Montages by Cristina Baldacci

Montages by Cristina Baldacci

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Zusammenfassung

Montage, today, is a widespread procedure that doesn’t concern just artistic production, but also our daily lives and the use everyone makes of that huge visual archive contemporary media places at our disposal.

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Montages by Cristina Baldacci

Montage, today, is a widespread procedure that doesn’t concern just artistic production, but also our daily lives and the use everyone makes of that huge visual archive contemporary media places at our disposal. In a technologically advanced society, where the notion of postproduction regulates our relationship with images and objects, it is therefore necessary to thoroughly investigate the role, possibilities, and, most of all, anthropological and politic connotations of montage; and to ask ourselves whether – in comparison to the heroic years of the first avant-gardes – montage has become a faded and standardized practice or if it is a more and more effective means to understand and reprogram the world, especially in relation to the technical possibilities offered by new media and remix practices.
Bertozzi, Marco: - Marco Bertozzi is Professor of Documentary and Experimental Cinema at Universit� Iuav di Venezia and filmmaker. He has published numerous studies on documentary cinema and the relationships between cinema, architecture, and the city. His latest books are: Storia del documentario italiano (2008); Recycled Cinema (2012); Documentario come Arte. Riuso, performance, autobiografia nell'esperienza del cinema contemporaneo (2018). As a filmmaker, Bertozzi has directed, among others, Roman Notes (2004), Predappio in luce (2008) and Cinema grattacielo (2017).
SKU Nicht verfügbar
ISBN 13 9788869771026
ISBN 10 8869771024
Titel Montages
Autor Cristina Baldacci
Serie Cinema And Contemporary Art
Buchzustand Nicht verfügbar
Bindungsart Paperback
Verlag Mimesis International
Erscheinungsjahr 2018-05-14
Seitenanzahl 250
Hinweis auf dem Einband Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.