{"title":"October Books","description":"\u003cp\u003eDive into October Books, a curated collection perfect for autumn reading. From spooky thrillers to cosy romances, discover your next favourite read as the nights draw in. Browse now!\u003c\/p\u003e","products":[{"product_id":"techniques-of-the-observer-book-jonathan-crary-9780262531078","title":"Techniques of the Observer","description":"\u003cb\u003eJonathan Crary's \u003ci\u003eTechniques of the Observer\u003c\/i\u003e provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle.\u003c\/b\u003e\u003cp\u003eIn \u003ci\u003eTechniques of the Observer\u003c\/i\u003e Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity.\u003c\/p\u003e\u003cp\u003eInverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of subjective vision were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision.\u003c\/p\u003e\u003cp\u003eCrary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as realist, were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49521538138385,"sku":"GOR003613391","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":49655282827537,"sku":"GOR002060611","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":49994768122129,"sku":"CIN0262531070G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50608421863697,"sku":"CIN0262531070VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50692970742033,"sku":"GOR004857066","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52654483734801,"sku":"NLS9780262531078","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262531070.jpg?v=1751005454"},{"product_id":"bachelors-book-rosalind-krauss-9780262611657","title":"Bachelors","description":"\u003cb\u003eThese essays on nine women artists are framed by the question, born of feminism, What evaluative criteria can be applied to women's art? \u003c\/b\u003e\u003cp\u003eSince the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists concerns with the major currents of postwar visual culture: the question of the commodity, the status of the subject, issues of representation and abstraction, and the viability of individual media.\u003c\/p\u003e\u003cp\u003eThese essays on nine women artists are framed by the question, born of feminism, What evaluative criteria can be applied to women's art? In the case of surrealism, in particular, some have claimed that surrealist women artists must either redraw the lines of their practice or participate in the movement's misogyny. Krauss resists that claim, for these bachelors are artists whose expressive strategies challenge the very ideals of unity and mastery identified with masculinist aesthetics. Some of this work, such as the part object (Louise Bourgeois) or the formless (Cindy Sherman) could be said to find its power in strategies associated with such concepts as  criture feminine. In the work of Agnes Martin, Eva Hesse, or Sherrie Levine, one can make the case that the power of the work can be revealed only by recourse to another type of logic altogether. \u003ci\u003eBachelors\u003c\/i\u003e attempts to do justice to these and other artists (Claude Cahun, Dora Maar, Louise Lawler, Francesca Woodman) in the terms their works demand.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49568140656913,"sku":"GOR002841368","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":50486883287313,"sku":"GOR006692469","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":52786012127505,"sku":"CIN0262611651G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53490912035089,"sku":"GOR005595519","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262611651.jpg?v=1751324255"},{"product_id":"leave-any-information-at-the-signal-book-edward-ruscha-9780262182201","title":"Leave Any Information at the Signal","description":null,"brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49572194091281,"sku":"GOR006701256","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262182203.jpg?v=1750940474"},{"product_id":"kant-after-duchamp-book-thierry-de-duve-9780262540940","title":"Kant after Duchamp","description":"\u003ci\u003eKant after Duchamp\u003c\/i\u003e brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's ready mades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical this is beautiful with this is art. De Duve employs this shift (replacing the word beauty by the word art) in a rereading of Kant's \u003ci\u003eCritique of Judgment\u003c\/i\u003e that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49579709038865,"sku":"GOR005382477","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50483402047761,"sku":"CIN0262540940G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50761667051793,"sku":"CIN0262540940VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":51132048310545,"sku":"GOR005932159","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262540940.jpg?v=1751070392"},{"product_id":"return-of-the-real-book-hal-foster-9780262561075","title":"The Return of the Real","description":"\u003cp\u003eIn \u003ci\u003eThe Return of the Real\u003c\/i\u003e Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present. And he poses this retroactive model of art and theory against the reactionary undoing of progressive culture that is pervasive today.\u003c\/p\u003e\u003cp\u003eAfter the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, Foster suggests that we are now witness to a return to the real--to art and theory grounded in the materiality of actual bodies and social sites. If \u003ci\u003eThe Return of the Real\u003c\/i\u003e begins with a new narrative of the historical avant-gard, it concludes with an original reading of this contemporary situation--and what it portends for future practices of art and theory, culture and politics.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49583822110993,"sku":"GOR002740676","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50127293514001,"sku":"CIN0262561077VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50279558021393,"sku":"GOR011725187","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51328307003665,"sku":"CIN0262561077G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":51840973046033,"sku":"GOR008856773","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":52108065341713,"sku":"GOR002821094","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52406859923729,"sku":"NLS9780262561075","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262561077.jpg?v=1751037827"},{"product_id":"fast-cars-clean-bodies-book-kristin-ross-9780262680912","title":"Fast Cars, Clean Bodies","description":"\u003ci\u003eFast Cars, Clean Bodies\u003c\/i\u003e examines the crucial decade from Dien Bien Phu to the mid-1960s when France shifted rapidly from an agrarian, insular, and empire-oriented society to a decolonized, Americanized, and fully industrial one. In this analysis of a startling cultural transformation Kristin Ross finds the contradictions of the period embedded in its various commodities and cultural artifacts-automobiles, washing machines, women's magazines, film, popular fiction, even structuralism-as well as in the practices that shape, determine, and delimit their uses. \u003cp\u003eIn each of the book's four chapters, a central object of mythical image is refracted across a range of discursive and material spaces- social and private, textual and cinematic, national and international. The automobile, the new cult of cleanliness in the capital and the colonies, the waning of Sartre and de Beauvoir as the couple of national attention, and the emergence of reshaped, functionalist masculinities (revolutionary, corporate, and structural) become the key elements in this prehistory of postmodernism in France.\u003c\/p\u003e \u003cp\u003eModernization ideology, Ross argues, offered the promise of limitless, even timeless, development. By situating the rise of \"end of history\" ideologies within the context of France's transition into mass culture and consumption, Ross returns the touted timelessness of modernization to history. She shows how the realist fiction and film of the period, as well as the work of social theorists such as Barthes, Lefebvre, and Morin who began at the time to conceptualize \"everyday life,\" laid bare the disruptions and the social costs of events. And she argues that the logic of the racism prevalent in France today, focused on the figure of the immigrant worker, is itself the outcome of the French state's embrace of capitalist modernization ideology in the 1950s and 1960s.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49596579512593,"sku":"GOR003153498","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":49629784768785,"sku":"GOR013553095","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49728744423697,"sku":"NGR9780262680912","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50761666756881,"sku":"CIN0262680912G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51714335670545,"sku":"CIN0262680912VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262680912.jpg?v=1751259037"},{"product_id":"guy-debord-and-the-situationist-international-book-tom-mcdonough-9780262633000","title":"Guy Debord and the Situationist International","description":"\u003cp\u003eThis volume is a revised and expanded version of a special issue of the journal \u003ci\u003eOctober \u003c\/i\u003e(Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI's profound engagement with the art and cultural politics of their time (1957-1972), with a strong argument for their primarily political and activist stance by two former members of the group, T. J. Clark and Donald Nicholson-Smith.\u003c\/p\u003e\u003cp\u003eGuy Debord and the Situationist International supplements both sections. It reprints important, hard to find essays by Giorgio Agamben, Libero Andreotti, Jonathan Crary, Thomas Y. Levin, Greil Marcus, and Tom McDonough and doubles the number of translations of primary texts, which now encompass a broader and more representative range of the SI's writings on culture and language. In a field still dominated by hagiography, the critical texts were selected for their willingness to confront critically the history and legacy of the SI. They examine the group within the broader framework of the historical and neo-avant-gardes and, beyond that, the postwar world in general. The translations trace the SI's reflections on the legacy of the avant-garde in art and architecture, particularly on the linguistic and spatial significance of montage aesthetics. Many of the translated works are by Guy Debord (1932-1994), the impresario of the SI, especially known for his book \u003ci\u003eThe Society of the Spectacle\u003c\/i\u003e.