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Now, The Oxford Companion to African American Literature provides the first comprehensive one-volume reference work devoted to this rich tradition, surveying the length and breadth of black literary history, focusing in particular on the lives and careers of more than 400 writers. Here indeed is the pantheon of African American writers - Phillis Wheatley and Sojourner Truth, Frederick Douglass and W. E. B. Du Bois, Gwendolyn Brooks and Zora Neale Hurston, Langston Hughes and Countee Cullen, James Baldwin and Ralph Ellison, Toni Morrison and Alice Walker, John Edgar Wideman and August Wilson, Jamaica Kincaid and Gloria Naylor, Stanley Crouch and Cornel West, and hundreds more. 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Mr. Andrews has made them even more accessible by providing a comprehensive introduction and helpful footnotes . . . but he does not intrude on the text itself.\" —New York Times Book Review  \" . . . informative and inspiring reading.\" —The Journal of American History  Jarena Lee, Zilpha Elaw, and Julia Foote underwent a revolution in their own sense of self that helped to launch a feminist revolution in American religious life and in American society as a whole.","brand":"WoB","offers":[{"title":"US \/ WELL_READ \/ SBYB","offer_id":50347401314577,"sku":"CIN0253287049A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50491497021713,"sku":"CIN0253287049VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":52103201227025,"sku":"CIN0253287049G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0253287049.jpg?v=1763223077"},{"product_id":"literature-of-the-american-south-book-william-l-andrews-9780393316711","title":"The Literature of the American South","description":"The Literature of the American South reconsiders southern writing from its seventeenth-century origins to its flourishing present. 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Some refusing to associate with others whom they deem to be beneath them, in point of character, color, condition, or the superior importance of their respective masters.\" Henry Bibb, fugitive slave, editor, and antislavery activist, stated this in his Narrative of the Life and Adventures of Henry Bibb (1849). In William L. Andrews's magisterial study of an entire generation of slave narrators, more than 60 mid-nineteenth-century narratives reveal how work, family, skills, and connections made for social and economic differences among the enslaved of the South. Slave narrators disclosed class-based reasons for violence that broke out between \"impudent,\" \"gentleman,\" and \"lady\" slaves and their resentful \"mean masters.\" Andrews's far-reaching book shows that status and class played key roles in the self- and social awareness and in the processes of liberation portrayed in the narratives of the most celebrated fugitives from U.S. slavery, such as Frederick Douglass, Harriet Jacobs, William Wells Brown, and William and Ellen Craft.  Slavery and Class in the American South explains why social and economic distinctions developed and how they functioned among the enslaved. Noting that the majority of the slave narrators came from the higher echelons of the enslaved, Andrews also pays close attention to the narratives that have received the least notice from scholars, those from the most exploited class, the \"field hands.\" By examining the lives of the most and least acclaimed heroes and heroines of the slave narrative, Andrews shows how the dividing edge of social class cut two ways, sometimes separating upper and lower strata of slaves to their enslavers' advantage, but at other times fueling pride, aspiration, and a sense of just deserts among some of the enslaved that could be satisfied by nothing less than complete freedom.  The culmination of a career spent studying African American literature, this comprehensive study of the antebellum slave narrative offers a ground-breaking consideration of a unique genre of American literature.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":50999699439889,"sku":"NIN9780190908386","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51324181184785,"sku":"CIN0190908386VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52488803189009,"sku":"NLS9780190908386","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0190908386.jpg?v=1750842902"},{"product_id":"slavery-and-class-in-the-american-south-book-william-l-andrews-9780197547311","title":"Slavery and Class in the American South","description":"\"The distinction among slaves is as marked, as the classes of society are in any aristocratic community. 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The House Behind the Cedars (1900), Chesnutt's most autobiographical novel, evokes the world of \"\"bright mulatto\"\" caste in post-Civil War North Carolina and pictures the punitive consequences of being of mixed heritage.  Chesnutt not only made a crucial break with many literary conventions regarding Afro-American life, crafting his authentic material with artistic distinction, he also broached the moral issue of the racial caste system and dared to suggest that a gradual blending of the races would alleviate a pernicious blight on the nation's moral progress. 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Lucy Ann Delaney used From the Darkness Cometh the Light (1891) to pay tribute to her enslaved mother and to exemplify the qualities of mind and spirit that had ensured her own fulfillment in freedom. 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