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This updated and expanded edition presents nineteen new essays by the field's leading scholars and practitioners as well as new critical introductions by editors Janelle G. Reinelt and Joseph R. Roach. Reflecting recent trends in performance studies, this revised edition now includes discussions of critical race theory, postcolonial studies, gender and sexualities, and mediatized cultures. The resulting volume is a unique and indispensable tool for critics, teachers, and students that paves the way for future scholarship. Janelle G. Reinelt is Professor of Theatre and Performance at the University of Warwick. Reinelt and Roach Joseph R. Roach is Charles C. and Dorathea S. 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Her book breaks new ground through examinations of plays such as\u0026gt;\u003ci\u003eThe Tempest\u003c\/i\u003e, \u003ci\u003eArden of Faversham\u003c\/i\u003e, \u003ci\u003eA Woman Killed with Kindness\u003c\/i\u003e, and\u0026gt;\u003ci\u003eA Game at Chess\u003c\/i\u003e; the histories of familiar games such as cards, backgammon, and chess; less familiar ones, like Game of the Goose; and even a mixed-reality theater videogame.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50352964993297,"sku":"CIN0472053817G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0472053817.jpg?v=1751326281"},{"product_id":"land-scape-theater-book-elinor-fuchs-9780472067206","title":"Land\/Scape\/Theater","description":"Land\/Scape\/Theater proposes landscape as a necessary paradigm for understanding modern theater's increasingly spatialized aesthetic as well as its engagement with the cultural meanings of place and space.  Embracing subjects as diverse as the \"landscape dramaturgy\" of Suzan-Lori Parks, Artaud's trip to the Sierra Madre,Gertrude Stein's landscape theory and practice, Guillermo Gomez-Peña's \"border subjects,\" and Bayreuth and Disneyland as cultic sites, Land\/Scape\/Theater draws on a broad range of theory, dramatic texts, and performance. All aspects of modern theater, these essays suggest, including the bedrock Aristotelian constituents of plot and character, have a landscape dimension that often goes unrecognized.  With its broad theoretical range and cross-disciplinary reach, Land\/Scape\/Theater will interest theater theorists and practitioners and cultural studies specialists, including historians of landscape. 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The performances of these groups linked the political, the cultural, and the spiritual, while agitating against the dominant power structure and for the transformation of social and theatrical practices in the U.S. Founded during the Delano Grape Pickers' Strike and Black Power rebellions of the mid-1960s, both El Teatro and the BRT professed cultural pride and group unity as critical corollaries to self-determination and revolutionary social action.  Taking It to the Streets compares the performance methodologies, theories, and practices of the two groups, highlighting their cross-cultural commonalties, and providing insights into the complex genre of social protest performance and its interchange with its audience. It examines the ways in which ritual can be seen to operate within the productions of El Teatro and the BRT, uniting audience and performers in subversive, celebratory protest by transforming spectators into active participants within the theater walls --and into revolutionary activists outside. During this critical historical period, these performances not only encouraged community empowerment, but they inculcated a spirit of collective faith and revolutionary optimism. Elam's critical reexamination and recontextualization of the ideologies and practices of El Teatro and the BRT aid in our understanding of contemporary manipulations of identity politics, as well as current strategies for racial representation and cultural resistance. \"A major contribution to our understanding of how social protest came to be so strong and how Black and Chicano theatre contributed to the synergy of those times.\" --Janelle Reinelt, University of California, Davis Harry J. 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Diana Looser's study moves beyond a predictable country-specific or island-specific focus to encompass an entire region defined by diversity and global exchange, showing how performance operates to frame social, artistic, and political relationships across widely dispersed locations. The study also demonstrates how Oceanian performance contributes to international debates about diaspora, indigeneity, urbanization, and environmental sustainability. The author considers the region's unique cultural and geographic dynamics as she brings forth the paradigm of \u003ci\u003etranspasifika\u003c\/i\u003e to suggest a way of understanding these intercultural exchanges and connections, with the aim to rework the cartographic and disciplinary priorities of transpacific studies to privilege the activities of Islander peoples. \u003cp\u003e\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50354144674065,"sku":"CIN0472132385G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0472132385.jpg?v=1751135164"},{"product_id":"avant-garde-performance-and-the-limits-of-criticism-book-mike-sell-9780472033072","title":"Avant-Garde Performance and the Limits of Criticism","description":"\"Questions the limits of previous critical approaches to the avant-garde . . . 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Sell's compelling historical and cultural narrative shows how the connections between the two exist at a very deep level of radical politics and aesthetics---an amazing concoction of rigorous scholarship, interdisciplinary learning, and progressive theorizing.\" ---Michael Vanden Heuvel, University of Wisconsin, Madison  \"An important study that will raise the bar not only on scholarship of the Black Arts Movement, but on U.S. avant-gardism generally.\" ---James Smethurst, University of Massachusetts  Avant-Garde Performance and the Limits of Criticism looks at the American avant-garde during the Cold War period, focusing on the interrelated questions of performance practices, cultural resistance, and the politics of criticism and scholarship in the U.S. counterculture. This groundbreaking book examines the role of the scholar and critic in the cultural struggles of radical artists and reveals how avant-garde performance identifies the very limits of critical consideration. It also explores the popularization of the avant-garde: how formerly subversive art is eventually discovered by the mass media, is gobbled up by the marketplace, and finds its way onto the syllabi of college and university courses. Avant-Garde Performance and the Limits of Criticism is a timely and significant book that will appeal to those interested in avant-garde literary criticism, theater history, and performance studies.  