{"title":"Modern And Contemporary Poetics","description":"","products":[{"product_id":"artifice-and-indeterminacy-book-christopher-beach-9780817309541","title":"Artifice and Indeterminacy","description":"This collection brings together the most important writings on contemporary poetics by poets and critics who have shaped and defined the contemporary literary avant-garde.","brand":"WoB","offers":[{"title":"US \/ WELL_READ \/ SBYB","offer_id":49506729328913,"sku":"CIN0817309543A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50191199797521,"sku":"GOR011660414","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50369624146193,"sku":"CIN0817309543G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0817309543.jpg?v=1763474009"},{"product_id":"extraordinary-measures-book-lorenzo-thomas-9780817310158","title":"Extraordinary Measures","description":"African American poetry exhibits an impressive range of style and substance, in all its forms. 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The original essays in Active Romanticism challenge this interpretation by tracing the fundamental continuities between Romanticism’s poetic and political radicalism and the experimental movements in poetry from the late-nineteenth-century to the present day.  According to editors July Carr and Jeffrey C. Robinson, “active romanticism” is a poetic response, direct or indirect, to pressing social issues and an attempt to redress forms of ideological repression; at its core, “active romanticism” champions democratic pluralism and confronts ideologies that suppress the evidence of pluralism. “Poetry fetter’d, fetters the human race,” declared poet William Blake at the beginning of the nineteenth century. No other statement from the era of the French Revolution marks with such terseness the challenge for poetry to participate in the liberation of human society from forms of inequality and invisibility. No other statement insists so vividly that a poetic event pushing for social progress demands the unfettering of traditional, customary poetic form and language.  Bringing together work by well-known writers and critics, ranging from scholarly studies to poets’ testimonials, Active Romanticism shows Romantic poetry not to be the sclerotic corpse against which the avant-garde reacted but rather the well-spring from which it flowed.  Offering a fundamental rethinking of the history of modern poetry, Carr and Robinson have grouped together in this collection a variety of essays that confirm the existence of Romanticism as an ongoing mode of poetic production that is innovative and dynamic, a continuation of the nineteenth-century Romantic tradition, and a form that reacts and renews itself at any given moment of perceived social crisis.","brand":"WoB","offers":[{"title":"GB \/ GOOD \/ INTERNAL","offer_id":49623667540241,"sku":"GOR013125533","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":53025286062353,"sku":"NGR9780817357849","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/081735784X.jpg?v=1750914500"},{"product_id":"translating-the-unspeakable-book-kathleen-fraser-9780817309909","title":"Translating the Unspeakable","description":"A prominent avant-garde poet charts both her personal artistic development and the difficulties faced by women writers pursuing innovative paths.  An accomplished and influential poet, Kathleen Fraser has been instrumental in drawing attention to other women poets working outside the mainstream. Translating the Unspeakable gathers eighteen of her essays written over nearly twenty years, combining autobiography and criticism to examine what it means for any artist to innovate instead of following an already travelled path.  In autobiographical passages Fraser tells how her generation was influenced by revolutions in art and philosophy during the early 1960s and how she spent years pursuing idiosyncratic means of rediscovering the poem's terms. By the 1970s her evolving poetics were challenged by questions of gender, until immersion in feminist\/modernist scholarship led her to initiate greater dialogue among experimentalist poets.  Other essays examine modernist women writers, their contemporary successors, and the visual poetics they have practised. By exploring the work of such poets as H. D., Mina Loy, Lorine Niedecker, and Barbara Guest, Fraser conveys their struggle to establish a presence within accepted poetic conventions and describes the role experimentation plays in helping women overcome self-imposed silence.  All of Fraser's writings explore how the search to find one's own way of speaking into a very private yet historic space—of translating the unspeakable—drives poetic experimentation for women and men alike. This provocative book provides a glimpse into the thought processes of the poetic mind, enhancing our understanding of innovative writing.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":49685390426385,"sku":"CIN081730990XVG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51020677251345,"sku":"GOR005386343","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51612315844881,"sku":"CIN081730990XG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/081730990X.jpg?v=1751457617"},{"product_id":"bowed-some-chanted-a-little-book-brian-unger-9780817360139","title":"Bowed Some, Chanted a Little","description":"The literary journals of a key figure in both the Beat and San Francisco Renaissance movements of the New American Poetry, and an ordained Zen Buddhist priest   Philip Whalen (1923–2002) authored twenty collections of verse, more than twenty broadsides, two novels, a huge assemblage of autobiographical literary journals, nine or ten experimental prose works, and dozens of critical essays, lectures, commentaries, introductions, prefaces, and interviews. But he came to regard his literary journals as his most important prose legacy.  