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49607049314577,"sku":"GOR006752392","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":51423693242641,"sku":"CIN0262633000G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52688675864849,"sku":"NLS9780262633000","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53615355429137,"sku":"GOR006037224","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262633000.jpg?v=1750843880"},{"product_id":"being-watched-book-carrie-lambert-beatty-9780262516075","title":"Being Watched","description":"\u003cp\u003e\u003cb\u003eHow Yvonne Rainer's art shaped new ways of watching as well as performing; how it connected 1960s avant-garde art to politics and activism. \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eIn her dance and performances of the 1960s, Yvonne Rainer famously transformed the performing body--stripped it of special techniques and star status, traded its costumes and leotards for T-shirts and sneakers, asked it to haul mattresses or recite texts rather than leap or spin. Without discounting these innovations, Carrie Lambert-Beatty argues in \u003ci\u003eBeing Watched\u003c\/i\u003e that the crucial site of Rainer's interventions in the 1960s was less the body of the performer than the eye of the viewer--or rather, the body as offered to the eye. Rainer's art, Lambert-Beatty writes, is structured by a peculiar tension between the body and its display. Through close readings of Rainer's works of the 1960s--from the often-discussed dance Trio A to lesser-known Vietnam war-era protest dances--Lambert-Beatty explores how these performances embodied what Rainer called the seeing difficulty. (As Rainer said: Dance is hard to see.) Viewed from this perspective, Rainer's work becomes a bridge between key episodes in postwar art. Lambert-Beatty shows how Rainer's art (and related performance work in Happenings, Fluxus, and Judson Dance Theater) connects with the transformation of the subject-object relation in minimalism and with emerging feminist discourse on the political implications of the objectifying gaze. In a spectacle-soaked era, moreover--when images of war played nightly on the television news--Rainer's work engaged the habits of viewing formed in mass-media America, linking avant-garde art and the wider culture of the 1960s. Rainer is significant, argues Lambert-Beatty, not only as a choreographer, but as a sculptor of spectatorship.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49622321332497,"sku":"GOR008585200","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49731262742801,"sku":"NGR9780262516075","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51415584997649,"sku":"CIN0262516071G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52122858520849,"sku":"NLS9780262516075","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262516071.jpg?v=1751424048"},{"product_id":"barbarian-invasions-book-eric-michaud-9780262043151","title":"The Barbarian Invasions","description":"\u003cp\u003e\u003cb\u003eHow the history of art begins with the myth of the barbarian invasion--the romantic fragmentation of classical eternity.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe history of art, argues  ric Michaud, begins with the romantic myth of the barbarian invasions. Viewed from the nineteenth century, the Germanic-led invasions of the Roman Empire in the fifth century became the gateway to modernity, seen not as a catastrophe but as a release from a period of stagnation, renewing Roman culture with fresh, northern blood--and with new art that was anti-Roman and anticlassical. Artifacts of art from then on would be considered as the natural product of races and peoples rather than the creation of individuals. The myth of the barbarian invasions achieved the fragmentation of classical eternity.\u003c\/p\u003e\u003cp\u003eThis narrative, Michaud explains, inseparable from the formation of nation states and the rise of nationalism in Europe, was based on the dual premise of the homogeneity and continuity of peoples. Local and historical particularities became weapons aimed at classicism's universalism. The history of art linked its objects with racial groups--denouncing or praising certain qualities as Latin or Germanic. Thus the predominance of linear elements was thought to betray a southern origin, and the painterly a Germanic or northern source. Even today, Michaud points out, it is said that art best embodies the genius of peoples. In the globalized contemporary art market, the ethnic provenance of works--categorized, for example, as African American, Latino, or Native American--creates added value. The market displays the same competition among races that was present at the foundation of art history as a discipline.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49622451257617,"sku":"GOR013614841","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49729921351953,"sku":"NGR9780262043151","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50454303441169,"sku":"CIN0262043157VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262043157.jpg?v=1750877401"},{"product_id":"painting-as-model-book-yve-alain-bois-9780262521802","title":"Painting as Model","description":"\u003cp\u003eInformed by both structuralism and poststructuralism, these essays by art critic and historian Yve Alain Bois seek to redefine the status of theory in modernist critical discourse. Warning against the uncritical adoption of theoretical fashions and equally against the a priori rejection of all theory, Bois argues that theory is best employed in response to the specific demands of a critical problem. The essays lucidly demonstrate the uses of various theoretical approaches in conjunction with close reading of both paintings and texts.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ GOOD \/ INTERNAL","offer_id":49649292640529,"sku":"GOR002205455","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49729772749073,"sku":"NGR9780262521802","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50000426434833,"sku":"GOR006734730","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":53237999534353,"sku":"CIN0262521806VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262521806.jpg?v=1751258965"},{"product_id":"compulsive-beauty-book-hal-foster-9780262560818","title":"Compulsive Beauty","description":"\u003cp\u003e\u003cb\u003eIn \u003ci\u003eCompulsive Beauty\u003c\/i\u003e, Foster reads surrealism from its other, darker side: as an art given over to the uncanny, to the compulsion to repeat and the drive toward death.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eSurrealism has long been seen as its founder, Andr  Breton, wanted it to be seen: as a movement of love and liberation. In \u003ci\u003eCompulsive Beauty\u003c\/i\u003e, Foster reads surrealism from its other, darker side: as an art given over to the uncanny, to the compulsion to repeat and the drive toward death. To this end Foster first restages the difficult encounter of surrealism with Freudian psychoanalysis, then redefines the crucial categories of surrealism--the marvelous, convulsive beauty, objective chance--in terms of the Freudian uncanny, or the return of familar things made strange by repression. Next, with the art of Giorgio de Chirico, Max Ernst, and Alberto Giacometti in mind, Foster develops a theory of the surrealist image as a working over of a primal fantasy. This leads him finally to propose as a summa of surrealism a body of work often shunted to its margins: the dolls of Hans Bellmer, so many traumatic tableaux that point to difficult connections not only between sadism and masochism butal so between surrealism and fascism. At this point \u003ci\u003eCompulsive Beauty\u003c\/i\u003e turns to the social dimension of the surrealist uncanny. First Foster reads the surrealist repertoire of automatons and mannequins as a reflection on the uncanny processes of mechanization and commodification. Then he considers the surrealist use of outmoded images as an attempt to work through the historical repression effected by these same processes. In a brief conclusion he discusses the fate of surrealism today in a world become surrealistic. \u003ci\u003eCompulsive Beauty \u003c\/i\u003enot only offers a deconstructive reading of surrealism, long neglected by Anglo-American art history, but also participates in a postmodern reconsideration of modernism, the dominant accounts of which have obscured its involvements in desire and trauma, capitalist shock and technological development.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49657146409233,"sku":"GOR004306771","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":49993988505873,"sku":"GOR012376348","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50249374761233,"sku":"GOR010766403","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50892247728401,"sku":"CIN026256081XG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50958587199761,"sku":"GOR005595304","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51695407661329,"sku":"CIN026256081XVG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/026256081X.jpg?v=1751450250"},{"product_id":"looking-awry-book-slavoj-zizek-9780262740159","title":"Looking Awry","description":"Slavoj Zizek, a leading intellectual in the new social movements that are sweeping Eastern Europe, provides a virtuoso reading of Jacques Lacan. Zizek inverts current pedagogical strategies to explain the difficult philosophical underpinnings of the French theoretician and practician who revolutionized our view of psychoanalysis. He approaches Lacan through the motifs and works of contemporary popular culture, from Hitchcock's \u003ci\u003eVertigo\u003c\/i\u003e to Stephen King's \u003ci\u003ePet Sematary\u003c\/i\u003e, from McCullough's \u003ci\u003eAn Indecent Obsession\u003c\/i\u003e to Romero's \u003ci\u003eReturn of the Living Dead\u003c\/i\u003e-a strategy of \"looking awry\" that recalls the exhilarating and vital experience of Lacan. \u003cp\u003eZizek discovers fundamental Lacanian categories the triad Imaginary\/Symbolic\/Real, the object small a, the opposition of drive and desire, the split subject-at work in horror fiction, in detective thrillers, in romances, in the mass media's perception of ecological crisis, and, above all, in Alfred Hitchcock's films. The playfulness of Zizek's text, however, is entirely different from that associated with the deconstructive approach made famous by Derrida. By clarifying what Lacan is saying as well as what he is not saying, Zizek is uniquely able to distinguish Lacan from the poststructuralists who so often claim him.