{"title":"Wayne Koestenbaum","description":"\u003cp\u003eDelve into the vibrant and unconventional world of Wayne Koestenbaum. Discover essays and poetry that explore art, music, and queer culture with dazzling wit and erudition. A unique and rewarding literary journey awaits.\u003c\/p\u003e","products":[{"product_id":"my-1980s-other-essays-book-wayne-koestenbaum-9780374533779","title":"My 1980s \u0026 Other Essays","description":"\u003cp\u003e\u003cb\u003eWayne Koestenbaum returns with a zesty and hyper-literate collection of personal and critical essays \u003c\/b\u003e\u003cb\u003eon the 1980s, including essays on major cultural figures such as Andy Warhol and Brigitte Bardot.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eWayne Koestenbaum has been described as an impossible lovechild from a late-night, drunken three-way between Joan Didion, Roland Barthes, and Susan Sontag (\u003ci\u003eBidoun\u003c\/i\u003e). In \u003ci\u003eMy 1980s and Other Essays\u003c\/i\u003e, a collection of extravagant range and style, he rises to the challenge of that improbable description. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eMy 1980s and Other Essays\u003c\/i\u003e opens with a series of manifestos--or, perhaps more appropriately, a series of impassioned disclosures, intellectual and personal. It then proceeds to wrestle with a series of major cultural figures, the author's own lodestars and lodestones: literary (John Ashbery, Roberto Bola o, James Schuyler), artistic (Diane Arbus, Cindy Sherman, Andy Warhol), and simply iconic (Brigitte Bardot, Cary Grant, Lana Turner). And then there is the personal--the voice, the style, the flair--that is unquestionably Koestenbaum. 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Characters and narrators wander into strange locales; the difference between action and thinking, between reality and dream, grows moot in a heightened yet burlesque manner. The activities in \u003ci\u003eThe Cheerful Scapegoat\u003c\/i\u003e are a cross between a comedy of manners and a Sadean orgy. Language has its own desires: figures of speech carry an erotic charge that straddles the line between slapstick and vertigo. Punishment hangs over every dialogue--but in the fable-world of \u003ci\u003eThe Cheerful Scapegoat\u003c\/i\u003e, abjection comes with an undertaste of contentment. The tchotchkes of queer culture--codes and signifiers--get scrambled together in these stories and then blown up into an improbable souffl . \u003cp\u003e\u003c\/p\u003eKoestenbaum's fables travel in circles, slipping away from their original point and leading the reader to a paradisiacal suspension of fixed categories. Intensified sentences and curlicue narratives scheme together mesmerically to convince the reader to abandon old ways of thinking and to take on a commitment to the polymorphous, the wandering, the tangential. Koestenbaum's fables--emergency bulletins uttered in a perverse vernacular of syntactic pirouettes--alert us to the necessity of pushing language into new contortions of exactitude and ecstatic excess.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49577223979281,"sku":"GOR011830983","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50284432851217,"sku":"CIN1635901448G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51330528444689,"sku":"CIN1635901448VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1635901448.jpg?v=1750992624"},{"product_id":"andy-warhol-book-wayne-koestenbaum-9781497699892","title":"Andy Warhol","description":"An intimate depiction of the visionary who revolutionized the art world A man who created portraits of the rich and powerful, Andy Warhol was one of the most incendiary figures in American culture, a celebrity whose star shone as brightly as those of the Marilyns and Jackies whose likenesses brought him renown. Images of his silvery wig and glasses are as famous as his renderings of soup cans and Brillo boxes controversial works that elevated commerce to high art. Warhol was an enigma: a partygoer who lived with his mother, an inarticulate man who was a great aphorist, an artist whose body of work sizzles with sexuality but who considered his own body to be a source of shame. In critic and poet Wayne Koestenbaum s dazzling look at Warhol s life, the author inspects the roots of Warhol s aesthetic vision, including the pain that informs his greatness, and reveals the hidden sublimity of Warhol s provocative films. 