Whalen’s literary work represents a significant turn in American letters, as he and his closest colleagues immersed themselves in East Asian literature and religion, reinvigorating strikingly new linguistic and aesthetic paths for North American writers and artists. However, until now Whalen’s forty-plus years of journals—sixty small eight-by-six-inch notebooks—have been largely inaccessible, archived in the rare book and manuscript library at the University of California, Berkeley, undigitized and unavailable online. 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Revered by poets and artists across a broad spectrum of generations and schools, Eigner’s remarkably moving poetry was created through enormous effort: because of severe physical disabilities, he produced his texts by typing with only one index finger and thumb on a 1940 Royal manual typewriter, creating a body of work that is unparalleled in its originality.    Calligraphy Typewriters showcases the most celebrated of Eigner’s several thousand poems, which are an important part of both the Black Mountain\/Projectivist movement of the 1950s and the Language movement of the 1970s and 1980s. In its two sections—Swampscott and Berkeley, named for the two locales where Eigner lived and worked—the volume traces his fantastic perception of the ordinary and his zeal for language. Eigner’s use of visual space, metaphor, and description provide fascinating insights into both his own life and the world that surrounded him. This volume maintains the distinctive visual spacing of his original typewritten manuscripts, reminders of his method, disability, and aesthetic sensibility.     A collection that reimagines the ordinary, Calligraphy Typewriters is the definitive gathering of Eigner’s work, and will serve well not only poets and students of poetry, but readers and writers of every vein.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49790431527185,"sku":"GOR009621680","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50055273709841,"sku":"CIN0817358749G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51842446721297,"sku":"CIN0817358749VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0817358749.jpg?v=1751297643"},{"product_id":"dissonance-if-you-are-interested-book-rosmarie-waldrop-9780817351977","title":"Dissonance (if You Are Interested)","description":"Incisive essays on modern poetry and translation by a noted poet, translator, and critic. As an immigrant to the United States from Germany, Rosmarie Waldrop has wrestled with the problems of language posed by the discrepancies between her native and adopted tongues, and the problems of translating from one to the other. Those discrepancies and disjunctions, instead of posing problems to be overcome, have become for Waldrop a generative force and the very foundation of her interests as a critic and poet. In this comprehensive collection of her essays, Waldrop addresses considerations central to her life's work: typical genres and ways of countering the conventions of genre; how concrete poets have made syntax spatial rather than grammatical; and the move away from metaphor in poetry toward contiguity and metonymy. Three essays on translation struggle with the sources and targets of translation, or the degree of strangeness or foreignness a translator should allow into any English translation. 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What I Say: Innovative Poetry by Black Writers in America is the second book in a landmark two-volume anthology that explodes narrow definitions of African American poetry by examining experimental poems often excluded from previous scholarship. The first volume, Every Goodbye Ain’t Gone, covers the period from the end of World War II to the mid-1970s. In What I Say, editors Aldon Lynn Nielsen and Lauri Ramey have assembled a comprehensive and dynamic collection that brings this pivotal work up to the present day.  The elder poets in this collection, such as Nathaniel Mackey, C. S. Giscombe, Will Alexander, and Ron Allen, came of age during and were powerfully influenced by the Black Arts Movement, and What I Say grounds the collection in its black modernist roots. In tracing the fasci­nating and unexpected paths of experimentation these poets explored, however, Nielsen and Ramey reveal the tight delineations of African American poetry that omitted non-canonical forms. This invigorating panoply of work, when restored, brings into focus the creatively elastic frontiers and multifaceted expressions of contemporary black poetry.  Several of the poets discussed in What I Say forged relationships with members of the L=A=N=G=U=A=G=E poetry movement and partici­pated in the broader community of innovative poetry that emerged in the late 1970s and early 1980s and continues to exert a powerful influence today.  Each volume can stand on its own, and reading them in tandem will provide a clear vision of how innovative African American poetries have evolved across the twentieth century and into the twenty-first. What I Say is infinitely teachable, compelling, and rewarding. It will ap­peal to a broad readership of poets, poetics teachers, poetics scholars, students of African American literature in non-narrative forms, Afro-futurism, and what lies between the modern and the contemporary in global and localized writing practices.