{"title":"Oxford Shakespeare Topics","description":"\u003cp\u003eDelve into the world of Shakespeare with the Oxford Shakespeare Topics series. 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Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. Notes and a critical guide to further reading equip the interested reader with the means to broaden research.   William Shakespeare lived and worked during an extraordinary quarter-century in the history of English drama, which saw the development of new kinds of tragedy and comedy, and the birth of the entirely new genre of tragicomedy. Beginning with the institutional foundations that were laid with the emergence of the commercial theatre business in 1570s London, Shakespeare and the Drama of His Time describes the principal audience fashions, artistic conventions, and professional circumstances which defined, and enabled, his plays and those of his colleagues: plays of a range and sophistication undreamed of by earlier generations, and rarely equalled since. 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Notes and a critical guide to further reading equip the interested reader with the means to broaden research.   Shakespeare in the Theatre offers a rich, varied, and wonderfully evocative collection of eye-witness accounts of Shakespearian performances over the centuries. Theatre generates an excitement that stimulates fine prose: here are Hazlitt's famous accounts of Edmund Kean as Richard III and Hamlet, Bernard Shaw on Forbes-Robertson's Hamlet and his hilarious descriptions of Augustin Daly's productions, Max Beerbohm on Gordon Craig, and Kenneth Tynan on Olivier and Wolfit. Here too are lesser-known pieces by great writers: the German novelist Theodor Fontane on Charles Kean, Evelyn Waugh on Olivier, Virginia Woolf on Twelfth Night at the Old Vic. 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Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. Notes and a critical guide to further reading equip the interested reader with the means to broaden research.   For the modern reader or playgoer, English as Shakespeare used it can seem alien and puzzling: vocabulary and grammar are in transition, pronouns and verb-forms can seem unfamiliar. Moreover, the conventions of poetic drama may also pose an impediment. Shakespeare and the Arts of Language provides a clear and helpful guide to the linguistic and rhetorical dimensions of the plays and poems.   Written in a lucid, non-technical style, the book starts with the story of how the English language changed throughout the sixteenth century. Subsequent chapters define Shakespeare's main artistic tools and illustrate their poetic and theatrical contributions: Renaissance rhetoric, imagery and metaphor, blank verse, prose speech, and wordplay. 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Shakespeare and Text is an indispensable and unique guide to its topic. It takes Shakespeare readers to the very foundation of his work, explaining how his plays first took shape in the theatre where writing was part of a larger collective enterprise. As the resulting manuscripts are virtually all lost, the account then turns to the early modern printing industry that produced the earliest surviving texts of Shakespeare's plays. It describes the roles of publisher and printer, the controls exerted through the Stationers' Company, and the technology of printing. A chapter is devoted to the book that gathered Shakespeare's plays together for the first time, the First Folio of 1623. Shakespeare and Text goes on to survey the major developments in textual studies over the past century. 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Despite the presence of hundreds of Biblical allusions in Shakespeare, this is the first book to explore the pattern and significance of those references in relation to a selection of his greatest plays. It reveals the Bible as a rich source for Shakespeare's uses of myth, history, comedy and tragedy, his techniques of staging, and his ways of characterizing rulers, magicians and teachers in the image of the Bible's multifaceted God. This book also discloses ways in which Shakespeare's plays offer both pious and irreverent interpretations of the Scriptures comparable to those presented by his contemporary writers, artists, philosophers and politicians.     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Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. Notes and a critical guide to further reading equip the interested reader with the means to broaden research.    The history of the genres, or kinds, of drama is one of contradictory traditions and complex cultural assumptions. The divisions established by the original edition of Mr. William Shakespeare's Comedies, Histories, and Tragedies (the First Folio, 1623) give shape to whole curricula; but, as Lawrence Danson reminds us in this lively book, there is nothing inevitable, and much unsatisfying, about that tripartite scheme. Yet students of Shakespeare cannot avoid thinking about questions of genre; often they are the unspoken reason why classrooms full of smart people fail to agree on basic interpretative issues. 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It explores Stratford's various links with the capital, significant locations for Shakespeare's work, people with whom he associated, his resistance to pressure from the City authorities, and the cultural diversity of early modern London. Among many aspects of his life in the City and its environs, it covers the playhouses in Shoreditch, his associations with Bishopsgate, his brother Edmund's residence on Bankside, and elements of London life that went into the making of Falstaff. Being 'forest born', he was always an outsider and could never have been, or felt, accepted as a citizen. We find him repeatedly a sojourner in the City, on the move. His home and family lay in Stratford. Despite his success in the capital, we might almost imagine him to have been a reluctant Londoner.   Shakespeare and London draws on a range of documentary sources including City parish registers, county sessions records and the archives of London's Bridewell Hospital. 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This volume is Ideal reading for undergraduates, graduates, and specialists of Shakespeare studies.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52516174922001,"sku":"NLS9780198709954","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52527782658321,"sku":"NIN9780198709954","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53146908131601,"sku":"GOR011398240","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780198709954.jpg?v=1760501187"},{"product_id":"shakespeare-and-disability-studies-book-sonya-freeman-loftis-9780198864530","title":"Shakespeare and Disability Studies","description":"Examines the interrelations of Shakespeare studies and disability studies, and demonstrates that Shakespeare can be read through disability theory in ways that need not rely on character-based analysis.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52629764702481,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52629765325073,"sku":"NIN9780198864530","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780198864530.jpg?v=1761771894"},{"product_id":"shakespeare-and-the-romantics-book-david-fuller-9780199679119","title":"Shakespeare and the Romantics","description":"This volume illustrates the meanings the Romantics took from Shakespeare. 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Developments such as the enclosure movement, the growth of venture capitalism, and the diversification of the wage-labour market transformed England's labour economy and helped reshape the everyday lives of men and women in both rural and urban communities. These socio-economic shifts had a direct effect on the professional theatres of Shakespeare's day. The world of work, including the people at all social levels who performed it, was vital to Shakespeare's drama, both because the theatre was a highly successful business enterprise in its own right and because work significantly influences the plots, language, and structures of Shakespeare's plays throughout his career.   Shakespeare and Work introduces readers to the rich working world of Shakespeare's plays. Opening chapters provide an overview of working conditions in Shakespeare's England and in the theatre and discuss Shakespeare's own practices as a working playwright. Subsequent chapters examine a range of plays from multiple genres, including Twelfth Night, Othello, The Tempest, Titus Andronicus, Love's Labour's Lost, Macbeth, The Winter's Tale, 2 Henry VI, and A Midsummer Night's Dream, and consider several types of work that are either staged directly (such as service) or, more frequently, alluded to (such as agricultural work). Offering an accessible and wide-ranging account of how Shakespeare engaged with the working world around him, Shakespeare and Work demonstrates that we can come to a richer understanding of Shakespeare's dramatic output and cultural legacy if we attend to how the everyday world of work shapes both the action and the language of his plays.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52848670507281,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":52848670638353,"sku":"NGR9780198896098","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780198896098.jpg?v=1776767332"},{"product_id":"shakespeare-and-work-book-michelle-m-dowd-9780198896074","title":"Shakespeare and Work","description":"What did work mean to Shakespeare? And what does it mean to work in Shakespeare's plays? 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