The Best British Poetry 2015 by Emily Berry

The Best British Poetry 2015 by Emily Berry

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Zusammenfassung

The Best British Poetry presents the finest and most engaging poems found in literary magazines and webzines over the past year. The material gathered represents the rich variety of current UK poetry. Each poem is accompanied by a note by the poet explaining the inspiration for the poem.

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The Best British Poetry 2015 by Emily Berry

The Best British Poetry presents the finest and most engaging poems found in literary magazines and webzines over the past year. The material gathered represents the rich variety of current UK poetry. Each poem is accompanied by a note by the poet explaining the inspiration for the poem.
Emily Berry’s debut poetry collection Dear Boy (Faber & Faber, 2013) won the Forward Prize for Best First Collection and the Hawthornden Prize. She is a contributor to The Breakfast Bible (Bloomsbury, 2013), a compendium of breakfasts. She is currently working towards a PhD in Creative and Critical Writing at the University of East Anglia. Roddy Lumsden (born 1966) is a Scottish poet, who was born in St Andrews. He has published five collections of poetry, a number of chapbooks and a collection of trivia, as well as editing a generational anthology of British and Irish poets of the 1990s and 2000s, Identity Parade. He lives in London where he teaches for The Poetry School. He died in January 2020. AK Blakemore is a novelist and poet from London. Her novels include The Manningtree Witches – winner of the Desmond Elliott Prize for a debut novel – and The Glutton. She has published two full-length collections of poetry: Humbert Summer and Fondue. Her work has been widely published and anthologised, appearing in the London Review of Books, Granta and The White Review, among others. Vahni Capildeo was born in 1973, in Port-of-Spain, Trinidad. She came to England in 1991. This is her first book. Kayo Chingonyi was born in Zambia in 1987 and came to the UK in 1993. His poems have been published in a range of magazines and anthologies including The Best British Poetry 2011 and The Salt Book Of Younger Poets. He also travels regularly across the UK, and internationally, to give readings. His work has been described as ‘full of contrast, deftly managed with a buoyant and musical hand’ (Poetry International Web) Ian Duhig was born into an immigrant family and worked with homeless people for fifteen years throughout England and Ireland before becoming a writer and poet. This is reflected in attitudes to home and landscape in his work, as suggested by the epigraph for his first book from Hugh of St Victor: ‘The man who loves his homeland is a beginner; he to whom every soil is as his own is strong; but he is perfect for whom the entire world is a foreign country.’ Duhig has written five books of poetry, most recently The Speed of Dark (Picador, 2007) which was shortlisted for the T. S. Eliot and Costa Poetry Prizes. More recently, a short story appeared in The New Uncanny (Comma, 2008) and the cowritten God Comes Home about the legacy of David Oluwale was performed at the West Yorkshire Playhouse in February 2009. Luke Kennard is the author of four volumes of poetry and two pamphlets. He lectures in creative writing at the University of Birmingham. Amy Key was born in Dover and grew up in Kent and the North East. She now lives and works in London. She co-edits the online journal Poems in Which. Her pamphlet Instead of Stars was published by tall-lighthouse in 2009. Fran Lock is a sometime itinerant dog whisperer and poet, now living and working in London. Her debut collection Flatrock (Little Episodes) was launched in May 2011. Her work has appeared in various places, including Ambit, Poetry London, The Stinging Fly, and in Best British Poetry 2012 (Salt). Chris McCabe was born in Liverpool in 1977. His poetry collections are The Hutton Inquiry and Zeppelins. He has recorded a CD with The Poetry Archive and written a play Shad Thames, Broken Wharf, which was performed at the London Word Festival and subsequently published by Penned in the Margins in 2010. He works as a Librarian at The Poetry Library, London, and teaches for The Poetry School. Sophie Mayer teaches creative writing at King’s College, London. Her publications include Her Various Scalpels and The Cinema of Sally Potter: A Politics of Love. She is a Commissioning Editor at Chroma and Contributing Editor at Hand + Star, and regular contributor to Horizon Review and Sight & Sound. Rebecca Tamás was born in London in 1988. She studied at the University of Warwick and at the University of Edinburgh, where she won the Grierson Verse Prize. Her poems have been published in a variety of magazines and journals including Magma, Oxford Poetry and The SHOp. She is currently studying for a PhD in Creative and Critical Writing at The University of East Anglia. This is her first book of poems. Jack Underwood was born in Norwich in 1984. He graduated from Norwich School of Art and Design in 2005 and is currently completing a PhD in Creative Writing at Goldsmiths College, where he also teaches English Literature and Creative Writing. He is a librettist, musician and co-edits the anthology series Stop Sharpening Your Knives. He won an Eric Gregory Award in 2007 and was named a Faber New Poet in 2009. His debut pamphlet was published by Faber in October 2009 and his poems also feature in Voice Recognition from Bloodaxe. He reviews for Ambit and Poetry London. He lives in Hackney. Mark Waldron’s first book, The Brand New Dark was published by Salt Publishing in 2008. His work appears in Identity Parade, New British and Irish Poets published by Bloodaxe in 2010. He lives in east London with his wife and son.
SKU Nicht verfügbar
ISBN 13 9781784630300
ISBN 10 1784630306
Titel The Best British Poetry 2015
Autor Emily Berry
Serie Best British Poetry
Buchzustand Nicht verfügbar
Bindungsart Paperback
Verlag Salt Publishing
Erscheinungsjahr 2015-10-15
Seitenanzahl 192
Hinweis auf dem Einband Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.