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50243044278545,"sku":"CIN0817358005VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0817358005.jpg?v=1752315069"},{"product_id":"prehistoric-digital-poetry-book-ct-funkhouser-9780817354220","title":"Prehistoric Digital Poetry","description":"For the last five decades, poets have had a vibrant relationship with computers and digital technology. This book is a documentary study and analytic history of digital poetry that highlights its major practitioners and the ways that they have used technology to foster a new aesthetic. Focusing primarily on programs and experiments produced before the emergence of the World Wide Web in the mid-1990s, C. T. Funkhouser analyzes numerous landmark works of digital poetry to illustrate that the foundations of today's most advanced works are rooted in the rudimentary generative, visual, and interlinked productions of the genre's prehistoric period. Since 1959, computers have been used to produce several types of poetic output, including randomly generated writings, graphical works (static, animated, and video formats), and hypertext and hypermedia. Funkhouser demonstrates how hardware, programming, and software have been used to compose a range of new digital poetic forms. Several dozen historical examples, drawn from all of the predominant approaches to digital poetry, are discussed, highlighting the transformational and multi-faceted aspects of poetic composition now available to authors. This account includes many works, in English and other languages, which have never before been presented in an English-language publication. In exploring pioneering works of digital poetry, Funkhouser demonstrates how technological constraints that would seemingly limit the aesthetics of poetry have instead extended and enriched poetic discourse. As a history of early digital poetry and a record of an era that has passed, this study aspires both to influence poets working today and to highlight what the future of digital poetry may hold.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50284514181393,"sku":"CIN0817354220G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0817354220.jpg?v=1752315153"},{"product_id":"everybody-s-autonomy-book-juliana-spahr-9780817310547","title":"Everybody's Autonomy","description":"Experimental texts empower the reader by encouraging self-governing approaches to reading and by placing the reader on equal footing with the author. Everybody's Autonomy is about reading and identity.   Contemporary avant garde writing has often been overlooked by those who study literature and identity. Such writing has been perceived as unrelated, as disrespectful of subjectivity. 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In the case of Bernstein, for instance, Zamsky highlights Ezra Pound's meditations on the relationship between poetry and music (the ground upon which Pound seeks to recapture the lost possibilities of the Renaissance) and Bernstein's incisive critique of Pound. For her part, Morris emphasizes the performative power of spoken language, foregrounding the fact that all spoken language bears cultural, communal, and personal marks of the speaker, improving an ensemble self even within the most elemental features of language. Meanwhile, in Mackey's work, the orphic voice of the poet powerfully reaches toward an order of knowledge in which poetry and music are nearly indecipherable from one another. In this sense, music and the musicality of poetic language are the gateways for Mackey's Gnosticism, the mechanisms of initiation into a realm, not of secrets to be learned, but of visionary knowing that continuously unfolds.     The text explores a range of musical influences on the writers under consideration, from opera to different iterations of jazz, and underscores the variety of ways in which music informs their work. Many of these writers effectively present a theory of music in their invocations of it as an inspiration for, or as an analog to, poetic practice. Zamsky's focus on poetry and music echoes important interdisciplinary studies on literary modernism, a period for which the importance of music to literary practice is well established and extends that discussion to the contemporary context. 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While this volume presents highlights from Rasula’s criticism, it also serves as a carefully assembled intellectual autobiography. Wreading consists of two parts: an assortment of Rasula’s solo criticism and selected interviews and conversations with other poets and scholars. These detailed conversations are with Evelyn Reilly, Leonard Schwartz, Tony Tost, Mike Chasar, Joel Bettridge, and Ming-Qian Ma. Their exchanges address ecopoetics, the corporate university, the sheer volume of contemporary poetry, and more. This substantial set of dialogues gives readers a glimpse inside a master critic’s deeply informed critical practice, illuminating his intellectual touchstones.   The balance between essay and interview achieves a distillation of Rasula’s long-established idea of “wreading.” In his original use, the term denotes how any act of criticism inherently adds to the body of writing that it purports to read. 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Over the course of the three decades during which it has appeared - in journals, magazines, and as stand-alone volumes - its influence has been wide-ranging, both on practicing poets and on critics who have had to contend with the way it has changed the direction of American poetry.Ron Silliman, a founder of the language poetry movement in the 1960s and one of its most dedicated and acclaimed practitioners, has deployed in \"\"The Alphabet\"\" the full range of formal and linguistic experiments for which he is known.\"\"The Alphabet\"\" is a work of American ethnography, a cultural collage of artifacts, moments, episodes, and voices - historical and private - that capture the dizzying evolution of America's social, cultural, and literary consciousness.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50930118557969,"sku":"GOR011078004","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/081735493X.jpg?v=1763483111"},{"product_id":"theatre-and-politics-in-the-twentieth-century-book-john-c-countryman-9780817311117","title":"Theatre and Politics in the Twentieth Century","description":"Political commentary is possible through \"\"variety\"\" theatre, this volume contends. 