Aperture 250 by Aperture
This spring Aperture magazine presents “We Make Pictures in Order to Live” an issue that nods to the late, celebrated writer Joan Didion and looks at photography’s relationship to storytelling. “We live entirely, especially if we are writers,” Didion writes in her iconic essay “The White Album,” “by the imposition of a narrative line upon disparate images, by the ‘ideas’ with which we have learned to freeze the shifting phantasmagoria which is our actual experience.” Brimming with visual stories that excite, surprise, and illuminate daily life, this issue asks how photographers create and question narratives, and features new work by Bieke Depoorter, a profile of Nick Waplington by Alistair O’Neill, as well as features on Adraint Bereal and Charles “Teenie” Harris.
Goldin, Nan: - Nan Goldin (born in Washington, D.C., 1953) began photographing at the age of fifteen. She received a BFA from the School of the Museum of Fine Arts, Boston, in 1977. In 1978 she moved to New York, where she continued to document her extended family. These photographs, along with those taken in London, Berlin, and Provincetown, Massachusetts, became the subject of her slide shows and first book, The Ballad of Sexual Dependency (1986). Goldin's other books include The Other Side (1993), Ten Years After (1997), and The Beautiful Smile (2008). Her work continues to be exhibited worldwide. Goldin lives in Berlin, Paris, and New York.
| SKU | Nicht verfügbar |
| ISBN 13 | 9781597115476 |
| ISBN 10 | 1597115479 |
| Titel | Aperture 250 |
| Autor | Aperture |
| Serie | Aperture Magazine |
| Buchzustand | Nicht verfügbar |
| Bindungsart | Paperback |
| Verlag | Aperture |
| Erscheinungsjahr | 2023-03-09 |
| Seitenanzahl | 144 |
| Hinweis auf dem Einband | Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden. |
| Hinweis | Nicht verfügbar |