{"title":"Short Circuits","description":"\u003cp\u003eDive into \"Short Circuits\", a thrilling series exploring the unexpected turns of technology. Perfect for fans of speculative fiction, these stories offer glimpses into futures both promising and perilous.\u003c\/p\u003e","products":[{"product_id":"parallax-view-book-slavoj-zizek-9780262512688","title":"The Parallax View","description":"\u003cb\u003eIn Zizek's long-awaited magnum opus, he theorizes the parallax gap in the ontological, the scientific, and the political--and rehabilitates dialectical materialism.\u003c\/b\u003e\u003cp\u003e\u003ci\u003eThe Parallax View \u003c\/i\u003eis Slavoj Zizek's most substantial theoretical work to appear in many years; Zizek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Zizek is interested in the parallax gap separating two points between which no synthesis or mediation is possible, linked by an impossible short circuit of levels that can never meet. From this consideration of parallax, Zizek begins a rehabilitation of dialectical materialism.\u003c\/p\u003e\u003cp\u003eModes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In \u003ci\u003eThe Parallax View\u003c\/i\u003e, Zizek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences (according to which nobody is home in the skull, just stacks of brain meat--a condition Zizek calls the unbearable lightness of being no one); and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Zizek offers interludes that deal with more specific topics--including an ethical act in a novel by Henry James and anti-anti-Semitism.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Parallax View\u003c\/i\u003e not only expands Zizek's Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49529169772817,"sku":"GOR013462659","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49727166316817,"sku":"NGR9780262512688","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50100752843025,"sku":"GOR003953481","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50191929704721,"sku":"CIN0262512688G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":50496282853649,"sku":"CIN0262512688A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51423168069905,"sku":"CIN0262512688VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":52582791086353,"sku":"NIN9780262512688","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262512688.jpg?v=1750909268"},{"product_id":"puppet-and-the-dwarf-book-slavoj-zizek-9780262740258","title":"The Puppet and the Dwarf","description":"\u003cb\u003eOne of our most daring intellectuals offers a Lacanian interpretation of religion, finding that early Christianity was the first revolutionary collective.\u003c\/b\u003e\u003cp\u003eSlavoj Zizek has been called an academic rock star and the wild man of theory; his writing mixes astonishing erudition and references to pop culture in order to dissect current intellectual pieties. In \u003ci\u003eThe Puppet and the Dwarf\u003c\/i\u003e he offers a close reading of today's religious constellation from the viewpoint of Lacanian psychoanalysis. He critically confronts both predominant versions of today's spirituality--New Age gnosticism and deconstructionist-Levinasian Judaism--and then tries to redeem the materialist kernel of Christianity. His reading of Christianity is explicitly political, discerning in the Pauline community of believers the first version of a revolutionary collective. Since today even advocates of Enlightenment like Jurgen Habermas acknowledge that a religious vision is needed to ground our ethical and political stance in a postsecular age, this book--with a stance that is clearly materialist and at the same time indebted to the core of the Christian legacy--is certain to stir controversy.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49546559521041,"sku":"GOR004961609","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":49654738977041,"sku":"GOR007593612","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50467625861393,"sku":"CIN0262740257G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50952370684177,"sku":"CIN0262740257VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52123323891985,"sku":"NLS9780262740258","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262740257.jpg?v=1751070457"},{"product_id":"laughter-book-anca-parvulescu-9780262514743","title":"Laughter","description":"\u003cp\u003e\u003cb\u003eUncovering an archive of laughter, from the forbidden giggle to the explosive guffaw.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eMost of our theories of laughter are not concerned with laughter. 