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Throughout the 13 essays gathered in this collection, Golding skillfully joins literary critique with a concern for history and a sociological inquiry into the creation of poetry. In Golding’s view, these are not disparate or even entirely distinct critical tasks. He is able to fruitfully interrogate canons and traditions, both on the page and in the politics of text, culture, and institution.   A central thread running through the chapters is a longstanding interest in how various versions of the “new” have been constructed, received, extended, recycled, resisted, and reanimated in American poetry since modernism. To chart the new, Golding contends with both the production and the reception of poetry, in addition to analyzing the poems themselves. In a generally chronological order, Golding reconsiders the meaning for contemporary poets of high modernists like Ezra Pound and William Carlos Williams, as well as the influential poetry venues The Dial and The Little Review, where less prominent but still vital poets contested what should come “next.” Subsequent essays track that contestation through The New American Poetry and later anthologies.   Mid-century major figures like Robert Creeley and George Oppen are discussed in their shared concern for the serial poem. Golding’s essays bring us all the way back to the present of the poetic future, with writing on active poets like Rachel Blau DuPlessis, Susan Howe, and Bruce Andrews and on the anticipation of digital poetics in the material texts of Language writing. 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Along the way, we encounter ten poets who have, without abandoning their inherited or chosen faith traditions, radically rethought conceptualizations of divinity, human ontology, and the real.  From the startlingly proto-phenomenological encounters with nature by Gerard Manley Hopkins to the post-deconstructive pursuit of \"oracular\" speech in Fanny Howe, these poets have found inspiration in a wide range of sources, from ancient religious texts to modern philosophical movements. But what unites them is their willingness to continually change, experiment and challenge the status quo, both in their religious beliefs and their poetic practice.  Huk shows how these poets have used their work to explore ultimate questions of life and death, meaning and purpose, and the relationship between humans and materiality, humans and other humans, which for these poets sheds light on humanity's relationship with the divine. 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Poetry operating in this vein draws together images, ideas, practices, rituals, and verbal techniques from around the globe, and across time - not to equate them, but to establish dialogue, to invite as many guests as possible to the World Party, which Robert Duncan has called the 'symposium of the whole.'   Fredman invites new readers into contemporary poetry by providing lucid and nuanced analyses of specific poems and specific interchanges between poets and their surroundings. He explores such topics as poetry's transactions with spiritual traditions and practices over the course of the twentieth century; the impact of World War II on the poetry of Charles Olson and George Oppen; exchanges between poetry and other art forms including sculpture, performance art, and ambient music; the battle between poetry and prose in the early work of Paul Auster and in Lyn Hejinian's My Life. 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This insightful, playful monograph from Golston does exactly what it advertises: modeling poetics based on how poetry (and some parallel artistic endeavors) has filtered through a century-plus of science fiction. This is not a book about science fiction in and of itself, but it is a book about the resonances of science-fiction tropes and ideas in poetic language.   The germ of Golston’s project is a throwaway line in Robert Smithson’s Entropy and the New Monuments about how cinema supplanted nature as inspiration for many of his fellow artists: “The movies give a ritual pattern to the lives of many artists, and this induces a kind of ‘low budget’ mysticism, which keeps them in a perpetual trance.” Golston charts how the demotic appeal of sci-fi, much like that of the B-movie, cross-pollinated into poetry and other branches of the avant garde.  Golston creates what he calls a “regular Rube Goldberg machine” of a critical apparatus, drawing on Walter Benjamin, Roman Jakobson, and Gilles Deleuze. He starts by acknowledging that, per the important work of Darko Suvin to situate science fiction critically, the genre is premised on cognitive estrangement. But he is not interested in the specific nuts and bolts of science fiction as it exists but rather how science fiction has created a model not only for other poets but also for musicians and landscape artists.   Golston’s critical lens moves around quite a bit, but he begins with familiar enough subjects: Edgar Rice Burroughs, Mina Loy, William S. Burroughs. From there he moves into more “alien” terrain: Ed Dorn’s long poem Gunslinger, the discombobulated work of Clark Coolidge. Sun Ra, Ornette Coleman, and Jimi Hendrix all come under consideration. The result of Golston’s restless, rich scholarship is the first substantial monograph on science fiction and avant-garde poetics, using Russian Formalism, Frankfurt School dialectics, and Deleuzian theory to show how the avant-garde inherently follows the parameters of sci fi, in both theme and form.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51799057400081,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51799057662225,"sku":"NGR9780817361006","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780817361006.jpg?v=1763476797"},{"product_id":"imperfect-fit-book-allen-fisher-9780817358723","title":"Imperfect Fit","description":"Offers an expansive and incisive examination of the patterns of connectedness in contemporary art and poetry. 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