The Philosophy of Film Noir by Mark T Conard

The Philosophy of Film Noir by Mark T Conard

Regular price
Checking stock...
Regular price
Checking stock...
Zusammenfassung

From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia.

The feel-good place to buy books
  • Free delivery in the UK
  • Supporting authors with AuthorSHARE
  • 100% recyclable packaging
  • B Corp - kinder to people and planet
  • Buy-back with World of Books - Sell Your Books

The Philosophy of Film Noir by Mark T Conard

From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era. The Philosophy of Film Noir explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explore the philosophical underpinnings of classic films such as The Big Sleep (1946), Out of the Past (1947), and Pulp Fiction (1994). They show how existentialism and nihilism dominate the genre as they explore profound themes in a vital area of popular culture.
A fascinating, readable, and provocative book... Highly recommended. - Choice ""Dense and intriguing, the book suggests noir is best perceived as a slightly warped mirror held up to contemporary society."" - Publishers Weekly ""Explores the philosophical underpinnings of movies from the classical noir period and... suggests that films aren't noir merely because they share a consistent tone, or certain visual conventions, with the likes of The Maltese Falcon, The Postman Always Rings Twice, and Double Indemnity."" - Boston Globe ""An intellectually seductive, hardboiled romp through a world of moral murkiness, femme fatales, and desperately lonely protagonists."" - Eric Bronson, editor of Baseball and Philosophy
Mark T. Conard, assistant professor of philosophy at Marymount Manhattan College in New York City, is the editor of many books, including The Philosophy of Neo-Noir and The Philosophy of Martin Scorsese.
SKU Nicht verfügbar
ISBN 13 9780813191812
ISBN 10 0813191815
Titel The Philosophy of Film Noir
Autor Mark T Conard
Serie The Philosophy Of Popular Culture
Buchzustand Nicht verfügbar
Bindungsart Paperback
Verlag The University Press of Kentucky
Erscheinungsjahr 2005-01-27
Seitenanzahl 264
Hinweis auf dem Einband Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Hinweis Nicht verfügbar