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ WELL_READ \/ SBYB","offer_id":49707704418577,"sku":"CIN026274015XA","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49729635221777,"sku":"NGR9780262740159","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49756890857745,"sku":"GOR002128702","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":49989727224081,"sku":"CIN026274015XG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51825415356689,"sku":"CIN026274015XVG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53072168911121,"sku":"GOR002997918","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/026274015X.jpg?v=1750877573"},{"product_id":"prosthetic-gods-book-hal-foster-9780262562812","title":"Prosthetic Gods","description":"\u003cb\u003eImagining a new self equal to the new art of modernism; primordial and futuristic fictions of origin in the work of Guaguin, Picasso, F. T. Marinetti, Max Ernst, and others.\u003c\/b\u003e \u003cp\u003eHow to imagine not only a new art or architecture but a new self or subject equal to them? In \u003ci\u003eProsthetic Gods\u003c\/i\u003e, Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, F. T. Marinetti and Wyndham Lewis, Adolf Loos and Max Ernst. These diverse figures were all fascinated by fictions of origin, either primordial and tribal or futuristic and technological. In this way, Foster argues, two forms came to dominate modernist art above all others- the primitive and the machine. Foster begins with the primitivist fantasies of Gauguin and Picasso, which he examines through the Freudian lens of the primal scene. He then turns to the purist obsessions of the Viennese architect Loos, who abhorred all things primitive. Next Foster considers the technophilic subjects propounded by the futurist Marinetti and the vorticist Lewis. These \"new egos\" are further contrasted with the \"bachelor machines\" proposed by the dadaist Ernst. Foster also explores extrapolations from the art of the mentally ill in the aesthetic models of Ernst, Paul Klee, and Jean Dubuffet, as well as manipulations of the female body in the surrealist photography of Brassai, Man Ray, and Hans Bellmer. Finally, he examines the impulse to dissolve the conventions of art altogether in the drip paintings of Jackson Pollock, the scatter pieces of Robert Morris, and the earthworks of Robert Smithson, and traces the evocation of lost objects of desire in sculptural work from Marcel Duchamp and Alberto Giacometti to Robert Gober. Although its title is drawn from Freud, Prosthetic Gods does not impose psychoanalytic theory on modernist art; rather, it sets the two into critical relation and scans the greater historical field that they share.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49729432453393,"sku":"NGR9780262562812","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262562812.jpg?v=1750940571"},{"product_id":"critical-laboratory-book-thomas-hirschhorn-9780262019255","title":"Critical Laboratory","description":"\u003cb\u003eWritings by Thomas Hirschhorn, collected for the first time, trace the development of the artist's ideas and artistic strategies.\u003c\/b\u003e\u003cp\u003eFor the artist Thomas Hirschhorn, writing is a crucial tool at every stage of his artistic practice. From the first sketch of an idea to appeals to potential collaborators, from detailed documentation of projects to post-disassembly analysis, Hirschhorn's writings mark the trajectories of his work. This volume collects Hirschhorn's widely scattered texts, presenting many in English for the first time.\u003c\/p\u003e\u003cp\u003eIn these writings, Hirschhorn discusses the full range of his art, from works on paper to the massive \u003ci\u003ePresence and Production\u003c\/i\u003e projects in public spaces. Statements and Letters address broad themes of aesthetic philosophy, politics, and art historical commitments. Projects consider specific artworks or exhibitions. Interviews capture the artist in dialogue with Benjamin Buchloh, Jacques Ranci re, and others. Throughout, certain continuities emerge: Hirschhorn's commitment to quotidian materials; the centrality of political and economic thinking in his work; and his commitment to art in the public sphere. Taken together, the texts serve to trace the artist's ideas and artistic strategies over the past two decades. \u003ci\u003eCritical Laboratory \u003c\/i\u003ealso reproduces, in color, \u003ci\u003e33 Ausstellungen im  ffentlichen Raum 1998-1989\u003c\/i\u003e, an out-of-print catalog of Hirschhorn's earliest works in public space.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49729566900497,"sku":"NGR9780262019255","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":49852164636945,"sku":"CIN0262019256G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262019256.jpg?v=1751356613"},{"product_id":"on-the-eve-of-the-future-book-annette-michelson-9780262035507","title":"On the Eve of the Future","description":"\u003cb\u003eThe first collection of Annette Michelson's influential writings on film, with essays on work by Marcel Duchamp, Maya Deren, Hollis Frampton, Martha Rosler, and others.\u003c\/b\u003e\u003cp\u003eThe celebrated critic and film scholar Annette Michelson saw the avant-garde filmmakers of the 1950s and 1960s as radically redefining and extending the Modernist tradition of painting and sculpture, and in essays that were as engaging as they were influential and as lucid as they were learned, she set out to demonstrate the importance of the underappreciated medium of film. \u003ci\u003eOn the Eve of the Future\u003c\/i\u003e collects more than thirty years' worth of those essays, focusing on her most relevant engagements with avant-garde production in experimental cinema, particularly with the movement known as American Independent Cinema.\u003c\/p\u003e\u003cp\u003eThis volume includes the first critical essay on Marcel Duchamp's film \u003ci\u003eAnemic Cinema\u003c\/i\u003e, the first investigation into Joseph Cornell's filmic practices, and the first major explorations of Michael Snow. It offers an important essay on Maya Deren, whose work was central to that era of renewal and reinvention, seminal critiques of Stan Brakhage, Hollis Frampton, and Harry Smith, and overviews of Independent Cinema. Gathered here for the first time, these texts demonstrate Michelson's pervasive influence as a writer and thinker and her role in the establishment of cinema studies as an academic field. \u003c\/p\u003e\u003cp\u003eThe postwar generation of Independents worked to develop radically new terms, techniques, and strategies of production and distribution. Michelson shows that the fresh new forms they created from the legacy of Modernism became the basis of new forms of spectatorship and cinematic pleasure.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49732113596689,"sku":"NGR9780262035507","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50347435589905,"sku":"CIN0262035502VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":52719789834513,"sku":"CIN0262035502G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262035502.jpg?v=1751435995"},{"product_id":"heritage-and-debt-book-david-joselit-9780262043694","title":"Heritage and Debt","description":"How global contemporary art reanimates the past as a resource for the present, combating modern art's legacy of Eurocentrism.  If European modernism was premised on the new—on surpassing the past, often by assigning it to the “traditional” societies of the Global South—global contemporary art reanimates the past as a resource for the present. In this account of what globalization means for contemporary art, David Joselit argues that the creative use of tradition by artists from around the world serves as a means of combatting modern art's legacy of Eurocentrism. Modernism claimed to live in the future and relegated the rest of the world to the past. Global contemporary art shatters this myth by reactivating various forms of heritage—from literati ink painting in China to Aboriginal painting in Australia—in order to propose new and different futures. Joselit analyzes not only how heritage becomes contemporary through the practice of individual artists but also how a cultural infrastructure of museums, biennials, and art fairs worldwide has emerged as a means of generating economic value, attracting capital and tourist dollars.  Joselit traces three distinct forms of modernism that developed outside the West, in opposition to Euro-American modernism: postcolonial, socialist realism, and the underground. He argues that these modern genealogies are synchronized with one another and with Western modernism to produce global contemporary art. Joselit discusses curation and what he terms “the curatorial episteme,” which, through its acts of framing or curating, can become a means of recalibrating hierarchies of knowledge—and can contribute to the dual projects of decolonization and deimperialization.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49736214446353,"sku":"NGR9780262043694","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50465835942161,"sku":"GOR010780670","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":52103185006865,"sku":"CIN0262043696VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262043696.jpg?v=1750738394"},{"product_id":"gerhard-richter-book-benjamin-h-d-buchloh-9780262543538","title":"Gerhard Richter","description":"\u003cb\u003eThe first full-scale monographic study in English of one of the most important artists of the second half of the twentieth century.\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e In this first full-scale monograph in English on the German painter Gerhard Richter, the distinguished art historian Benjamin H. D. Buchloh maps the unfolding of Richter's ever more complex and contradictory lifework. A painter in an age that disdains painting, a German confronting the impossibility of representing the historical trauma inflicted by his country upon the world between 1933 and 1945, a European artist in dialogue with his American counterparts, Richter (b. 1932) is shown by Buchloh to be a unique and singular artist, outside and beyond every other formation contemporaneous with his own development and evolution.