Painting Below Zero by James Rosenquist

Painting Below Zero by James Rosenquist

From James Rosenquist, one of our most iconic pop artists--along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein--comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting.

Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns.

Rosenquist writes about his shows with the dealers Richard Bellamy, Ileana Sonnabend, and Leo Castelli, and about colorful collectors like Robert and Ethel Scull. We learn about the 1971 car crash that left his wife and son in a coma and his own life and work in shambles, his lobbying--along with Rauschenberg--for artists' rights in Washington D.C., and how he got his work back on track.

With his distinct voice, Roseqnuist writes about the ideas behind some of his major paintings, from the startling revelation that led to his first pop painting, Zone, to his masterpiece, F-I, a stunning critique of war and consumerism, to the cosmic reverie of Star Thief.

This is James Rosenquist's story in his own words--captivating and unexpected, a unique look inside the contemporary art world in the company of one of its most important painters.

David Dalton is a New York Times bestselling author, founding editor of Rolling Stone, recipient of the Columbia School of Journalism Award, and winner of the Ralph J. Gleason Best Rock Book of the Year award for Faithfull. He has written some twenty-odd books, including biographies of James Dean, Jim Morrison, Janis Joplin, Sid Vicious, the Rolling Stones, and, in 2009, a critically acclaimed biography of Andy Warhol, Pop. Dalton is the coauthor (with Jonathan Cott) of Get Back, the only book ever commissioned by the Beatles. He lives in upstate New York with his family and an assortment of llamas, horses, sheep, and a pig named Tiny (hint, he isn't).

SKU	Nicht verfügbar
ISBN 13	9780307263421
ISBN 10	0307263428
Titel	Painting Below Zero
Autor	James Rosenquist
Buchzustand	Nicht verfügbar
Bindungsart	Hardback
Verlag	Alfred A. Knopf
Erscheinungsjahr	2009-10-27
Seitenanzahl	384
Hinweis auf dem Einband	Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Hinweis	Nicht verfügbar