{"title":"Violence Desire And The Sacred","description":"\u003cp\u003eExplore the profound themes of violence, desire, and the sacred in this thought-provoking collection. Journey into the depths of human experience through compelling narratives and insightful analyses.\u003c\/p\u003e","products":[{"product_id":"mimetic-theory-and-film-book-paolo-diego-bubbio-9781501367663","title":"Mimetic Theory and Film","description":"The interdisciplinary French-American thinker René Girard (1923-2015) has been one of the towering figures of the humanities in the last half-century. The title of René Girard’s first book offered his own thesis in summary form: romantic lie and novelistic truth [mensonge romantique et vérité romanesque]. And yet, for a thinker whose career began by an engagement with literature, it came as a shock to some that, in La Conversion de l’art, Girard asserted that the novel may be an “outmoded” form for revealing humans to themselves. However, Girard never specified what, if anything, might take the place of the novel. This collection of essays is one attempt at answering this question, by offering a series of analyses of films that aims to test mimetic theory in an area in which relatively little has so far been offered. Does it make any sense to talk of vérité filmique?   In addition, Mimetic Theory and Film is a response to the widespread objection that there is no viable “Girardian aesthetics.” One of the main questions that this collection considers is: can we develop a genre-specific mimetic analysis (of film), and are we able to develop anything approaching a “Girardian aesthetic”? 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Does the potential for self-awareness in artificial intelligence come with mimetic desire in the way Girard claims it does for human beings?  Thomas Ryba and Sandor Goodhart  bring together a team of renowned scholars to theorize artificial intelligence from a Girardian perspective for the first time. Chapters present cutting edge reflections on Girard’s mimetic theory in connection with science, humans, fiction, film, philosophy and God, shedding light on artificial intelligence and the consequences of the implementation of humanoid robots into daily life. In Part I, each argument is followed by a response, spanning topics from the philosophic foundations of mimetic theory and cognitive science through to scapegoating, mimesis, and the human future. Drawing on close interpretative readings of films, including A.I. 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Literary texts and myths are analysed through a mimetic lens, revealing the underlying patterns of rivalry, violence, and sacrifice.  Mimetic theory is then applied to real-world phenomena, such as terrorism, social conflict, and ecological crises, demonstrating its relevance in the 21st century.  Each chapter collected here demonstrates mimetic theory’s on-going capacity to open up new avenues in philosophy, disability studies, literature and beyond. Girard argued that texts, whether religious, literary, or anthropological reveal fundamental aspects of the world. Inspired by this chapters drawing on a rich selection of works and authors including DH Lawrence, Oedipus Rex, Hannah Arendt, and Michel Houellebecq to reveal innovative uses of his theory.  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Girard's mimetic insight has provided a fruitful way for different disciplines, such as literature, anthropology, theology, religion studies, cultural studies, and philosophy, to engage on common anthropological ground, with a shared understanding of the human person. The aim of this edited collection is to present this interdisciplinary work and to illustrate how Girard's insights provide fertile ground for bringing together disparate disciplines in a shared purpose. 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Until now, Girardian literary analysis has generally focused on representations of human desire in texts, and neglected both other emotions and the place of tragedy. Carly Osborn addresses these omissions by using Girardian theory to present evidence that novels can indeed be tragedies. The book advances the scholarship of tragedy that has run from Aristotle to Nietzsche to Terry Eagleton, proposing a new way to read modern novels through ancient traditions. In addition, this is the first work to examine the place of women as victims, or in Girardian terms, ‘scapegoats’, in twentieth century fiction, specifically by considering the representation of women’s bodies and ambivalence about their identities.  In deploying a rich and vivid array of tragic tropes, The Virgin Suicides, The Ice Storm, and Revolutionary Road participate in a deep-rooted American tragic tradition. 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Relevant to anyone interested in Islam, philosophy of religion, theology, and terrorism, Violence in the Name of God imagines new ways of thinking about militancy in the name of Islam in the twenty-first century.