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Although every autobiography naturally includes and relates to others to one degree or another, these autobiographies tend to foreground other characters, voices, places and texts to the extent that at times it appears as though the autobiographical subject has dropped out of sight, even to the point of raising the question: is this an autobiography? These are indeed autobiographies, Sheetrit argues, albeit articulating the story of the self in unconventional ways.  Sheetrit offers in-depth literary studies that expose each text’s distinct strategy for life narrative. Crucial to this book’s approach is the innovative theoretical foundation of relational autobiography that reveals the grounding of the self within the collective—not as symbolic of it. This framework exposes the intersection of the story of the autobiographical subject with the stories of others and the tensions between personal and communal discourse. 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The book shows how Haraway’s decades-long career as a major theoretical voice and provocateur of thinking about new and complex connections across technology, species, and disciplines has generated bold experiments in writing from the perspective and senses of non-human species, in photographic self-portraiture of bodily life, in animating the lives of scientists, in radical genealogy, in playful teaching methods and much more. Focusing on the ways in which Haraway’s oeuvre have affected and will continue to challenge life narrative theory and practice, the chapters in this book present cross-disciplinary perspectives which are both personal and critical. As scholars, students and activists inspired by Haraway’s work, these essays together ask all of us to think about where we place ourselves in an age of environmental crisis and how to live in a ‘natureculture web’ which is as fragile as it is beautiful.   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