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The authors contextualize this material within the political and moral issues of the time, and reveal the fascinating processes and debates that occurred in and around the Lord Chamberlain's office.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49518063485201,"sku":"GOR005467522","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0712348654.jpg?v=1750699963"},{"product_id":"british-theatre-since-the-war-book-dominic-shellard-9780300076844","title":"British Theatre Since the War","description":"British theatre of the second half of the 20th century encompassed new writing, theatrical performances, the formation of institutions and the export of West End musicals. 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This entertaining and authoritative book is the first comprehensive account of British theatre in this period.  Dominic Shellard moves chronologically through the half-century, discussing important plays, performers, directors, playwrights, critics, censors, and agents as well as the social, political, and financial developments that influenced the theatre world. Drawing on previously unseen material (such as the Kenneth Tynan archives), first-hand testimony, and detailed research, Shellard tackles several long-held assumptions about drama of the period. He questions the dominance of Look Back in Anger in the 1950s, arguing that much of the theatre of the ten years prior to its première in 1956 was vibrant and worthwhile. He suggests that theatre criticism, theatre producers, and such institutions as the National Theatre and the Royal Shakespeare Company have played key roles in the evolution of recent drama. And he takes a fresh look at the work of Terence Rattigan, Harold Pinter, Joe Orton, Alan Ayckbourn, Timberlake Wertenbaker, and other significant playwrights of the modern era.  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To shed new light on an old debate, Shellard and his fellow contributors unearth authentic testimony and fresh archival evidence drawn from the collections of the British Library. Spanning the pivotal years from 1945 to 1968, \"The Golden Generation\" explores the explosive new shifts in perspective, drama, genre, style and performance, ranging from New Wave to 'illegitimate' Variety theatre, from cutting-edge Theatre Workshop to the 'made for TV' plays and avant-garde acting of the 1960s and '70s. Starting from the viewpoint that the 'best witness is always local', \"The Golden Generation\" dips in and out of the vibrant interviews and personal views of the theatrical stars, literati and fans who lived through the 'swinging' times.The reader hears an extraordinary variety of vivid recollections, not just from West End glitterati, such as Laurence Olivier and John Gielgud, but from keen local repertory fans, budding actors and 'hot' young playwrights. 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A brilliant writer, critic, and agent provocateur, he made friends or enemies of nearly every major actor, playwright, impresario, and movie mogul of the 1950s, ‘60s, and ‘70s. He wrote for the Evening Standard, the Observer, and the New Yorker; served eleven years as dramaturg for Britain’s newly formed National Theatre, and spent his final years in Los Angeles. This biography offers the first complete appraisal of Tynan’s powerful contribution to post-war British theater, set against the context of the fifties, sixties, and seventies and his own turbulent life.   Dominic Shellard highlights Tynan’s writings of 1952–1963, when the coruscating young critic came to prominence. He discusses how Tynan took his place at the vanguard of the new realist movement, helped to establish subsidized theater, fought censorship, and assisted in the creation of such groundbreaking theatrical phenomena as Oh Calcutta! in1970. 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