{"title":"Jose Rizal","description":"\u003cp\u003eExplore the poignant and patriotic works of Jose Rizal, a pivotal figure in Philippine literature. His novels offer deep insights into colonial life and the yearning for freedom. Start your journey here.\u003c\/p\u003e","products":[{"product_id":"el-filibusterismo-book-jose-rizal-9781731703071","title":"El Filibusterismo","description":"\u003cp\u003eEl Filibusterismo (The Subversive) is the second novel by Jos  Rizal (1861-1896), national hero of the Philippines. Like its predecessor, the better-known Noli Me Tangere, the Fili was written in Castilian while Rizal was traveling and studying in Europe. It was published in Ghent in 1891 and later translated into English, German, French, Japanese, Tagalog, Ilonggo, and other languages. A nationalist novel by an author who has been called the first Filipino, its nature as a social document of the late-nineteenth-century Philippines is often emphasized. 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Rizal continued to write, completing a second novel and many other poems and essays, until he was executed by firing squad in 1896. Since then, Noli Me Tangere has appeared in French, Chinese, German and Philippine languages.  Two other English translations have made Noli Me Tangere accessible, but Lacson-Locsin’s new translation offered here is the first to work from facsimile editions of the manuscripts and to restore significant sections of the original text. 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An ophthalmologist by profession, Rizal became a writer and a key member of the Filipino Propaganda Movement which advocated political reforms for the colony under Spain. He was executed by the Spanish colonial government for the crime of rebellion after an anti-colonial revolution, inspired in part by his writings, broke out. Though he was not actively involved in its planning or conduct, he ultimately approved of its goals which eventually led to Philippine independence. He is widely considered one of the greatest heroes of the Philippines, and is implied by Philippine law to be one of the national heroes. 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Disappointed in his comrades’ lack of engagement, however, Rizal wrote the novel alone, blending aspects of his own life story with his critique of Spanish imperialism in the Philippines. Banned by Spanish authorities, the novel was smuggled into his home country, where it quickly galvanized Rizal’s fellow nationalists in opposition to the Spanish Empire. Returning home to Laguna province after seven years in Europe, Crisóstomo Ibarra, a young mestizo man, attempts to pick up the pieces following the death of his father. Noticing some hostility from Padre Dámaso, a local curate who had long been a friend of his family, Crisóstomo soon learns that his father’s death may not have been an accident after all. Focusing on his goal of building a school for the local children, Crisóstomo longs to do justice to Don Rafael Ibarra’s legacy. When he goes to visit his grave, however, he is told by the groundskeeper that his father’s body was moved to a local Chinese burial ground following an order by Padre Dámaso. As the story unfolds, a vast web of conspiracy involving Spanish authorities and Filipino revolutionaries threatens Crisóstomo’s life while testing the limits of his loyalty to family and nation alike. 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Published in Berlin, the novel was originally conceived as a collaborative project to be written by a group of Filipino nationalist writers living in Madrid. Disappointed in his comrades' lack of engagement, however, Rizal wrote the novel alone, blending aspects of his own life story with his critique of Spanish imperialism in the Philippines. Banned by Spanish authorities, the novel was smuggled into his home country, where it quickly galvanized Rizal's fellow nationalists in opposition to the Spanish Empire. Returning home to Laguna province after seven years in Europe, Cris stomo Ibarra, a young mestizo man, attempts to pick up the pieces following the death of his father. Noticing some hostility from Padre D maso, a local curate who had long been a friend of his family, Cris stomo soon learns that his father's death may not have been an accident after all. 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Published in Belgium, the novel was a sequel to Touch Me Not (1887), both of which were written in Spanish. Blending aspects of his own life story with his critique of Spanish imperialism in the Philippines, Rizal continues the journey of Crisóstomo Ibarra from centrist reformer to revolutionary leader. Banned by Spanish authorities, the novel was smuggled into his home country, where it quickly galvanized Rizal’s fellow nationalists in opposition to the Spanish Empire. Despite his attempts to reform the local government of his native San Diego, Ibarra is placed in prison on false charges of rebellion. Forced to escape or face execution, he chooses the former. When a firefight with authorities leaves his comrade Elias dead, he manages to make his way out of the country. Thirteen years later, by now presumed dead by friends and foes alike, he returns to the Philippines as Simoun, a shadowy jeweler. 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In this modern classic of Filipino literature, Jos  Rizal exposes matters . . . so delicate that they cannot be touched by anybody, unfolding an epic history of the Philippines that has made it that country's most influential political novel in the nineteenth and twentieth centuries. Jos  Rizal, national hero of the Philippines, completed Noli Me Tangere in Spanish in 1887 while he was studying in Europe. Rizal continued to write, completing a second novel and many other poems and essays, until he was executed by firing squad in 1896. Since then, Noli Me Tangere has appeared in French, Chinese, German and Philippine languages. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e Two other English translations have made Noli Me Tangere accessible, but Lacson-Locsin's new translation offered here is the first to work from facsimile editions of the manuscripts and to restore significant sections of the original text. 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