoine Catala, Julian Charriere, Keren Cytter, Edith Dekyndt, Simon Denny, Aleksandra Domanovic, Dani Gal, Florian Hecker, Leon Kahane, Daniel Keller, Hanne Lippard, Deimantas Narkevicius, Katja Novitskova, Yuri Pattison, Jon Rafman, Adriana Ramic, Antoine Renard, Mandla Reuter, Meggy Rustamova, Augustas Serapinas, Michael Staniak, Philipp Timischl, Amalia Ulman, Ignacio Uriarte, Dragana arevac
Clint Burnham is the author of book-length studies of Steve McCaffery and Fredric Jameson, a novel titled Smoke Show (2005) and several books of poetry. His latest book of poetry, The Benjamin Sonnets, was published in 2009. Clint has written on art in fillip, Flash Art, Camera Austria, Vancouver Sun, Canadian Art, Artforum, and Globe and Mail, and he currently blogs at momus.ca. He co-edited the art catalogue Digital Natives with Lorna Brown, From Text to Texting with Paul Budra, and an issue of Canadian Literature on 21st century poetics with Christine Stewart; his most recent critical book is The Only Poetry that Matters: Reading the Kootenay School of Writing. His most recent art writing includes a catalogue essay on Canadian photographer Kelly Wood, a contribution to the For Machine Use Only exhibition catalogue at the Schneiderei Galerie (Vienna), and an essay for the Future of Memory exhibition at the Kunsthalle Wien; a catalogue essay is also forthcoming for the Vancouver photographer Henri Robideau's retrospective at the grunt gallery, and an essay on Edward Burtynsky is in the forthcoming Petrocultures collection from McGill-Queens. Burnham is an associate member of the SFU Department of Geography and a member of SFU's Centre for Global Political Economy. During his sabbatical in 2014-15, Prof. Burnham completed a residency at the Urban Subjects Collective in Vienna, where he wrote books on Slavoj Zizek and digital culture, and on Fredric Jameson and Wolf of Wall Street. Clint is a founding member of the Vancouver Lacan Salon, and can be followed on twitter @Prof_Clinty.
| SKU | Nicht verfügbar |
| ISBN 13 | 9783852470573 |
| ISBN 10 | 3852470579 |
| Titel | The Future of Memory |
| Autor | Nicolaus Schafhausen |
| Buchzustand | Nicht verfügbar |
| Bindungsart | Paperback |
| Verlag | Kunsthalle Wien |
| Erscheinungsjahr | 2015-02-13 |
| Seitenanzahl | 170 |
| Hinweis auf dem Einband | Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden. |
| Hinweis | Nicht verfügbar |