{"title":"Theatre History Studies","description":"\u003cp\u003eDelve into the captivating world of theatre history with this insightful collection. Explore the evolution of dramatic arts, from ancient stages to modern performances, offering a rich tapestry of theatrical traditions.\u003c\/p\u003e","products":[{"product_id":"theatre-history-studies-2023-volume-42-book-lisa-jackson-schebetta-9780817371173","title":"Theatre History Studies 2023, Volume 42","description":"The official journal of the Mid-America Theatre Conference  Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts \u0026amp; Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text and SIRS.   Along with book reviews on the latest publications from established and emerging voices in the field, this issue of Theatre History Studies contains three sections with fourteen essays total. In the general section, three essays offer an array of insights, methods, and provocations. In the special section on care, contributors capture their experience as scholars, humans, and citizens in 2022. In Part III, the 2022 Robert A. Schanke Research Award-winning paper by Heidi L. Nees asks historians to rethink Western constructions of time. Taken together, volume 42 captures how this journal serves theatre historians as scholars and laborers as they work to attend and tend to their field. CONTRIBUTORS  Cheryl Black \/ Shelby Brewster \/ Matthieu Chapman \/ Meredith Conti \/ Zach Dailey \/ Michael DeWhatley \/ Whit Emerson \/ Katherine Gillen \/ Miles P. Grier \/ Patricia Herrera \/ Lisa Jackson-Schebetta \/ Nancy Jones \/ Joshua Kelly \/ Felicia Hardison LondrÉ \/ Bret McCandless \/ Marci R. McMahon\/ Tom Mitchell \/ Sherrice Mojgani \/ John Murillo III \/ Heidi L. Nees \/ Jessica N. PabÓn-ColÓn \/ Kara Raphaeli \/ Leticia L. Ridley \/ Cynthia Running-Johnson \/ Alexandra Swanson \/ Catherine Peckinpaugh Vrtis \/ Shane Wood \/ Christine Woodworth \/ Robert O. Yates","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49750811377937,"sku":"NGR9780817371173","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0817371176.jpg?v=1763226279"},{"product_id":"theatre-history-studies-2024-vol-43-book-jocelyn-l-buckner-9780817371180","title":"Theatre History Studies 2024, Vol 43","description":"Captures how this journal serves theatre historians, as scholars and laborers, as they work to attend and tend to their field.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51799041245457,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51799041638673,"sku":"NGR9780817371180","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":53027300114705,"sku":"NIN9780817371180","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780817371180.jpg?v=1752186167"},{"product_id":"theatre-history-studies-2026-volume-44-book-jocelyn-l-buckner-9780817371197","title":"Theatre History Studies 2026, Volume 44","description":"\u003cp\u003e\u003ci\u003e\u003cb\u003eThe official journal of the Mid-America Theatre Conference\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003e\u003ci\u003eTheatre History Studies\u003c\/i\u003e (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference is dedicated to the growth and improvement of all forms of theatre throughout a twelve-state region encompassing Illinois, Indiana, Iowa, Kansas, Michigan, Minnesota, Missouri, Nebraska, North Dakota, Ohio, South Dakota, and Wisconsin. The purposes of the conference are to unite people and organizations within the region and elsewhere who have an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. \u003ci\u003eTHS\u003c\/i\u003e is cataloged in numerous periodical indexes and databases\u003ci\u003e.\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eAlong with sixteen book reviews on the latest publications from established and emerging voices in the field, this issue of \u003ci\u003eTheatre History Studies\u003c\/i\u003e contains four sections with two introductions and nine essays total. In the general section, three essays consider performance histories and reevaluations of historiographical approaches. The special section on queer historiographies responds to calls for a more expansive and inclusive understanding of trans histories and for centralizing contemporary queer performers. In part III, the Robert A. Schanke Research Award-winning paper from the 2024 MATC conference by Ali-Reza Mirsajadi addresses erasures in the theatrical archive and highlights the long legacy of queer, Southwest Asian, and North African representation in dramatic texts. 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