\u003cbr\u003e \u003cbr\u003e What emerges from Buchloh's detailed analysis of Richter's key works is a far more complex set of painterly strategies than has been previously assumed, strategies that have inverted and relativized all the principles of the modernist and even the postmodernist painterly aesthetic. In a series of essays that proceeds chronologically, Buchloh begins with \u003ci\u003eElbe\u003c\/i\u003e (1957), seeing it as a foundational moment in Richter's confrontation with Socialist Realism, and goes on to consider such works as \u003ci\u003eOctober 18, 1977\u003c\/i\u003e (1988), the series of representational photo-based paintings of Baader-Meinhof members; Richter's glass works; and the late group of \u003ci\u003eBirkenau Paintings\u003c\/i\u003e (2014). Richly illustrated in color, dense with insights that represent half a lifetime of engagement with Richter's work, this book will stand as the definitive, essential examination of a major contemporary artist.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49742465696017,"sku":"NGR9780262543538","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49790138319121,"sku":"GOR013785621","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50629480448273,"sku":"CIN0262543532G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51735774888209,"sku":"NIN9780262543538","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262543532.jpg?v=1751428469"},{"product_id":"art-demonstration-book-claire-grace-9780262543521","title":"Art Demonstration","description":"\u003cb\u003eA study of Group Material, the influential but underexamined New York-based artist collective, investigating a series of key works.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e Key predecessor of contemporary art's most radical activist gestures, the 1980s collective Group Material seized upon the temporary exhibition as a prime mode of intervention. Projects sited on walls, subways, and billboards targeted some of the most sensitive political conflicts of the era, from U.S. military interventions in Latin America to the AIDS crisis. In \u003ci\u003eArt Demonstration\u003c\/i\u003e, Claire Grace examines Group Material's New York-based collaboration across a decade that saw a wave of renewed interest in art as a domain of political mobilization. As Grace argues here, Group Material's art was never just a means to an end; looking itself held urgency.\u003cbr\u003e \u003cbr\u003e Grace distinguishes between two types of Group Material projects- room-scale interiors featuring distinctive wall treatments, soundtracks, and boundary-crossing arrangements of objects, and works in spaces usually reserved for advertising. Grace analyzes the group's practice in both categories, examining such well-known projects as \u003ci\u003eAIDS Timeline\u003c\/i\u003e (1989) and \u003ci\u003eDemocracy\u003c\/i\u003e (1988-1989) and lesser-known works including \u003ci\u003eSubculture\u003c\/i\u003e (1983) and \u003ci\u003eThe Castle\u003c\/i\u003e (1987). Grace shows that the politics running through Group Material's practice ultimately resides in the artists' particular recourse to the exhibition form. With that bearing, Group Material's work insisted on the material in the face of postmodern theory's privileging of the discursive, and redistributed authorship within protean and pivotally diverse collective structures, testing in so doing the ever fragile contours of democratic participation as art became a commodity for speculative investment.\u003cbr\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49744006021393,"sku":"NGR9780262543521","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ LIKE_NEW \/ SBYB","offer_id":52899632152849,"sku":"CIN0262543524LN","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262543524.jpg?v=1750812023"},{"product_id":"fast-cars-clean-bodies-book-kristin-ross-9780262181617","title":"Fast Cars, Clean Bodies","description":"\u003ci\u003eFast Cars, Clean Bodies\u003c\/i\u003e examines the crucial decade from Dien Bien Phu to the mid-1960s when France shifted rapidly from an agrarian, insular, and empire-oriented society to a decolonized, Americanized, and fully industrial one. In this analysis of a startling cultural transformation Kristin Ross finds the contradictions of the period embedded in its various commodities and cultural artifacts--automobiles, washing machines, women's magazines, film, popular fiction, even structuralism--as well as in the practices that shape, determine, and delimit their uses.\u003cp\u003eIn each of the book's four chapters, a central object of mythical image is refracted across a range of discursive and material spaces: social and private, textual and cinematic, national and international. The automobile, the new cult of cleanliness in the capital and the colonies, the waning of Sartre and de Beauvoir as the couple of national attention, and the emergence of reshaped, functionalist masculinities (revolutionary, corporate, and structural) become the key elements in this prehistory of postmodernism in France.\u003c\/p\u003e\u003cp\u003eModernization ideology, Ross argues, offered the promise of limitless, even timeless, development. By situating the rise of end of history ideologies within the context of France's transition into mass culture and consumption, Ross returns the touted timelessness of modernization to history. She shows how the realist fiction and film of the period, as well as the work of social theorists such as Barthes, Lefebvre, and Morin who began at the time to conceptualize everyday life, laid bare the disruptions and the social costs of events. And she argues that the logic of the racism prevalent in France today, focused on the figure of the immigrant worker, is itself the outcome of the French state's embrace of capitalist modernization ideology in the 1950s and 1960s.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49857429569809,"sku":"GOR007463083","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50347441029393,"sku":"CIN0262181614G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262181614.jpg?v=1751070349"},{"product_id":"suspensions-of-perception-book-jonathan-crary-9780262032650","title":"Suspensions of Perception","description":"\u003cp\u003eThe voice is a powerful instrument in music therapy practice and this anthology of voicework techniques explores everything the practitioner and researcher needs to know in order to bring about successful vocal interventions across a broad range of client groups.\u003c\/p\u003e\u003cp\u003eCompiling a wealth of international evidence-based practice, this book offers detailed descriptions of clinical methods that are grounded in research. Chapters are grouped into structured and unstructured approaches for use with clients of all ages. Clinical populations covered include neonates, children with autism or developmental disability, individuals with neurological damage including stroke, Parkinson's disease patients, traumatic brain injury, and spinal injury, people with mental illness, medical conditions such as asthma and pain, oncology and palliative care, aged care and dementia. \u003c\/p\u003e\u003cp\u003eThis book will be an invaluable resource for any music therapy student, practitioner or researcher looking to explore the use of voicework in music therapy.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49864698102033,"sku":"CIN0262032651G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262032651.jpg?v=1751100996"},{"product_id":"random-order-book-branden-w-joseph-9780262100991","title":"Random Order","description":"\u003cp\u003e\u003cb\u003eAn examination of the artistic development of Robert Rauschenberg, focusing on his relationship with John Cage and his role in the making of the American neo-avant-garde.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eRobert Rauschenberg is one of the most important visual artists of the second half of the twentieth century. In \u003ci\u003eRandom Order\u003c\/i\u003e, Branden Joseph examines Rauschenberg's work in the context of the American neo-avant-garde. One of the foundations of his study is Rauschenberg's professional relationship with experimental composer John Cage. From the moment of their encounter at Black Mountain College in 1952, Joseph argues, Rauschenberg and Cage initiated a new avant-garde project, one that approached the idea of difference not in terms of negation but as a positive force. Claiming that Rauschenberg's work cannot be understood solely from the standpoint of the Frankfurt School--whose theories have dominated discussions of avant-garde and neo-avant-garde aesthetics--Joseph turns to the theoretical positions of Gilles Deleuze and Jacques Derrida. Rauschenberg's neo-avant-garde was not a simple repetition of earlier avant-garde movements, Joseph shows, but a series of practices that opposed the rise of postwar spectacle, commodification, and mass conformity.\u003c\/p\u003e\u003cp\u003eBeginning with the White Paintings, Joseph examines Rauschenberg's artistic development from 1951 to 1971. He looks at the black paintings, Red Paintings, Elemental Paintings and Elemental Sculptures, Combines and Combine paintings, transfer drawings and silkscreens, performances, and explorations in art and technology. Joseph's study not only offers new interpretations of Rauschenberg's work, but also deepens our understanding of the entire neo-avant-garde project.