{"title":"Aperture Magazine","description":"\u003cp\u003eAperture Magazine presents a stunning collection of photography books, showcasing diverse perspectives and groundbreaking visual narratives. Dive into compelling imagery that explores culture, identity, and the world around us. Browse and be inspired.\u003c\/p\u003e","products":[{"product_id":"aperture-233-family-book-michael-famighetti-9781597114363","title":"Aperture 233: Family","description":"“Family” delves into the ways photographers have chronicled their relationships with those closest to them, be it immediate family or their community of friends.   Aperture magazine is an essential guide to the art and phenomenon of photography, that combines the smartest writing with beautifully reproduced portfolios. Published quarterly, each issue focuses on a major theme in contemporary photography, serving as a book about its subject, for everyone interested in understanding where photography is heading. 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Reflecting on the founding editors’ original mission and drawing on Aperture’s global community of photographers, writers, and thinkers, this issue features seven original artist commissions as well as seven essays by some of the most incisive writers working today––each engaging with the magazine’s archive in distinct ways.   Among the original artist commissions, Iñaki Bonillas selects iconic images and texts from the Aperture’s archive from the 1950s to produce open-ended narrative collages. Dayanita Singh reflects on the 1960s and the family album as a serious photographic form. Yto Barrada enacts sculptural interventions to issues and spreads from the 1970s, using remnants of the late artist Bettina Grossman’s color paper cutouts. Mark Steinmetz draws inspiration from the magazine’s Summer 1987 issue, “Mothers \u0026amp; Daughters,” to compose a photo essay of his wife, the photographer Irina Rozovsky, and their daughter Amelia. Considering the matrix of censorship, art, and religion in the 1990s, John Edmonds creates a tableau about family, faith, and grief. Hannah Whitaker explores the turn of the century, and the ways in which our anxieties about technology create speculative worlds. And Hank Willis Thomas draws on Aperture’s issues from the 2010s to create a series of collages that reference traditional quilt patterning, revivifying history and remixing the present.  Looking back upon Aperture’s legacy, Darryl Pinckney reconsiders the photographer and editor Minor White, whose vision shaped the magazine for nearly two decades, beginning in the 1950s. Olivia Laing writes about the 1960s and the tensions between reportage and artistry in the work of Dorothea Lange, W. 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The issue features an expansive interview with Juergen Teller, whose photographs upend fashion’s vocabulary of glamour and aspiration, on the occasion of his major exhibition Juergen Teller: i need to live, opening at the Grand Palais Éphémère in Paris on December 16, 2023.  Photographers are natural voyeurs. The compulsion to want—or, in today’s parlance, to manifest—emerges throughout the work in this issue. Artists such as Nakeya Brown, Nabil Harb, Oto Gillen, Marcelo Gomes, and Jonathas de Andrade consider the body, the natural world, beguiling objects, and direct physical expressions of desire as the material for indelible images.  Andrew Maerkle profiles the celebrated Japanese photographer Ishiuchi Miyako, who for decades has conjured history through evocative personal objects, creating magnetic images that are at once surreal and surprisingly physical. Amanda Maddox considers a generation of women photographers whose work probes the feminist dynamics of seeing—and being seen. Moeko Fujii revisits Hisae Imai, an ascendent figure in Tokyo’s art and fashion scenes of the 1960s, and Lucy McKeon finds new resonance in the sensual self-portraits Melissa Shook made as a young woman and mother. In “Desire,” photographers render reality as unearthly—and take the viewer somewhere else altogether.  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In the Words section, Sérgio Burgisurveys the city's artistic activity across the twentieth century; Natalia Brizuela tells the story of Hercule Florence, who pioneered an early form of photography; Ronaldo Entler presents five politically engaged photography collectives; Cassiano Elek Machado reviews one record of the city's nuances and conflicts as preserved in photobooks; and Silas Martí looks at a new network of independent exhibition venues, residences, and galleries.  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Created in conjunction with Magnum Foundation and guest editor Susan Meiselas, this edition of Aperture, \"Documentary, Expanded,\" explores a cross-section of critical questions for practicing documentarians today, when the old models for producing and disseminating work have disappeared.   