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52586935386385,"sku":"NLS9781350104976","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781350104976.jpg?v=1761055396"},{"product_id":"moebian-nights-book-sandor-goodhart-9781501350818","title":"Moebian Nights","description":"“I died at Auschwitz,” French writer Charlotte Delbo asserts, “and nobody knows it.” Möbian Nights: Reading Literature and Darkness develops a new understanding of literary reading: that in the wake of disasters like the Holocaust, death remains a premise of our experience rather than a future.   Challenging customary “aesthetic” assumptions that we write in order not to die, Sandor Goodhart suggests (with Kafka) we write to die. Drawing upon analyses developed by Girard, Foucault, Blanchot, and Levinas (along with examples from Homer to Beckett), Möbian Nights proposes that all literature works “autobiographically”, which is to say, in the wake of disaster; with the credo “I died; therefore, I am”; and for which the language of topology (for example, the “Möbius strip”) offers a vocabulary for naming the “deep structure” of such literary, critical, and scriptural sacrificial and anti-sacrificial dynamics.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52659821969681,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52659823051025,"sku":"NLS9781501350818","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501350818.jpg?v=1774001236"},{"product_id":"violence-desire-and-the-sacred-volume-1-book-canon-scott-cowdell-9781628925685","title":"Violence, Desire, and the Sacred, Volume 1","description":"Showcases the application of Rene Girard's mimetic theory across a range of disciplines, including philosophy, religious studies, literature and cultural studies.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52660925006097,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52660925956369,"sku":"NLS9781628925685","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781628925685.jpg?v=1762266300"},{"product_id":"mimetic-theory-and-film-book-paolo-diego-bubbio-9781501334832","title":"Mimetic Theory and Film","description":"The interdisciplinary French-American thinker René Girard (1923-2015) has been one of the towering figures of the humanities in the last half-century. The title of René Girard’s first book offered his own thesis in summary form: romantic lie and novelistic truth [mensonge romantique et vérité romanesque]. And yet, for a thinker whose career began by an engagement with literature, it came as a shock to some that, in La Conversion de l’art, Girard asserted that the novel may be an “outmoded” form for revealing humans to themselves. However, Girard never specified what, if anything, might take the place of the novel. This collection of essays is one attempt at answering this question, by offering a series of analyses of films that aims to test mimetic theory in an area in which relatively little has so far been offered. Does it make any sense to talk of vérité filmique?  In addition, Mimetic Theory and Film is a response to the widespread objection that there is no viable “Girardian aesthetics.” One of the main questions that this collection considers is: can we develop a genre-specific mimetic analysis (of film), and are we able to develop anything approaching a “Girardian aesthetic”? 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This new volume builds on and extends the work of that earlier collection by moving into new areas such as psychology, politics, classical literature, national literature, and practical applications of Girard's theory in pastoral\/spiritual care, peace-making and religious thought and practice.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52680692039953,"sku":"NLS9781623561963","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781623561963.jpg?v=1762313756"},{"product_id":"east-timor-rene-girard-and-neocolonial-violence-book-susan-connelly-9781350285552","title":"East Timor, Rene Girard and Neocolonial Violence","description":"In a new historical interpretation of the relationship between Australia and East Timor, Susan Connelly draws on the mimetic theory of René Girard to show how the East Timorese people were scapegoated by Australian foreign policy during the 20th century. Charting key developments in East Timor’s history and applying three aspects of Girard’s framework – the scapegoat, texts of persecution and conversion – Connelly reveals Australia’s mimetic dependence on Indonesia and other nations for security. She argues that Australia’s complicity in the Indonesian invasion and occupation of East Timor perpetuated the sacrifice of the Timorese people as victims, thus calling into question the traditional Australian values of egalitarianism and fairness. Connelly also examines the embryonic conversion process apparent in levels of recognition of the innocent victim and of the Australian role in East Timor’s suffering, as well as the consequent effects on Australian self-perception. Emphasising Girardian considerations of fear, suffering, forgiveness and conversion, this book offers a fresh perspective on Australian and Timorese relations that in turn sheds light on the origins and operations of human violence.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52682845159697,"sku":"NLS9781350285552","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781350285552.jpg?v=1762319152"}],"url":"https:\/\/www.worldofbooks.com\/de-de\/collections\/violence-desire-and-the-sacred-buchreihe.oembed","provider":"World of Books ","version":"1.0","type":"link"}