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49889363362065,"sku":"GOR007030338","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":49892092215569,"sku":"CIN0262100991G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262100991.jpg?v=1750974203"},{"product_id":"scenes-in-a-library-book-carol-armstrong-9780262011693","title":"Scenes in a Library","description":null,"brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49916999991569,"sku":"CIN0262011697G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51750052856081,"sku":"GOR013739685","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262011697.jpg?v=1751100974"},{"product_id":"read-my-desire-book-joan-copjec-9780262032193","title":"Read My Desire","description":"In \u003ci\u003eRead My Desire\u003c\/i\u003e, Joan Copjec stages a confrontation between the theories of Jacques Lacan and those of Michel Foucault, protagonists of two powerful modern disciplines--psychoanalysis and historicism. Ordinarily, these modes of thinking only cross paths long enough for historicists to charge psychoanalysis with an indifference to history, but here psychoanalysis, via Lacan, goes on the offensive. Refusing to cede history to the historicists, Copjec makes a case for the superiority of Lacan's explanation of historical processes and generative principles. Her goal is to inspire a new kind of cultural critique, one that is literate in desire, and capable of interpreting what is unsaid in the manifold operations of culture.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50018185249041,"sku":"GOR005618684","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262032198.jpg?v=1751037677"},{"product_id":"against-architecture-book-denis-hollier-9780262581134","title":"Against Architecture","description":"Over the past 30 years the writings of Georges Bataille have had a profound influence on French intellectual thought, informing the work of Foucault, Derrida, and Barthes, among others. \u003ci\u003eAgainst Architecture\u003c\/i\u003e offers the first serious interpretation of this challenging thinker, spelling out the profoundly original and radical nature of Bataille's work.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50029799211281,"sku":"GOR003600112","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52401209934097,"sku":"NLS9780262581134","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":53482718003473,"sku":"CIN0262581132G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262581132.jpg?v=1750812060"},{"product_id":"optical-unconscious-book-rosalind-krauss-9780262611053","title":"The Optical Unconscious","description":"\u003ci\u003eThe Optical Unconscious \u003c\/i\u003eis a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of vision itself. And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction.\u003cp\u003e\u003ci\u003eThe Optical Unconscious\u003c\/i\u003e will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today.\u003c\/p\u003e\u003cp\u003eIn order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about smart Jewish girls with their typewriters in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-Fran ois Lyotard.\u003c\/p\u003e\u003cp\u003eTo embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic \u003ci\u003eRotoreliefs\u003c\/i\u003e, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as Anti-Form. These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50052127424785,"sku":"GOR004103388","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50448236839185,"sku":"CIN0262611058VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":51722046734609,"sku":"CIN0262611058A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52332483313937,"sku":"NLS9780262611053","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":52460655345937,"sku":"GOR012382198","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262611058.jpg?v=1751195518"},{"product_id":"compulsive-beauty-book-hal-foster-9780262061605","title":"Compulsive Beauty","description":"On February 19, 1942, President Franklin D. Roosevelt signed Executive Order 9066, authorizing the U.S. military to ban anyone from certain areas of the country, with primary focus on the West Coast. Eventually the order was used to imprison 120,000 people of Japanese descent in incarceration camps such as the Rohwer Relocation Center in remote Desha County, Arkansas. This time of fear and prejudice (the U.S. government formally apologized for the relocations in 1982) and the Arkansas Delta are the setting for Camp Nine. The novel's narrator, Chess Morton, lives in tiny Rook Arkansas. Her days are quiet and secluded until the appearance of a relocation center built for what was, in effect, the imprisonment of thousands of Japanese Americans. Chess's life becomes intertwined with those of two young internees and an American soldier mysteriously connected to her mother's past. As Chess watches the struggles and triumphs of these strangers and sees her mother seek justice for the people who briefly and involuntarily came to call the Arkansas Delta their home, she discovers surprising and disturbing truths about her family's painful past.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50113321861393,"sku":"CIN0262061600G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50486999318801,"sku":"GOR009311702","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":53006003601681,"sku":"CIN0262061600A","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262061600.jpg?v=1751037724"},{"product_id":"perpetual-inventory-book-rosalind-krauss-9780262013802","title":"Perpetual Inventory","description":"\u003cp\u003e\u003cb\u003eIn essays that span three decades, one of contemporary art's most esteemed critics celebrates artists who have persevered in the service of a medium.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe job of an art critic is to take perpetual inventory, constantly revising her ideas about the direction of contemporary art and the significance of the work she writes about. In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the post-medium condition--the abandonment by contemporary art of the modernist emphasis on the medium as the source of artistic significance. Jean-Fran ois Lyotard argued that the \u003ci\u003epostmodern\u003c\/i\u003e condition is characterized by the end of a master narrative, and Krauss sees in the \u003ci\u003epost-medium\u003c\/i\u003e condition of contemporary art a similar farewell to coherence. The master narrative of contemporary art ended when conceptual art and other contemporary practices jettisoned the specific medium in order to juxtapose image and written text in the same work. For Krauss, this spells the end of serious art, and she devotes much of \u003ci\u003ePerpetual Inventory\u003c\/i\u003e to wrest ling] new media to the mat of specificity.\u003c\/p\u003e\u003cp\u003eKrauss also writes about artists who are reinventing the medium, artists who persevere in the service of a nontraditional medium (strange new apparatuses often adopted from commercial culture), among them Ed Ruscha, Christian Marclay, William Kentridge, and James Coleman.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50119724269841,"sku":"GOR013695647","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":53362828247313,"sku":"CIN0262013800VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262013800.jpg?v=1751037655"},{"product_id":"subjectivity-effect-in-western-literary-tradition-book-joel-fineman-9780262061360","title":"Subjectivity Effect in Western Literary Tradition","description":null,"brand":"WoB","offers":[{"title":"US \/ WELL_READ \/ SBYB","offer_id":50133604401425,"sku":"CIN0262061368A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":53037761102097,"sku":"CIN0262061368VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262061368.jpg?v=1750738412"},{"product_id":"decoys-and-disruptions-book-martha-rosler-9780262681582","title":"Decoys and Disruptions","description":"\u003cb\u003eThe first comprehensive collection of writings by Martha Rosler considers the intersection of art and politics, the operation of art systems, feminist art practices, and the media.\u003c\/b\u003e\u003cp\u003eDecoys and Disruptions is the first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years. The writings collected here address such key topics as documentary photography, feminist art, video, government patronage of the arts, censorship, and the future of digitally based photographic media. Taken together, these thirteen essays not only show Rosler's importance as a critic but also offer an essential resource for readers interested in the issues confronting contemporary art. The essays in this collection illustrate Rosler's ongoing investigation into means of exposing truth and provoking change, providing a retrospective of characteristic issues in her work.\u003c\/p\u003e\u003cp\u003eMixing analysis and wit, Rosler challenges many of the fundamental precepts of contemporary art practice. Her influential essay, In, around, and afterthoughts: on documentary photography, almost single-handedly dismantled the myth of liberal documentary photography when it appeared. Many of the essays in this volume have had a similarly wide-ranging influence; others are published here for the first time. Illustrating the essays are 81 images by Rosler and other artists and photographers.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50140765815057,"sku":"GOR007254221","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50283165942033,"sku":"GOR013911524","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50727088128273,"sku":"CIN0262681587G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":51681561116945,"sku":"GOR014352636","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52685981942033,"sku":"NLS9780262681582","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262681587.jpg?v=1751164939"},{"product_id":"painting-as-model-book-yve-alain-bois-9780262023061","title":"Painting as Model","description":"\u003cp\u003eInformed by both structuralism and poststructuralism, these essays by art critic and historian Yve Alain Bois seek to redefine the status of theory in modernist critical discourse. Warning against the uncritical adoption of theoretical fashions and equally against the a priori rejection of all theory, Bois argues that theory is best employed in response to the specific demands of a critical problem. The essays lucidly demonstrate the uses of various theoretical approaches in conjunction with close reading of both paintings and texts.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50144165003537,"sku":"CIN0262023067G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262023067.jpg?v=1750843702"},{"product_id":"aids-book-douglas-crimp-9780262530798","title":"AIDS","description":"\u003cp\u003eThe literature on AIDS has attempted to teach us the facts about this new disease or to provide a narrative account of scientific discovery and developing public health policy. But AIDS has precipitated a crisis that is not primarily medical, or even social and political; AIDS has precipitated a crisis of signification the meaning of AIDS is hotly contested in all of the discourses that conceptualize it and seek to respond to it\u0026gt;\u003ci\u003e. AIDS: Cultural Analysis\/Cultural Activism\u003c\/i\u003e is the first book on the subject that takes this battle over meaning as its premise.