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His great and singular appeal is this fealty to his own desire and imagination . . . Figuring it out, after all, is a life sentence. --Parul Sehgal, \u003ci\u003eThe New York Times\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eToward what goal do I aspire, ever, but collision? Always accident, concussion, bodies butting together . . . By collision I also mean metaphor and metonymy: operations of slide and slip and transfuse.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eThrough a collection of intimate reflections (on art, punctuation, eyeglasses, color, dreams, celebrity, corpses, porn, and translation) and assignments that encourage pleasure, attentiveness, and acts of playful making, poet, artist, critic, novelist, and performer Wayne Koestenbaum enacts twenty-six ecstatic collisions between his mind and the world. A subway passenger's leather bracelet prompts musings on the German word for stranger; Montaigne leads to the memory of a fourth-grade friend's stinky feet. Wayne dreams about a handjob from John Ashbery, swims next to Nicole Kidman, reclaims Robert Rauschenberg's squeegee, and apotheosizes Marguerite Duras as a destroyer of sentences.\u003c\/p\u003e\u003cp\u003eHe directly proposes assignments to readers: Buy a one-dollar cactus, and start anthropomorphizing it. Call it Sabrina. Describe an ungenerous or unkind act you have committed. Find in every orgasm an encyclopedic richness . . . 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He revolutionised art by bringing to it images from popular culture - such as the Campbell's soup can and Marilyn Monroe's face - while his studio, the Factory, where his free-spirited cast of 'superstars' mingled with the rich and famous, became the place of origin for every groundswell shaping American culture.    In many ways he can be seen as the precursor to today's 'celebrity artists' such as Tracey Emin and Damian Hirst. But what of the man behind the white wig and dark glasses? 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We cannot stop watching the scene of shame, identifying with it, absorbing its nearness, relishing our immunity, even as we acknowledge the universality of the human stain, the uneasy predicament of living in our own bodies -","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49735151681809,"sku":"NGR9781907903465","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51465148399889,"sku":"GOR006059787","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53155223077137,"sku":"GOR005985815","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1907903461.jpg?v=1750769020"},{"product_id":"stubble-archipelago-book-wayne-koestenbaum-9781635902068","title":"Stubble Archipelago","description":"\u003cb\u003eWild new adventures in word-infatuated fl nerie from a celebrated literary provocateur.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eThis book of thirty-six poetic bulletins by the humiliation-advice-giver Wayne Koestenbaum will teach you how to cruise, how to dream, how to decode a crowded consciousness, how to find nuggets of satisfaction in unaccustomed corners, and how to sew a language glove roomy enough to contain materials gathered while meandering. Koestenbaum wrote many of these poems while walking around New York City. He'd jot down phrases in a notebook or dictate them into his phone. At home, he'd incorporate these fragmented gleanings into overflowing quasi sonnets. Therefore each poem functions as a coded diary entry, including specific references to sidewalk events and peripatetic perceptions. Flirting, remembering, eavesdropping, gazing, squeezing, sequestering: Koestenbaum invents a novel way to cram dirty liberty into the tight yet commodious space of the sonnet, a fourteen-lined cruise ship that contains ample suites for behavior modification, libidinal experiment, aura-filled memory orgies, psychedelic Bildungsromane, lap dissolves, archival plunges, and other mental saunterings that conjure the unlikely marriage of Kenneth Anger and Marianne Moore. Carnal pudding, anyone? These engorged lyrics don't rhyme; and though each builds on a carapace of fourteen lines, many of the lines spawn additional, indented tributaries, like hoop earrings dangling from the stanzas' lobes. Koestenbaum's poems are comic, ribald, compressed, symphonic. They take liberties with ordinary language, and open up new pockets for sensation in the sorrowing overcoat of the now. Imagine: the training wheels have been removed from poetry's bicycle, and the wheeling fl neur is finally allowed a word pie equal to fantasy's appetite. 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