Mike Sell is Associate Professor of English at Indiana University of Pennsylvania and editor of Ed Bullins: Twelve Plays and Selected Writings.  Illustration: Poster design for the Living Theatre's production of Capital Changes (1998). © Luba Lukova.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50356802650385,"sku":"CIN0472033077G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0472033077.jpg?v=1751135114"},{"product_id":"staging-place-book-una-chaudhuri-9780472065899","title":"Staging Place","description":"\u003ci\u003eStaging Place: The Geography of Modern Drama\u003c\/i\u003e reimagines the content and continuities of theater history and exposes underlying dialogues between home and homelessness, belonging and exile--a century-long struggle with the meaning and power of place, which the author terms geopathology. By reading canonical works in conjunction with contemporary ones, Chaudhuri charts the evolution of a dramatic paradigm with profound theatrical and thematic implications.\u003cbr\u003eChaudhuri starts with a discussion of a poetics of exile in early modern drama, where the figure of home is constructed as a locus of two conflicting impulses: the desire to find a stable site for individual identity and the desire to deterritorialize the self. By mid-century, she argues, a new discourse of failed homecoming begins to displace this geopathic model and replace the poetics of exile with a grim anti-poetics of immigration. She then employs postmodern and postcolonial theories of place and culture to define the emerging multiculturalism as a creative reworking of the figures of home, homecoming, homelessness, immigration and exile.\u003cbr\u003eThis is a book of real originality. Its treatment of space in modern drama is elegant and powerful. . . . --William B. Worthen, Northwestern University\u003cbr\u003eStaging Place is a powerfully written book, deft in its handling of familiar and unfamiliar plays alike and eclectic in its use of theatrical sources. --\u003ci\u003eEssays in Theatre\/ Etudes theatrales\u003c\/i\u003e\u003cbr\u003eThis sophisticated and well-written study for graduate students and their teachers explores modern drama's preoccupation with the seemingly irreconcilable discontinuities between the notions of home and homelessness, belonging and exile. . . . The readings of individual plays are fresh and invigorating. . . . --\u003ci\u003eChoice\u003c\/i\u003e\u003cbr\u003eUna Chaudhuri is Associate Professor of English, New York University.\u003cbr\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50468590878993,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50468593107217,"sku":"CIN0472065890G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0472065890.jpg?v=1751166309"},{"product_id":"performance-constellations-book-marcela-a-fuentes-9780472054220","title":"Performance Constellations","description":"\u003ci\u003ePerformance Constellations\u003c\/i\u003e maps transnational protest movements and the dynamics of networked expressive behavior in the streets and online, as people struggle to be heard and effect long-term social justice. Its case studies explore collective political action in Latin America, including the Zapatistas in the mid-'90s, protests during the 2001 Argentine economic crisis, the 2011 Chilean student movement, the 2014-2015 mobilizations for the disappeared Ayotzinapa students, and the 2018 transnational reproductive rights movement. The book analyzes uses of space, time, media communication, and corporeality in protests such as virtual sit-ins, flash mobs, scarfazos, and hashtag campaigns, arguing that these protests not only challenge hegemonic power but are also socially transformative. While other studies have focused either on digital activism or on street protests, \u003ci\u003ePerformance Constellations\u003c\/i\u003e shows that they are in fact integrally entwined. Zooming in on protest movements and art-activism in Mexico, Argentina, and Chile, and putting contemporary insurgent actions in dialogue with their historical precedents, the book demonstrates how, even in moments of extreme duress, social actors in Latin America have taken up public and virtual space to intervene politically and to contest dominant powers.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50655271190801,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50655272370449,"sku":"CIN0472054228VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":52581009686801,"sku":"CIN0472054228G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0472054228.jpg?v=1750911330"},{"product_id":"brian-friel-in-conversation-book-paul-delaney-9780472067107","title":"Brian Friel in Conversation","description":"Reflections by the author of Dancing at Lughnasa on Irish writers, the theater, nationalism, Catholicism, and his childhood","brand":"WoB","offers":[{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50767286403345,"sku":"GOR005505940","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50776213029137,"sku":"GOR005682834","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0472067109.jpg?v=1751229693"},{"product_id":"embodying-black-experience-book-harvey-young-9780472071111","title":"Embodying Black Experience","description":"\"Young's linkage between critical race theory, historical inquiry, and performance studies is a necessary intersection. 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Looking back over the past two hundred years---from the exhibition of boxer Tom Molineaux and Saartjie Baartman (the \"Hottentot Venus\") in 1810 to twenty-first century experiences of racial profiling and incarceration---Young chronicles a set of black experiences, or what he calls, \"phenomenal blackness,\" that developed not only from the experience of abuse but also from a variety of performances of resistance that were devised to respond to the highly predictable and anticipated arrival of racial violence within a person's lifetime.  Embodying Black Experience pinpoints selected artistic and athletic performances---photography, boxing, theater\/performance art, and museum display---as portals through which to gain access to the lived experiences of a variety of individuals. 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