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eContributors\u003c\/b\u003e\u003cbr\u003eLeo Bersani, author of The Freudian Body; Simon Watney, who serves on the board of the Health Education Committee of London's Terrence Higgens Trust; Jan Zita Grover, medical editor at San Francisco General Hospital; Suki Ports, former executive director of the New York City Minority Task Force on AIDS; and Sander Gilman, author of Difference and Pathology.\u003c\/p\u003e\u003cp\u003eAlso included are essays by Paula A. Treichler, who teaches in the Medical School and in communications at the University of Illinois; Carol Leigh, a member of COYOTE and contributor to Sex Work; and Max Navarre, editor of the People With AIDS Coalition monthly Newsline. In addition to these essays, the book contains a portfolio of manifestos, articles, letters, and photographs from the publications of the PWA Coalition, an interview with three members of the AIDS discrimination unit of the New York City Commission on Human Rights; and presentations for the independent video documentaries on AIDS, Testing the Limits and Bright Eyes.\u003c\/p\u003e\u003cp\u003eAn October Book.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50330762379537,"sku":"CIN0262530791G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":53449093808401,"sku":"CIN0262530791A","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262530791.jpg?v=1750695364"},{"product_id":"suspensions-of-perception-book-jonathan-crary-9780262531993","title":"Suspensions of Perception","description":"\u003cp\u003e\u003cb\u003e\u003ci\u003eSuspensions of Perception\u003c\/i\u003e decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception--in psychology, philosophy, neurology, early cinema, and photography.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSuspensions of Perception\u003c\/i\u003e is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to the second half of the nineteenth century.\u003c\/p\u003e\u003cp\u003eFocusing on the period from about 1880 to 1905, Jonathan Crary examines the connections between the modernization of subjectivity and the dramatic expansion and industrialization of visual\/auditory culture. At the core of his project is the paradoxical nature of modern attention, which was both a fundamental condition of individual freedom, creativity, and experience and a central element in the efficient functioning of economic and disciplinary institutions as well as the emerging spaces of mass consumption and spectacle.\u003c\/p\u003e\u003cp\u003eCrary approaches these issues through multiple analyses of single works by three key modernist painters--Manet, Seurat, and Cezanne--who each engaged in a singular confrontation with the disruptions, vacancies, and rifts within a perceptual field. Each in his own way discovered that sustained attentiveness, rather than fixing or securing the world, led to perceptual disintegration and loss of presence, and each used this discovery as the basis for a reinvention of representational practices.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSuspensions of Perception\u003c\/i\u003e decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception--in psychology, philosophy, neurology, early cinema, and photography. In doing so, it provides a historical framework for understanding the current social crisis of attention amid the accelerating metamorphoses of our contemporary technological culture.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ WELL_READ \/ SBYB","offer_id":50332114125073,"sku":"CIN0262531992A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50446557970705,"sku":"GOR005489046","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51464756199697,"sku":"CIN0262531992G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52431649112337,"sku":"NLS9780262531993","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262531992.jpg?v=1750812009"},{"product_id":"bachelors-book-rosalind-e-krauss-9780262112390","title":"Bachelors","description":null,"brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50333535666449,"sku":"CIN0262112396G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52376398266641,"sku":"GOR007758153","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53406656069905,"sku":"GOR014909420","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262112396.jpg?v=1750974207"},{"product_id":"guy-debord-and-the-situationist-international-book-tom-mcdonough-9780262134040","title":"Guy Debord and the Situationist International","description":"\u003cp\u003eThis volume is a revised and expanded version of a special issue of the journal \u003ci\u003eOctober \u003c\/i\u003e(Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI's profound engagement with the art and cultural politics of their time (1957-1972), with a strong argument for their primarily political and activist stance by two former members of the group, T. J. Clark and Donald Nicholson-Smith.\u003c\/p\u003e\u003cp\u003eGuy Debord and the Situationist International supplements both sections. It reprints important, hard to find essays by Giorgio Agamben, Libero Andreotti, Jonathan Crary, Thomas Y. Levin, Greil Marcus, and Tom McDonough and doubles the number of translations of primary texts, which now encompass a broader and more representative range of the SI's writings on culture and language. In a field still dominated by hagiography, the critical texts were selected for their willingness to confront critically the history and legacy of the SI. They examine the group within the broader framework of the historical and neo-avant-gardes and, beyond that, the postwar world in general. The translations trace the SI's reflections on the legacy of the avant-garde in art and architecture, particularly on the linguistic and spatial significance of montage aesthetics. Many of the translated works are by Guy Debord (1932-1994), the impresario of the SI, especially known for his book \u003ci\u003eThe Society of the Spectacle\u003c\/i\u003e.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50346378658065,"sku":"CIN0262134047G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50961448796433,"sku":"GOR014148504","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262134047.jpg?v=1750738433"},{"product_id":"beautiful-language-of-my-century-book-tom-mcdonough-9780262516099","title":"The Beautiful Language of My Century","description":"\u003cp\u003e\u003cb\u003eHow culture became a field of struggle over meaning in France: the appropriation of elements from advertising, journalism, and other sources to serve political ends in art, film, and the activities of the French left, culminating in the upheavals of May 1968.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eIn postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used--or stole, plagiarized, and expropriated--elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named beautiful language of this book's title, itself an appropriation from Guy Debord's collaged M moires). Redeployed, often in startling or pointed juxtapositions, these elements took on newly oppositional meanings. A famous photograph taken inside the occupied Sorbonne in May 1968, for example, shows a massive academic painting altered by a clever cartoonish speech bubble that transforms the painting into a parody of itself and memorializes an event very different from the one captured by the original artist. \u003ci\u003eThe Beautiful Language of My Century\u003c\/i\u003e describes the various forms of critical culture that culminated in the events of May 1968, and investigates the ways those forms have come down to us today.\u003c\/p\u003e\u003cp\u003eMcDonough explores the montage practice developed by Guy Debord and his situationist colleagues under the name of d tournement and its expression in the later fifties as a form of cultural theft. He addresses the influence of colonialism on these practices, examining a 1961 exhibit of torn posters of the Algerian War (La France d chir e), Godard's early film Le Petit Soldat, and Christo's Project for a Temporary Wall of Steel Drums. He discusses the French left's adoption in the mid-sixties of the end of art as a theoretical position and describes the leftist idea of the f te as a Rabelaisian and revolutionary upwelling of everything that is low. This influential conception, inspired equally by the American urban revolts of the sixties and the writings of theorists Marcel Mauss and Georges Bataille, coalesced into a new image of revolution, a new model of contestation, in the events of May 1968--when the struggle over language and culture merged with a broader resistance to capitalist modernization.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50347332632849,"sku":"CIN0262516098VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50347466817809,"sku":"CIN0262516098G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262516098.jpg?v=1751258956"},{"product_id":"artwork-caught-by-the-tail-book-george-baker-9780262026185","title":"The Artwork Caught by the Tail","description":null,"brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50347468194065,"sku":"CIN026202618XG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51920130605329,"sku":"CIN026202618XVG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/026202618X.jpg?v=1750813314"},{"product_id":"caravaggio-s-secrets-book-leo-bersani-9780262523134","title":"Caravaggio's Secrets","description":null,"brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50347507155217,"sku":"CIN0262523132G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262523132.jpg?v=1751389099"},{"product_id":"random-order-book-branden-w-joseph-9780262600712","title":"Random Order","description":"\u003cp\u003e\u003cb\u003eAn examination of the artistic development of Robert Rauschenberg, focusing on his relationship with John Cage and his role in the making of the American neo-avant-garde.