{"title":"Interventions: New Studies Medieval Cult","description":null,"products":[{"product_id":"fashioning-change-book-andrea-denny-brown-9780814211908","title":"Fashioning Change","description":"Medieval European culture was obsessed with clothing. In Fashioning Change: The Trope of Clothing in High-and Late-Medieval England,  Andrea Denny-Brown explores the central impact of clothing in medieval ideas about impermanence and the ethical stakes of human transience. Studies of dress frequently contend with a prevailing cultural belief that bodily adornment speaks to interests that are frivolous, superficial, and cursory. Taking up the vexed topic of clothing s inherent changeability, Denny-Brown uncovers an important new genealogy of clothing as a representational device, one imbued with a surprising philosophical pedigree and a long history of analytical weightiness.Considering writers as diverse as Boethius, Alain de Lille, William Durand, Chaucer, and Lydgate, among others, Denny-Brown tracks the development of a literary and cultural trope that begins in the sixth century and finds its highest expression in the vernacular poetry of fifteenth-century England. Among the topics covered are Boethian discourses on the care of the self, the changing garments of Lady Fortune, novelty in ecclesiastical fashions, the sartorial legacy of Chaucer s Griselda, and the emergence of the English gallant. These literary treatments of vestimentary variation which develop an aesthetics of change itself enhance our understanding of clothing as a phenomenological and philosophical category in medieval Europe and illustrate the centrality of the Middle Ages to theories of aesthetics, of materiality, and of cultural change.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50369553989905,"sku":"CIN0814211909VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814211909.jpg?v=1750786160"},{"product_id":"inventing-womanhood-book-tara-williams-9780814257630","title":"Inventing Womanhood","description":"\u003cdiv\u003eIn \u003ci\u003eInventing Womanhood,\u003c\/i\u003e Tara Williamsinvestigates new ideas about womanhood that arose in fourteenth-century Britain and evolved throughout the fifteenth century. In the aftermath of the plague and the substantial cultural shifts of the late 1300s, female roles expanded temporarily. As a result, the dominant models of maiden, wife, and widow could no longer adequately describe women's roles and lives.   Middle English writers responded by experimenting with new ways of representing women across a variety of genres, from courtly poetry to devotional texts and from royal correspondence to cycle plays. In particular, writers coined new terms, including \"womanhood\" and \"femininity,\" and refashioned others, such as \"motherhood.\" These experiments allowed writers to develop and define a larger idea of womanhood underlying more specific identities like wife or mother and to re-imagine women's relationships to different kinds of authority--generally masculine and frequently religious.             By exploring the medieval origins of some of our most important gender vocabulary, \u003ci\u003eInventing Womanhood\u003c\/i\u003e defamiliarizes our modern usage, which often treats those terms as etymologically transparent and almost limitlessly capacious. It also restores a necessary historical and linguistic dimension to gender studies, providing the groundwork for reconsidering how that language and the categories it creates have determined the ways in which gender has been imagined since the Middle Ages.  \u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51274511319313,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51274514432273,"sku":"NIN9780814257630","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52430421066001,"sku":"NLS9780814257630","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814257631.jpg?v=1751233664"},{"product_id":"art-of-vision-book-andrew-james-johnston-9780814252192","title":"The Art of Vision","description":"\u003cdiv\u003eOne of the most common ways of setting the arts in parallel, at least from the literary side, is through the popular rhetorical device of \u003ci\u003eekphrasis.\u003c\/i\u003e The original meaning of this term is simply an extended and detailed, lively description, but it has been used most commonly in reference to painting or sculpture. In this lively collection of essays, Andrew James Johnston, Ethan Knapp, and Margitta Rouse offer a major contribution to the study of text-image relationships in medieval Europe. Resisting any rigid definition of ekphrasis, \u003ci\u003eThe Art of Vision\u003c\/i\u003e is committed to reclaiming \u003ci\u003emedieval\u003c\/i\u003e ekphrasis, which has not only been criticized for its supposed aesthetic narcissism but has also frequently been depicted as belonging to an epoch when the distinctions between word and image were far less rigidly drawn. Examples studied range from the eleventh through the seventeenth centuries and include texts written in Medieval Latin, Medieval French, Middle English, Middle Scots, Middle High German, and Early Modern English.\u003cbr\u003e  \u003cbr\u003e The essays in this volume highlight precisely the entanglements that ekphrasis suggests and\/or rejects: not merely of word and image, but also of sign and thing, stasis and mobility, medieval and (early) modern, absence and presence, the rhetorical and the visual, thinking and feeling, knowledge and desire, and many more. \u003ci\u003eThe Art of Vision\u003c\/i\u003e furthers our understanding of the complexities of medieval ekphrasis while also complicating later understandings of this device. As such, it offers a more diverse account of medieval ekphrasis than previous studies of medieval text-image relationships, which have normally focused on a single country, language, or even manuscript.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51389190668561,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51389190865169,"sku":"GOR014251225","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52595181093137,"sku":"NLS9780814252192","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814252192.jpg?v=1750819085"},{"product_id":"form-and-reform-book-shannon-gayk-9780814256336","title":"Form and Reform","description":"\u003cp\u003eForm and Reform: Reading across the Fifteenth Century challenges the idea of any definitive late medieval moment and explores instead the provocatively diverse, notably untidy, and very rich literary culture of the age. These essays from leading medievalists, edited by Shannon Gayk and Kathleen Tonry, both celebrate and complicate the reemergence of the fifteenth century in literary studies. Moreover, this is the first collection to concentrate on the period between 1450 and 1500 the crucial five decades, this volume argues, that must be understood to comprehend the entire century s engagement with literary form in shifting historical contexts.The three parts of the collection read the categories of form and reform in light of both aesthetic and historical contexts, taking up themes of prose and prosody, generic experimentation, and shifts in literary production. The first section considers how attention to material texts might revise our understanding of form; the second revisits devotional writing within and beyond the context of reform; and the final section plays out different perspectives on the work of John Skelton that each challenge and test notions of the fifteenth century in literary history.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52666966704401,"sku":"NLS9780814256336","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814256336.jpg?v=1762281371"},{"product_id":"revivalist-fantasy-book-randy-p-schiff-9780814256831","title":"Revivalist Fantasy","description":"Most students of American literature probably can recall the playful French nom de plume Monsieur de l Aubepine that Nathaniel Hawthorne occasionally employed to disguise some of his early attempts at authorship. But very few will know that Monsieur de l Aubepine enjoyed a surprisingly intelligent critical reception in France during his lifetime. No fewer than six often startling essays about the American author appeared in leading French periodicals from 1852 to 1864. The French Face of Nathaniel Hawthorne,  edited by Michael Anesko and N. Christine Brookes, recuperates these lost (or forgotten) critical assessments, making available to English readers for the first time the full texts of these extraordinary contemporaneous French critical essays. Besides offering elegantly rendered (and helpfully annotated) translations of the essays, Anesko and Brookes analyze them in relation to their immediate historical context and examine their unexpected relevance to later critical trends and arguments.Literary scholarship in our own time calls more and more for the enlargement of perspective and the adaptation of our reading practices to dismantle the narrower limits of nationalist traditions. 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