{"title":"The Florida James Joyce Series","description":"\u003cp\u003eImmerse yourself in the world of James Joyce with the Florida James Joyce Series. These scholarly editions offer fresh perspectives and in-depth analysis, perfect for academics and ardent readers alike.\u003c\/p\u003e","products":[{"product_id":"modernists-at-odds-book-matthew-j-kochis-9780813060477","title":"Modernists at Odds","description":"Modernism’s most contentious rivals, James Joyce and D. H. Lawrence, are traditionally seen as opposites. This is the first book to explore the resonances between the two writers, revealing that their lives, works, and careers have striking similarities. For starters, they shared the same literary agent, published in the same literary magazines, fought similar legal battles against censorship, and were both pirated by Samuel Roth.  The parallels run deeper. This volume revels in two writers who share classic modernist paradoxes: both are at once syncretists and shatterers, bourgeois cosmopolitans, prudish libertines, displaced nostalgists, and rebels against their native lands. These essays consider mutual themes such as gender, class, nature, and religion, highlighting the many intersections among the issues that concerned both Joyce and Lawrence. 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Terence Killeen discusses the novel’s eighteen episodes individually. For each episode, Killeen provides a brief narrative summary along with an account of the parallels from Homer’s Odyssey. Next, he devotes attention to the episode’s unique style, in recognition of the novel’s remarkable stylistic diversity. He also includes a commentary section that surveys the episode’s principal themes and function within the broader context of the development of the work as a whole. These sections are followed by notes that help explain some of the main characters and historical events in the text, illuminating the real people who provided so much of the book’s material. Glossaries define many of the foreign language terms that pepper the text.  Mindful of the needs of readers tackling Ulysses for the first time, Killeen begins his treatment of the episodes simply and expands his discussions as the novel’s text expands. He concludes with an overall reading of Ulysses that considers possible approaches to interpreting the book in its entirety. The guide also features a brief account of Joyce’s life and a description of the novel’s eventful textual and publishing history. 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Knowles further highlights the expansiveness of Joyce's world by engaging a diverse range of topics, including Jumbo the elephant as a symbol of imperialism, the gramophone as a representation of the machine age, solfège and live music performance in the \"Sirens\" episode of Ulysses, Joyce's jokes and the neurology of humor, and inventive ways of reading and teaching Finnegans Wake.Contending that error is the central theme in all of Joyce's work, Knowles argues that the freedom to challenge boundaries and make mistakes is essential to an effective learning environment. 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Stephanie Nelson shows that in these texts, both Joyce and Homer address identity by looking at the paradox of time—that people are constantly changing yet remain the same across the years.   In Nelson’s analysis, both Ulysses and the Odyssey explore dichotomies such as the permanence of names and shifting of stories, independence and connection, and linear and cyclical narrative. Nelson discusses Homer’s contrast of ordinary to mythic time alongside Joyce’s contrast of “clocktime” to experienced time. She analyzes the characters Odysseus and Leopold Bloom, alienated from their previous selves; Telemachus and Stephen Dedalus, trapped by the past; and Penelope and Molly Bloom, able to recast time through weaving, storytelling, and memory. These concepts are also explored through Joyce’s radically different narrative styles and Homer’s timeless world of the gods.  Nelson’s thorough knowledge of ancient Greece, Joyce, narratology, oral tradition, and translation results in a volume that speaks across literary specializations. This book makes the case that Ulysses and the Odyssey should be read together and that each work highlights and clarifies aspects of the other. 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Sangam MacDuff argues that the epiphanies are an important point of origin for Joyce's entire body of work, showing how they shaped the structure, style, and language of his later writings.  Tracing the ways Joyce incorporates the epiphanies into Dubliners, A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake, MacDuff describes the defining characteristics of the epiphanies—silence and repetition, materiality and reflexivity—as a set of recurrent and inter-related tensions in the development of Joyce's oeuvre. MacDuff uses fresh archival evidence, including a new typescript of the epiphanies that he discovered, to show the importance of the epiphanies throughout Joyce's career.  MacDuff compares Joyce's concept of epiphany to Classical, Biblical, and Romantic revelations, showing that instead of pointing to divine transcendence or the awakening of the sublime, Joyce's epiphanies are rooted in and focused on language. MacDuff argues that the Joycean epiphany is an apt characterization of modernist literature, and that the linguistic forces at play in these early texts are also central to the work of Joyce's contemporaries including Woolf, Beckett, and Eliot.  A volume in the Florida James Joyce Series, edited by Sebastian D. G. 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