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eRobert Rauschenberg is one of the most important visual artists of the second half of the twentieth century. In \u003ci\u003eRandom Order\u003c\/i\u003e, Branden Joseph examines Rauschenberg's work in the context of the American neo-avant-garde. One of the foundations of his study is Rauschenberg's professional relationship with experimental composer John Cage. From the moment of their encounter at Black Mountain College in 1952, Joseph argues, Rauschenberg and Cage initiated a new avant-garde project, one that approached the idea of difference not in terms of negation but as a positive force. Claiming that Rauschenberg's work cannot be understood solely from the standpoint of the Frankfurt School--whose theories have dominated discussions of avant-garde and neo-avant-garde aesthetics--Joseph turns to the theoretical positions of Gilles Deleuze and Jacques Derrida. Rauschenberg's neo-avant-garde was not a simple repetition of earlier avant-garde movements, Joseph shows, but a series of practices that opposed the rise of postwar spectacle, commodification, and mass conformity.\u003c\/p\u003e\u003cp\u003eBeginning with the White Paintings, Joseph examines Rauschenberg's artistic development from 1951 to 1971. He looks at the black paintings, Red Paintings, Elemental Paintings and Elemental Sculptures, Combines and Combine paintings, transfer drawings and silkscreens, performances, and explorations in art and technology. Joseph's study not only offers new interpretations of Rauschenberg's work, but also deepens our understanding of the entire neo-avant-garde project.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50347510038801,"sku":"CIN0262600714G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50554557956369,"sku":"GOR006177487","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50747971207441,"sku":"GOR012084786","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52333989429521,"sku":"NLS9780262600712","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53072176087313,"sku":"GOR011147218","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262600714.jpg?v=1750843870"},{"product_id":"artwork-caught-by-the-tail-book-george-baker-9780262514866","title":"The Artwork Caught by the Tail","description":"\u003cp\u003e\u003cb\u003eA new theory of the readymade via a new reading of Picabia and a new writing of Dada.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe artist Francis Picabia--notorious dandy, \u003ci\u003e bon vivant\u003c\/i\u003e, painter, poet, filmmaker, and polemicist--has emerged as the Dadaist with postmodern appeal, and one of the most enigmatic forces behind the enigma that was Dada. In this first book in English to focus on Picabia's work in Paris during the Dada years, art historian and critic George Baker reimagines Dada through Picabia's eyes. Such reimagining involves a new account of the readymade--Marcel Duchamp's anti-art invention, which opened fine art to mass culture and the commodity. But in Picabia's hands, Baker argues, the Dada readymade aimed to reinvent art rather than destroy it. Picabia's readymade opened art not just to the commodity, but to the larger world from which the commodity stems: the fluid sea of capital and money that transforms all objects and experiences in its wake. The book thus tells the story of a set of newly transformed artistic practices, claiming them for art history--and naming them--for the first time: Dada Drawing, Dada Painting, Dada Photography, Dada Abstraction, Dada Cinema, Dada Montage. \u003c\/p\u003e\u003cp\u003eAlong the way, Baker describes a series of nearly forgotten objects and events, from the almost lunatic range of the Paris Dada manifestations to Picabia's polemical writings; from a lost work by Picabia in the form of a hole (called, suggestively, \u003ci\u003eThe Young Girl\u003c\/i\u003e) to his painting \u003ci\u003eCacodylic Eye\u003c\/i\u003e, covered in autographs by luminaries ranging from Ezra Pound to Fatty Arbuckle. Baker ends with readymades in prose: a vast interweaving of citations and quotations that converge to create a heated conversation among Picabia, Andr  Breton, Tristan Tzara, James Joyce, Friedrich Nietzsche, Jacques Derrida, Gilles Deleuze, and others. Art history has never looked like this before. But then again, Dada has never looked like art history.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ WELL_READ \/ SBYB","offer_id":50347524489489,"sku":"CIN0262514869A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50963641172241,"sku":"CIN0262514869G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":52103181566225,"sku":"CIN0262514869VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52583840219409,"sku":"NLS9780262514866","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262514869.jpg?v=1751324181"},{"product_id":"looking-for-bruce-conner-book-kevin-hatch-9780262016810","title":"Looking for Bruce Conner","description":"\u003cp\u003e\u003cb\u003eA new perspective on the enormously influential but insufficiently understood work of San Francisco-based artist Bruce Conner (1933-2008).\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eIn a career that spanned five decades, most of them spent in San Francisco, Bruce Conner (1933-2008) produced a unique body of work that refused to be contained by medium or style. Whether making found-footage films, hallucinatory ink-blot graphics, enigmatic collages, or assemblages from castoffs, Conner took up genres as quickly as he abandoned them. In this first book-length study of Conner's enormously influential but insufficiently understood career, Kevin Hatch explores Conner's work as well as his position on the geographical, cultural, and critical margins.\u003c\/p\u003e\u003cp\u003eGenerously illustrated with many color images of Conner's works, \u003ci\u003eLooking for Bruce Conner \u003c\/i\u003eproceeds in roughly chronological fashion, from Conner's notorious assemblages (BLACK DAHLIA and RATBASTARD among them) through his experimental films (populated by images from what Conner called the tremendous, fantastic movies going in my head from all the scenes I'd seen), his little-known graphic work, and his collage and inkblot drawings.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50422843343121,"sku":"CIN0262016818G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262016818.jpg?v=1751164750"},{"product_id":"duchamp-effect-book-martha-buskirk-9780262522175","title":"The Duchamp Effect","description":"This expanded edition of the fall 1994 special issue of October includes new essays by Sarat Maharaj and by Molly Nesbit and Naomi Sawelson-Gorse. It also includes the transcript of an exchange between T. J. Clark and Benjamin Buchloh which presents new responses to the problems raised by this immediately popular (and now out of print) issue of the journal. The Duchamp Effect is an investigation of the historical reception of the work of Marcel Duchamp from the 1950s to the present, including interviews by Benjamin Buchloh (with Claes Oldenburg, Andy Warhol, and Robert Morris), Elizabeth Armstrong (with Ed Ruscha and Bruce Conner), and Martha Buskirk (with Louise Lawler, Sherrie Levine, and Fred Wilson) and a round-table discussion of the Duchamp effect on conceptual art.\u003cp\u003e\u003cb\u003eContents\u003cbr\u003e\u003c\/b\u003eIntroduction, Benjamin H. D. Buchloh - What's Neo about the Neo-Avant-Garde?, Hal Foster - Typotranslating the Green Box, Sarat Maharaj - Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris, Benjamin H. D. Buchloh - Interviews with Ed Ruscha and Bruce Conner, Elizabeth Armstrong - Echoes of the Readymade: Critique of Pure Modernism, Thierryde Duve - Concept of Nothing: New Notes by Marcel Duchamp and Walter Arensberg, Molly Nesbit and Naomi Sawelson-Gorse - Interviews with Sherrie Levine, Louis Lawler, and Fred Wilson, Martha Buskirk - Thoroughly Modern Marcel, Martha Buskirk - Conceptual Art and the Reception of Duchamp, October Round Table - All the Things I Said about Duchamp: A Response to Benjamin Buchloh, T. J. Clark - Response to T. J. Clark, Benjamin Buchloh\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50445341655313,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50445341917457,"sku":"GOR004077531","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":51513571213585,"sku":"GOR009762604","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":52103218594065,"sku":"CIN0262522179G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":52929634992401,"sku":"GOR012032525","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262522179.jpg?v=1751070371"},{"product_id":"toward-fewer-images-book-philipp-ekardt-9780262037976","title":"Toward Fewer Images","description":"\u003cb\u003eThe first English-language monograph devoted to the full oeuvre of Alexander Kluge, the prolific German filmmaker, television producer, digital entrepreneur, author, thinker, and public intellectual.\u003c\/b\u003e\u003cp\u003eAlexander Kluge (born 1932) is a German filmmaker, author, television producer, theorist, and digital entrepreneur. Since 1960, he has made fourteen feature films and twenty short films and has written more than thirty books--including three with Marxist philosopher Oskar Negt. His television production company has released more than 3,000 features, in which Kluge converses with real or fictional experts or creates thematic montages. He also maintains a website on which he reassembles segments from his film and television work. To call Kluge prolific would be an understatement. This is the first English-language monograph devoted to the full scope of Kluge's work, from his appearance on the cultural scene in the 1960s to his contributions to New German Cinema in the 1970s and early 1980s to his recent collaborations with such artists as Gerhard Richter. \u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eToward Fewer Images\u003c\/i\u003e, Philipp Ekardt offers both close analyses of Kluge's individual works and sustained investigations of his overarching (and perpetual) production. Ekardt discusses Kluge's image theory and practice as developed across different media, and considers how, in relation to this theory, Kluge returns to, varies, expands, and modifies the practice of montage, including its recent manifestations in digital media--noting Kluge's counterintuitive claim that creating montages results in fewer images. Kluge's production, Ekardt argues, allows us to imagine a model of authorship and artistic production that does not rely on an accumulation of individual works over time but rather on a permanent activity of (temporalized) reworking and redifferentiation.