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In the civilizing process that leads to laughter's falling into disrepute, as Nietzsche famously put it, we can see the formless, contorted face in laughter being slowly corrected into a calm, social smile. How did the twentieth century laugh? Parvulescu points to a gallery of twentieth-century laughers and friends of laughter, arguing that it is through Georges Bataille that the century laughed its most distinct laugh. In Bataille's wake, laughter becomes the passion at the heart of poststructuralism. Looking back at the century from this vantage point, Parvulescu revisits four of its most challenging projects: modernism, the philosophical avant-gardes, feminism, and cinema. 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An overall theoretical framework for investigation of large strains in crystalline materials is presented that enables the blending of contemporary and earlier experimental research with modern concepts in solid mechanics. Professor Havner has provided a historical perspective throughout including accurate attribution of ideas and emphasis on pioneering studies, beginning with G. I. Taylor and the German researchers in the 1920s. Early chapters deal with single crystals, including extensive analyses of particular experimental configurations. Then connections between single crystals and polycrystalline material behavior are considered. 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Bush and Borat.\u003c\/b\u003e\u003cp\u003eWhy philosophize about comedy? What is the use of investigating the comical from philosophical and psychoanalytic perspectives? In \u003ci\u003eThe Odd One In\u003c\/i\u003e, Alenka Zupančič considers how philosophy and psychoanalysis can help us understand the movement and the logic involved in the practice of comedy, and how comedy can help philosophy and psychoanalysis recognize some of the crucial mechanisms and vicissitudes of what is called humanity. \u003c\/p\u003e\u003cp\u003eComedy by its nature is difficult to pin down with concepts and definitions, but as artistic form and social practice comedy is a mode of tarrying with a foreign object--of including the exception. Philosophy's relationship to comedy, Zupančič writes, is not exactly a simple story (and indeed includes some elements of comedy). It could begin with the lost book of Aristotle's \u003ci\u003ePoetics\u003c\/i\u003e, which discussed comedy and laughter (and was made famous by Umberto Eco's \u003ci\u003eThe Name of the Rose\u003c\/i\u003e). But Zupančič draws on a whole range of philosophers and exemplars of comedy, from Aristophanes, Moli re, Hegel, Freud, and Lacan to George W. Bush and Borat. She distinguishes incisively between comedy and ideologically imposed, naturalized cheerfulness. Real, subversive comedy thrives on the short circuits that establish an immediate connection between heterogeneous orders. 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Chiesa draws for the most part from Lacan's Seminars of the early 1970s, as they revolve around the axiom There is no sexual relationship. Chiesa provides both a close reading of Lacan's effort to formalize sexual difference as incompleteness and an assessment of its broader implications for philosophical realism and materialism.\u003c\/p\u003e\u003cp\u003eChiesa argues that There is no sexual relationship is for Lacan empirically and historically circumscribed by psychoanalysis, yet self-evident in our everyday lives. Lacan believed that we have sex because we love, and that love is a desire to be One in face of the absence of the sexual relationship. Love presupposes a real not-two. The not-two condenses the idea that our love and sex lives are dictated by the impossibility of fusing man's contradictory being with the \u003ci\u003eheteros \u003c\/i\u003eof woman as a fundamentally uncountable Other. Sexual liaisons are sustained by a transcendental logic, the so-called phallic function that attempts to overcome this impossibility. \u003c\/p\u003e\u003cp\u003eChiesa also focuses on Lacan's critical dialogue with modern science and formal logic, as well as his dismantling of sexuality as considered by mainstream biological discourse. Developing a new logic of sexuation based on incompleteness requires the relinquishing of any alleged logos of life and any teleological evolution.\u003c\/p\u003e\u003cp\u003eFor Lacan, the truth of incompleteness as approached psychoanalytically through sexuality would allow us to go further in debunking traditional onto-theology and replace it with a para-ontology yet to be developed. 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But what if, as Lacan claims, we can get exactly the same satisfaction that we get from sex from talking (or writing, painting, praying, or other activities)? The point is not to explain the satisfaction from talking by pointing to its sexual origin, but that the satisfaction from talking is itself sexual. The satisfaction from talking contains a key to sexual satisfaction (and not the other way around)—even a key to sexuality itself and its inherent contradictions. The Lacanian perspective would make the answer to the simple-seeming question, “What is sex?” rather more complex. In this volume in the Short Circuits series, Alenka Zupancic approaches the question from just this perspective, considering sexuality a properly philosophical problem for psychoanalysis; and by psychoanalysis, she means that of Freud and Lacan, not that of the kind of clinician practitioners called by Lacan “orthopedists of the unconscious.”   