Meiselas, in an interview with Chris Boot, Aperture's executive director, discusses the need for photographers to adapt and embrace new technologies, tools, and strategies; Ariella Azoulay, in conversation with Creative Time's Nato Thompson, reflects on the important role of collaborative ways of working in the history of photography; Ethan Zuckerman considers the benefits and pitfalls of citizen journalism and image aggregation, while Lev Manovich presents his work with big data and social-media visualization. The essay section is rounded out by additional pieces by photojournalism experts Fred Ritchin and Stephen Mayes, and a dialogue between artist Hito Steyerl and theorist Thomas Keenan.  The magazine's portfolio section presents new projects that use social media, data mapping, or collaboration to engage on current social-political themes. Thomas Dworzak documents Instagram’s role as a political or news mouthpiece; Daniel Traub collaborates with local photographers to document African laborers in southern China; Wendy Ewald, Eric Gottesman, and members of Canada’s Innu people build a community archive; Emily Schiffer shares her photography and mapping project on Chicago's underserved South Side; artist James Bridle documents an invisible war with Dronestagram; Mari Bastashevski explores the global arms trade; and Teru Kuwayama discusses Basetrack, a social-media reporting project connecting Marines with their families.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52690055332113,"sku":"NLS9781597112802","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781597112802.jpg?v=1762336836"},{"product_id":"photography-as-you-don-t-know-it-book-aperture-9781597112352","title":"Photography as you don't know it","description":"Revisiting ten photographers who deserve renewed contemporary attention.  This edition of  Aperture, titled \"Photography as you don't know it,\" leading curators, historians, writers, and publishers introduce ten photographers they believe have been overlooked or are undervalued, and deserve more attention today. Why are some figures remembered and others forgotten?  In the Pictures section, Paul Trevor is introduced by Chris Boot; Seichi Furuya by David Strettell; Maria Sewcz by Britt Salvesen; Len Lye by Geoffrey Batchen; Ken Pate by Carole Naggar; Marianne Wex by David Campany; Ricardo Rangel by Bronwyn Law-Viljoen; Horacio Coppola by Sarah Hermanson Meister; and Rosângela Rennó by Thyago Nogueria.  In the Words section, Joel Smith considers the ever-expanding domain of photography history; Katrina Sluis speaks with Christiane Paul and Julian Stallabrass about how new technologies may shape future histories of photography; Brian Dillon considers London's Archive of Modern Conflict; Philip Gefter interviews Quentin Bajac, MoMA's new head of photography; and four writers reflect on exhibitions due for reconsideration. This issue presents many new names, underscoring how many stories of photography are just beginning to be told.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52690252923153,"sku":"NLS9781597112352","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":52752743596305,"sku":"NIN9781597112352","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781597112352.jpg?v=1762337254"},{"product_id":"sounds-aperture-224-book-michael-famighetti-9781597113663","title":"Sounds: Aperture 224","description":"The Magazine of Photography and Ideas. This edition of Aperture delves into the relationship between sound and image. How have photographers drawn inspiration from music? How have cultures of image making developed in tandem with music making? Whether capturing an intoxicating performance, or individuals lost in dance or caught in an ecstatic moment of listening, photographs give form to the ways sounds move us. This issue s features include John Jeremiah Sullivan's profile of William Eggleston and his long-standing passion for music, a conversation with Vancouver-based photo-conceptualist Stan Douglas, a remembrance of the legendary Malian photographer Malick Sidibe, Vinca Petersen's look at underground rave culture in the 1990s, plus Vince Aletti on LP art, Kelefa Sanneh on Michael Schmelling, and contributions by Simon Baker, Geoff Dyer, Alicia Garza, Santu Mofokeng, Lucy Raven, Kastumi Watanabe, Kaelen Wilson-Goldie, Matthew S. Witkovsky, and much more.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52820940718353,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52820941603089,"sku":"NLS9781597113663","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781597113663.jpg?v=1764330876"}],"url":"https:\/\/www.worldofbooks.com\/de-de\/collections\/aperture-magazine-buchreihe.oembed","provider":"World of Books ","version":"1.0","type":"link"}