The Rhetoric of Perspective by Hanneke Grootenboer

The Rhetoric of Perspective by Hanneke Grootenboer

Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception.  “An elegant and honourable synthesis.”—Keith Miller, Times Literary Supplement

SKU	Nicht verfügbar
ISBN 13	9780226309705
ISBN 10	0226309703
Titel	The Rhetoric of Perspective
Autor	Hanneke Grootenboer
Buchzustand	Nicht verfügbar
Bindungsart	Paperback
Verlag	The University of Chicago Press
Erscheinungsjahr	2006-12-31
Seitenanzahl	246
Hinweis auf dem Einband	Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.