Zupancic argues that sexuality is at the point of a “short circuit” between ontology and epistemology. Sexuality and knowledge are structured around a fundamental negativity, which unites them at the point of the unconscious. 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Subject Matter offers a bold counterpoint to prevalent conceptions of habit characterized by bodily fluidity and ease, as the stabilizing foundation of an emerging subjectivity, or, more negatively, as a numbing and deadening force. Instead of facilitating the coordination of action with goal and self with environment, habit appears here as a disruptively recursive operation with extreme ontological implications that are often more quotidian than exceptional. Vinegar theorizes habit’s more perturbing aspects, from repetition compulsion to kenosis to breakdown, through an encounter between Hegel’s philosophy (of habit), psychoanalytic dimensions of repetition, Tom McCarthy’s novel Remainder, and Omer Fast’s feature-length film interpretation of the novel.  Vinegar starts with the premise that habit is an “unhappy mediator,” a disturbance of the very medium and milieu that is constitutive of the subject. Subject Matter pays close attention to those aspects of habit that are usually considered deviations from, or potential threats to, habit proper and that generate a logic of breakdown: automaticity, mechanization, thingness, inertia, and fixity. By plotting a topology of habit’s unbearability through detailed accounts of its manifestation in writing, art, aesthetics, and visuality—and through an attentiveness to the unbalanced nonrelations between mediation and immediacy, being and having, fixity and fluidity, vanishing and overflowing, abbreviation and excess, beginning and ending—Vinegar exposes habit’s failure to mediate and inhabit. 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Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Zizek is interested in the parallax gap separating two points between which no synthesis or mediation is possible, linked by an impossible short circuit of levels that can never meet. From this consideration of parallax, Zizek begins a rehabilitation of dialectical materialism.\u003c\/p\u003e\u003cp\u003eModes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In \u003ci\u003eThe Parallax View\u003c\/i\u003e, Zizek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences (according to which nobody is home in the skull, just stacks of brain meat--a condition Zizek calls the unbearable lightness of being no one); and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Zizek offers interludes that deal with more specific topics--including an ethical act in a novel by Henry James and anti-anti-Semitism.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Parallax View\u003c\/i\u003e not only expands Zizek's Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49763537223953,"sku":"GOR002025499","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50037860794641,"sku":"CIN0262240513VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50058286629137,"sku":"GOR004329272","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50266297205009,"sku":"GOR006440952","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51689302130961,"sku":"CIN0262240513G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262240513.jpg?v=1751428222"},{"product_id":"interface-fantasy-book-andre-nusselder-9780262513005","title":"Interface Fantasy","description":"\u003cb\u003eBehind our computer screens we are all cyborgs: through fantasy we can understand our involvement in virtual worlds.\u003c\/b\u003e\u003cp\u003eCyberspace is first and foremost a mental space. Therefore we need to take a psychological approach to understand our experiences in it. In Interface Fantasy, Andr  Nusselder uses the core psychoanalytic notion of fantasy to examine our relationship to computers and digital technology. Lacanian psychoanalysis considers fantasy to be an indispensable screen for our interaction with the outside world; Nusselder argues that, at the mental level, computer screens and other human-computer interfaces incorporate this function of fantasy: they mediate the real and the virtual. Interface Fantasy illuminates our attachment to new media: why we love our devices; why we are fascinated by the images on their screens; and how it is possible that virtual images can provide physical pleasure. Nusselder puts such phenomena as avatars, role playing, cybersex, computer psychotherapy, and Internet addiction in the context of established psychoanalytic theory. The virtual identities we assume in virtual worlds, exemplified best by avatars consisting of both realistic and symbolic self-representations, illustrate the three orders that Lacan uses to analyze human reality: the imaginary, the symbolic, and the real. Nusselder analyzes our most intimate involvement with information technology--the almost invisible, affective aspects of technology that have the greatest impact on our lives. Interface Fantasy lays the foundation for a new way of thinking that acknowledges the pivotal role of the screen in the current world of information. 