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50454293152017,"sku":"CIN0262037971VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51469814169873,"sku":"GOR014293066","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262037971.jpg?v=1751436739"},{"product_id":"neo-avantgarde-and-culture-industry-book-benjamin-h-d-buchloh-9780262523479","title":"Neo-Avantgarde and Culture Industry","description":"\u003cp\u003e\u003cb\u003eEighteen essays written by Buchloh over the last twenty years, each looking at a single artist within the framework of specific theoretical and historical questions. \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eSome critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period. Benjamin Buchloh, one of the most insightful art critics and theoreticians of recent decades, argues for a dialectical approach to these positions.This collection contains eighteen essays written by Buchloh over the last twenty years. Each looks at a single artist within the framework of specific theoretical and historical questions. The art movements covered include Nouveau Realisme in France (Arman, Yves Klein, Jacques de la Villegle) art in postwar Germany (Joseph Beuys, Sigmar Polke, Gerhard Richter), American Fluxus and pop art (Robert Watts and Andy Warhol), minimalism and postminimal art (Michael Asher and Richard Serra), and European and American conceptual art (Daniel Buren, Dan Graham). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, Nancy Spero and Lawrence Weiner. About others, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of the museum (Marcel Broodthaers); or he addresses the formation of historical memory in postconceptual art (James Coleman). One of the book's strengths is its systematic, interconnected account of the key issues of American and European artistic practice during two decades of postwar art. Another is Buchloh's method, which integrates formalist and socio-historical approaches specific to each subject.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50468901159185,"sku":"GOR008314946","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262523477.jpg?v=1751037771"},{"product_id":"looking-for-bruce-conner-book-kevin-hatch-9780262528894","title":"Looking for Bruce Conner","description":"\u003cp\u003e\u003cb\u003eA new perspective on the enormously influential but insufficiently understood work of San Francisco-based artist Bruce Conner (1933-2008).\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eIn a career that spanned five decades, most of them spent in San Francisco, Bruce Conner (1933-2008) produced a unique body of work that refused to be contained by medium or style. Whether making found-footage films, hallucinatory ink-blot graphics, enigmatic collages, or assemblages from castoffs, Conner took up genres as quickly as he abandoned them. In this first book-length study of Conner's enormously influential but insufficiently understood career, Kevin Hatch explores Conner's work as well as his position on the geographical, cultural, and critical margins.\u003c\/p\u003e\u003cp\u003eGenerously illustrated with many color images of Conner's works, \u003ci\u003eLooking for Bruce Conner \u003c\/i\u003eproceeds in roughly chronological fashion, from Conner's notorious assemblages (BLACK DAHLIA and RATBASTARD among them) through his experimental films (populated by images from what Conner called the tremendous, fantastic movies going in my head from all the scenes I'd seen), his little-known graphic work, and his collage and inkblot drawings.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50479434662161,"sku":"CIN0262528894G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51217533501713,"sku":"GOR013405211","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52654965555473,"sku":"NLS9780262528894","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262528894.jpg?v=1751441803"},{"product_id":"filming-of-modern-life-book-malcolm-turvey-9780262015189","title":"The Filming of Modern Life","description":null,"brand":"WoB","offers":[{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50487543562513,"sku":"GOR013967787","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51324565684497,"sku":"CIN0262015188G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51452394668305,"sku":"GOR009595264","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262015188.jpg?v=1751005328"},{"product_id":"fantastic-reality-book-mignon-nixon-9780262140898","title":"Fantastic Reality","description":null,"brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50540747063569,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50540747424017,"sku":"CIN0262140896G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51849928048913,"sku":"GOR006372235","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262140896.jpg?v=1750780637"},{"product_id":"kant-after-duchamp-book-thierry-de-duve-9780262041515","title":"Kant After Duchamp","description":"\u003ci\u003eKant after Duchamp\u003c\/i\u003e brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's ready mades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical this is beautiful with this is art. De Duve employs this shift (replacing the word beauty by the word art) in a rereading of Kant's \u003ci\u003eCritique of Judgment\u003c\/i\u003e that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50681746653457,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50681746686225,"sku":"GOR009106778","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262041510.jpg?v=1751227521"},{"product_id":"looking-awry-book-slavoj-zizek-9780262240314","title":"Looking Awry","description":"Slavoj Zizek, a leading intellectual in the new social movements that are sweeping Eastern Europe, provides a virtuoso reading of Jacques Lacan. Zizek inverts current pedagogical strategies to explain the difficult philosophical underpinnings of the French theoretician and practician who revolutionized our view of psychoanalysis. He approaches Lacan through the motifs and works of contemporary popular culture, from Hitchcock's \u003ci\u003eVertigo\u003c\/i\u003e to Stephen King's \u003ci\u003ePet Sematary\u003c\/i\u003e, from McCullough's \u003ci\u003eAn Indecent Obsession\u003c\/i\u003e to Romero's \u003ci\u003eReturn of the Living Dead\u003c\/i\u003e--a strategy of looking awry that recalls the exhilarating and vital experience of Lacan.\u003cp\u003eZizek discovers fundamental Lacanian categories the triad Imaginary\/Symbolic\/Real, the object small a, the opposition of drive and desire, the split subject--at work in horror fiction, in detective thrillers, in romances, in the mass media's perception of ecological crisis, and, above all, in Alfred Hitchcock's films. The playfulness of Zizek's text, however, is entirely different from that associated with the deconstructive approach made famous by Derrida. By clarifying what Lacan is saying as well as what he is not saying, Zizek is uniquely able to distinguish Lacan from the poststructuralists who so often claim him.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50761661514001,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50761667838225,"sku":"CIN0262240319G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":51604615037201,"sku":"GOR009085620","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":51827160154385,"sku":"CIN0262240319A","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262240319.jpg?v=1751324162"},{"product_id":"caravaggio-s-secrets-book-leo-bersani-9780262024495","title":"Caravaggio's Secrets","description":null,"brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50811312472337,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50811315257617,"sku":"GOR014082066","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262024497.jpg?v=1751164760"},{"product_id":"leave-any-information-at-the-signal-book-alexandra-schwartz-9780262681520","title":"Leave Any Information at the Signal","description":"\u003cb\u003eAn anthology of writings, interviews, and images by artist Ed Ruscha.\u003c\/b\u003e\u003cp\u003eEd Ruscha is among the most innovative artists of the last forty years. He is also one of the first Americans to introduce a critique of popular culture and an examination of language into the visual arts. Although he first made his reputation as a painter, Ruscha is also celebrated for his drawings (made both with conventional materials and with food, blood, gunpowder, and shellac), prints, films, photographs, and books. He is often associated with Los Angeles as a Pop and Conceptualist hub, but tends to regard such labels with a satirical, if not jaundiced, eye. Indeed, his work is characterized by the tensions between high and low, solemn and irreverent, and serious and nonsensical, and it draws on popular culture as well as Western art traditions. \u003ci\u003eLeave Any Information at the Signal\u003c\/i\u003e not only documents the work of this influential artist as he rose to prominence but also contains his writings and commentaries on other artistic developments of the period. \u003c\/p\u003e\u003cp\u003eThe book is divided into three parts, each of which is arranged chronologically. Part one contains statements, letters, and other writings. Part two consists of more than fifty interviews, some of which have never before been published or translated into English. Part three contains sketchbook pages, word groupings, and other notes that chart how Ruscha develops ideas and solves artistic problems. They are published here for the first time. The book also contains more than eighty illustrations, selected and arranged by the artist.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50957438714129,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50957438812433,"sku":"GOR009211530","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51575696326929,"sku":"CIN0262681528VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52483429040401,"sku":"NLS9780262681520","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262681528.jpg?v=1750909363"}],"url":"https:\/\/www.worldofbooks.com\/de-de\/collections\/october-books-buchreihe.oembed?page=2","provider":"World of Books ","version":"1.0","type":"link"}