{"title":"Thomas Mcevilley","description":null,"products":[{"product_id":"art-and-discontent-book-thomas-mcevilley-9780929701318","title":"Art and Discontent","description":"‹€‹In these six essays, Thomas McEvilley tackles the aesthetics of formalism and proceeds to shed new light on the roots of Modernism and the collapse of the idea of history. The world-renowned critic confronts the ideas and philosophies which for two centuries have exalted art above constructive involvement in the world, and proposes a new vision for the critical enterprise. By explaining why our Modernism was not unique and why it is being superseded, McEvilley suggests functions that art performs in a post-Modern culture and offers compelling reasons why the history of art needs to be rewritten from an altered perspective. McEvilley argues, for example, against the dominant theoretical position which removed art from contextual examination by declaring its sublime nature somehow elevated above ordinary life, and he goes on to effectively destroy the notion that Modernism in the larger sense is an example of the superiority of technological society. More than anything else, however, he breathes real life into the intellectual understanding of contemporary art in a way that no critic has since perhaps Herbert Read. McEvilley humanizes the undertaking; in addition his wit is evident throughout. Chapters include Heads It's Form, Tails It's Not Content, On the Manner of Addressing Clouds, and The Opposite of Emptiness.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49546306421009,"sku":"GOR006424903","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":51332128538897,"sku":"CIN0929701313A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51713243119889,"sku":"CIN0929701313G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0929701313.jpg?v=1751331738"},{"product_id":"art-of-dove-bradshaw-book-thomas-mcevilley-9780972424011","title":"The Art of Dove Bradshaw","description":"\u003cp\u003eThe book series \u003cem\u003eBeihefte zur Zeitschrift f r romanische Philologie\u003c\/em\u003e, founded by Gustav Gr ber in 1905, is among the most renowned publications in Romance Studies. It covers the entire field of Romance linguistics, including the national languages as well as the lesser studied Romance languages. \u003c\/p\u003e \u003cp\u003eThe editors welcome submissions of high-quality monographs and collected volumes on all areas of linguistic research, on medieval literature and on textual criticism. The publication languages of the series are French, Spanish, Portuguese, Italian and Romanian as well as German and English. 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As an art writer he has explored similar territory, but from the point of view of a nomadic ideologist. His approach matches that of his subject. He addresses the issues of pragmatism, historicism, and cultural relativism. In so doing, he effectively dismantles the need to establish a master narrative. The contrast and agreement between these two writers constitutes a mapping of the terrain of contemporary culture. What sets Thomas McEvilley apart from other critics in art and culture is his direct knowledge of the newest art and theory, and his comprehensive understanding of classic art and ancient civilizations. It is rare to find a writer equally fluent in the production of modernist aesthetics, the anti-aesthetics of post-modernism, T'ang Dynasty Taoist painting, the doctrines of the Tantra, Platonic mysticism, and Aristotelian logic. 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The ninth edition.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library White, Henry Kirke; 1821, 22. 3 vol.; 8 . 012272.bb.26.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49920564461841,"sku":"GOR005449447","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":51416684396817,"sku":"CIN0916365689G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":52987344191761,"sku":"GOR004692584","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0916365689.jpg?v=1750980440"},{"product_id":"morellet-book-thomas-mcevilley-9783934350670","title":"Morellet","description":null,"brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49961054961937,"sku":"NGR9783934350670","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3934350674.jpg?v=1750731249"},{"product_id":"yves-the-provocateur-book-thomas-mcevilley-9780929701912","title":"Yves the Provocateur","description":"For seven years, from 1956 to 1962, a young French artist electrified the European art world with visual, conceptual and performance art works far ahead of their time. His rise was wildly celebrated by some as the appearance of a prophetic genius, and derisively dismissed by others as scandalous nonsense. His monochrome paintings, body art works, fire paintings, conceptual exhibitions and music, and monumental public space works threatened to upend the very categories of art, in both Europe and America. Indeed, after his tragically premature death in 1962, some of the most far-reaching transformations in contemporary art would follow directly in his wake. But by the 1970s his reputation seemed headed for oblivion, until in 1977 a young classics scholar at Rice University, Thomas McEvilley, proposed Klein for a retrospective show to Dominique deMenil, then director of the Rice gallery, and wrote several texts about Klein that would transform our understanding of Yves Klein's aesthetics. The project grew to involve major institutions, resulting in 1982 with exhibitions in Houston, New York, Paris and Chicago. Virtually overnight Yves Klein's art reentered the art canon. Coincidentally, the career of an important critic was launched. \u003cp\u003e Yves the Provocateur collects those writings of Thomas McEvilley which rejuvenated Klein's stature and hitherto were only available in journals and exhibition catalogues. In effect, it provides the skeleton key to clearly examine the full dimensions of Klein's accomplishment. In two opening essays, McEvilley briefly surveys and places Klein's art into context. Then, in the centerpiece essay -- which amounts to a miniature critical biography bearing all the best features of a novella -- he traces the formative and crucial events in Klein's life. 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By the time their personal relationship ended twelve years later they had become two of the most famous performance artists in the world. Thomas McEvilley met them in 1983; they became close friends, and ever since he has been able to follow the development of their career together, and their careers apart, over the past twenty-seven years. Art, Love Friendship is divided into three sections. The first documents Marina Abramovic and Ulay together, including their three-month-long Great Wall Walk in 1988. The second section features Ulay's career before meeting Marina -- when, for example, he briefly stole Germany's most famous painting in broad daylight -- as well as his later work as a conceptual photographer. The final section features a long interview with Marina and essays about her work of the 1990s and the 2000s. 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Sometime during the 1960s, the ideology of Modernism began to be perceived as a collapsing structure. In terms of the visual arts, this perception focused primarily upon the tradition of easel painting which was declared to be dead. After two decades, painting revived around 1980. Its return from exile, however, signaled new aims. Incorporating elements of conceptualism and performance, painting has assumed a new theoretical basis in postmodern cultural theory. Demonstrating the failure of artistic modernism in social and cultural terms, McEvilley elucidates the new theoretical context in which easel painting is practised today. 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Roger Denson brings singular insight to Thomas McEvilley's writings. As an art writer he has explored similar territory, but from the point of view of a nomadic ideologist. His approach matches that of his subject. He addresses the issues of pragmatism, historicism, and cultural relativism. In so doing, he effectively dismantles the need to establish a master narrative. The contrast and agreement between these two writers constitutes a mapping of the terrain of contemporary culture. What sets Thomas McEvilley apart from other critics in art and culture is his direct knowledge of the newest art and theory, and his comprehensive understanding of classic art and ancient civilizations. It is rare to find a writer equally fluent in the production of modernist aesthetics, the anti-aesthetics of post-modernism, T'ang Dynasty Taoist painting, the doctrines of the Tantra, Platonic mysticism, and Aristotelian logic. 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