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Lorenzo Chiesa examines, from a philosophical perspective, the evolution of the concept of subjectivity in Lacan's work, carrying out a detailed reading of the Lacanian subject in its necessary relation to otherness according to Lacan's orders of the Imaginary, the Symbolic, and the Real. Chiesa emphasizes the continuity underlying apparently incompatible phases of Lacan's examination of the subject, describing Lacan's theory as a consistent philosophical system--but one that is constantly revised and therefore problematic. Chiesa analyzes each old theory of the subject within the framework of a new elaboration and reassesses its fundamental tenets from the perspective of a general psychoanalytic discourse that becomes increasingly complex. From the 1960s on, writes Chiesa, the Lacanian subject amounts to an irreducible lack that must be actively confronted and assumed; this subjectivized lack, Chiesa argues further, offers an escape from the contemporary impasse between the death of the subject alleged by postmodernism and a return to a traditional substantialist notion of the subject. An original treatment of psychoanalytic issues, \u003ci\u003eSubjectivity and Otherness\u003c\/i\u003e fills a significant gap in the existing literature on Lacan, taking seriously the need for a philosophical investigation of Lacanian concepts.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49944971542801,"sku":"CIN0262532948G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50029890208017,"sku":"GOR005128723","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52332442779921,"sku":"NLS9780262532945","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ WELL_READ \/ SBYB","offer_id":53260133105937,"sku":"CIN0262532948A","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262532948.jpg?v=1751356736"},{"product_id":"dashthe-other-side-of-absolute-knowing-book-rebecca-comay-9780262535359","title":"The DashThe Other Side of Absolute Knowing","description":"\u003cb\u003eAn argument that what is usually dismissed as the mystical shell of Hegel's thought--the concept of absolute knowledge--is actually its most rational kernel.\u003c\/b\u003e\u003cp\u003eThis book sets out from a counterintuitive premise: the mystical shell of Hegel's system proves to be its most rational kernel. Hegel's radicalism is located precisely at the point where his thought seems to regress most. Most current readings try to update Hegel's thought by pruning back his grandiose claims to absolute knowing. Comay and Ruda invert this deflationary gesture by inflating what seems to be most trivial: the absolute is grasped only in the minutiae of its most mundane appearances. Reading Hegel without presupposition, without eliminating anything in advance or making any decision about what is essential and what is inessential, what is living and what is dead, they explore his presentation of the absolute to the letter.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Dash \u003c\/i\u003eis organized around a pair of seemingly innocuous details. Hegel punctuates strangely. He ends the \u003ci\u003ePhenomenology of Spirit \u003c\/i\u003ewith a dash, and he begins the \u003ci\u003eScience of Logic \u003c\/i\u003ewith a dash. 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This may conjure up a mental film clip starring Peter Sellers in a trench coat, but in\u003ci\u003e Lacan at the Scene, \u003c\/i\u003e Henry Bond makes a serious and provocative claim: that apparently impenetrable events of violent death can be more effectively unraveled with Lacan's theory of psychoanalysis than with elaborate, technologically advanced forensic tools. Bond's exposition on murder expands and develops a resolutely Zizekian approach. Seeking out radical and unexpected readings, Bond unpacks his material utilizing Lacan's neurosis-psychosis-perversion grid.\u003c\/p\u003e\u003cp\u003eBond places Lacan at the crime scene and builds his argument through a series of archival crime scene photographs from the 1950s--the period when Lacan was developing his influential theories. 