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It includes ten watercolours commissioned from the young Turner to be engraved for the Oxford Almanack between 1799 and 1810, and a representative selection of sketches and finished works, over 70 of which were given to the University of Oxford by the artist's friend and champion, John Ruskin, among them 23 watercolours from the celebrated series, The Rivers of France.","brand":"WoB","offers":[{"title":"GB \/ GOOD \/ INTERNAL","offer_id":49615592194321,"sku":"GOR007206517","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49781962178833,"sku":"GOR002609936","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1854441213.jpg?v=1751154745"},{"product_id":"turner-book-luke-herrmann-9780714816661","title":"Turner","description":null,"brand":"WoB","offers":[{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":49641077735697,"sku":"GOR004219664","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50490697154833,"sku":"GOR004915609","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0714816663.jpg?v=1751295003"},{"product_id":"paul-and-thomas-sandby-book-luke-herrmann-9780713447880","title":"Paul and Thomas Sandby","description":null,"brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49650407833873,"sku":"GOR006695754","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50555305885969,"sku":"GOR005669104","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0713447885.jpg?v=1751199979"},{"product_id":"nineteenth-century-british-painting-book-luke-herrmann-9781900357173","title":"Nineteenth Century British Painting","description":"Nineteenth Century British Painting provides a succinct and informative chronological survey of a century of British painting which produced a great variety of work. It progresses from the beginnings of Romanticism in the late eighteenth century to the British adoption of Impressionism in the late nineteenth, dividing this prolific period into nine parts. In each part the work of the major figures in particular movements or genres is discussed and analysed, and each painter is presented in a biographical context. The artists are set in the framework of their historical, social and economic background. The majority of the paintings and drawings that are examined in detail are reproduced in the 323 plates, 82 of them in colour. The book is intended to be used more as an introduction, and where appropriate as a textbook, than as a work of reference, although its arrangement will enable readers to obtain fuller information about individual artists, with longer sections devoted to such major figures as Lawrence, Turner, Constable, Rossetti, Leighton and Whistler. The last decade has seen a growing interest in nineteenth century British art in this country, and also in the United States and on the Continent. During this time much has been published in the field and there has been a succession of important exhibitions. Even so, there is no up-to-date and comprehensive survey of the whole century on the market. Nineteenth Century British Painting fills the gap, meeting the need for such a book among undergraduate and graduate students, and among connoisseurs and collectors. 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The object of Turner Prints is to survey this corpus of graphic work and to place it in the context of Turner's art as a whole. The book provides ample evidence for the author's claim that the 'prints with which Turner was involved for over half a century must be considered as one of the major factors of his long working life'.  The eight chapters into which the book is divided provide a broadly chronological survey of Turner's engraved work, ranging from the early topographical engravings of the 1790s to the marvellous copper and steel plates of his final years. One chapter is devoted to the Liber Studiorum, the most important of all Turner's printmaking ventures, and one to the later mezzotints. Two more deal with the topographical and illustrative steel engravings of the later 1820s and 30s, which formed the basis of his international reputation in the last years of his life. Another chapter discusses the great topographical series, such as Picturesque Views in England and Wales, in which Turner made his most influential contributions to the development of British engraving.  Each chapter is fully illustrated, and great pains have been taken to achieve the highest quality of reproduction in the plates. The book includes two appendices, providing lists of all the engravings based on those in the relevant catalogues of W G Rawlinson and A J Finberg, a biographical outline and a glossary of Printmaking Terms. 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