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The acronym refers to Neue Slowenische Kunst, a Slovene collective that emerged in the wake of Tito's death and was shaped by the breakup of Yugoslavia. Its complex and disturbing work--in fields including experimental music and theater, painting, philosophy, writing, performance, and design--has an international following but a powerful and specific cultural context. Within the NSK organization are a number of divisions, the best-known of which is Laibach, an alternative music group known for its blending of popular culture with subversive politics, high art with underground provocation--reflecting the political and cultural chaos of its time.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eInterrogation Machine\u003c\/i\u003e, Alexei Monroe offers the first critical appraisal of the entire NSK phenomenon, from its elaborate organizational structure and its internal logics to its controversial public actions. 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Shorn of the truly rotten illusion that the world is a fulfilling and meaningful place, these subjects identify themselves by a paradoxical disidentification--through the objects that take their places. They have mastered the art of living absently, of making something with nothing. Traversing their own morbid obsessions, they substitute the nonsensical for sense, the ridiculous for the meaningful.\u003c\/p\u003e\u003cp\u003eKukuljevic analyzes a series of artistic practices that illuminate this subjectivity, ranging from Marcel Duchamp's \u003ci\u003eThree Standard Stoppages\u003c\/i\u003e to Charles Baudelaire's melancholia. He considers the paradox of Duchamp's apparatus in the \u003ci\u003eStoppages\u003c\/i\u003e and the strange comedy of Marcel Broodthaers's relation to the readymade; the comic subject in Jacques Vach  and the ridiculous subject in Alfred Jarry; the nihilist in Paul Val ry's \u003ci\u003eMonsieur Teste\u003c\/i\u003e; Oswald Wiener's interpretation of the dandy; and Charles Baudelaire as a happy melancholic. Along the way, he also touches on the work of Thomas Bernhard, Andy Kaufman, Buster Keaton, and others. Finally, he offers an extended analysis of Danny's escape from his demented father in Stanley Kubrick's \u003ci\u003eThe Shining\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003eEach of these subjects is, in Freud's terms, sick--sick in the specific sense that they assume the absence of meaning and the liquidation of value in the world. They concern themselves with art, without assuming its value or meaning. 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In \u003ci\u003eThe Monstrosity of Christ\u003c\/i\u003e, Zizek and Milbank go head to head for three rounds, employing an impressive arsenal of moves to advance their positions and press their respective advantages. By the closing bell, they have not only proven themselves worthy adversaries, they have shown that faith and reason are not simply and intractably opposed. Zizek has long been interested in the emancipatory potential offered by Christian theology. And Milbank, seeing global capitalism as the new century's greatest ethical challenge, has pushed his own ontology in more political and materialist directions. Their debate in \u003ci\u003eThe Monstrosity of Christ\u003c\/i\u003e concerns the future of religion, secularity, and political hope in light of a monsterful event--God becoming human. For the first time since Zizek's turn toward theology, we have a true debate between an atheist and a theologian about the very meaning of theology, Christ, the Church, the Holy Ghost, Universality, and the foundations of logic. The result goes far beyond the popularized atheist\/theist point\/counterpoint of recent books by Christopher Hitchens, Richard Dawkins, and others. Zizek begins, and Milbank answers, countering dialectics with paradox. The debate centers on the nature of and relation between paradox and parallax, between analogy and dialectics, between transcendent glory and liberation. Slavoj Zizek is a philosopher and cultural critic. He has published over thirty books, including \u003ci\u003eLooking Awry\u003c\/i\u003e, \u003ci\u003eThe Puppet and the Dwarf\u003c\/i\u003e, and \u003ci\u003eThe Parallax View\u003c\/i\u003e (these three published by the MIT Press). John Milbank is an influential Christian theologian and the author of\u003ci\u003e Theology and Social Theory: Beyond Secular Reason\u003c\/i\u003e and other books. Creston Davis, who conceived of this encounter, studied under both Zizek and Milbank.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51864838570257,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51864838734097,"sku":"GOR002897373","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52474149241105,"sku":"NLS9780262516204","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ WELL_READ \/ SBYB","offer_id":53217186971921,"sku":"CIN0262516209A","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780262516204.jpg?v=1753962150"}],"url":"https:\/\/www.worldofbooks.com\/de-de\/collections\/short-circuits-buchreihe.oembed?page=3","provider":"World of Books ","version":"1.0","type":"link"}