Bigfoot Crossing by Gail Anderson-Dargatz

Bigfoot Crossing by Gail Anderson-Dargatz

Regular price
Checking stock...
Regular price
Checking stock...
Proud to be B-Corp

Our business meets the highest standards of verified social and environmental performance, public transparency and legal accountability to balance profit and purpose. In short, we care about people and the planet.

The feel-good place to buy books
  • Free delivery in the UK
  • Supporting authors with AuthorSHARE
  • 100% recyclable packaging
  • B Corp - kinder to people and planet
  • Buy-back with World of Books - Sell Your Books

Bigfoot Crossing by Gail Anderson-Dargatz

Jay doesn't believe in Bigfoot.

His dad loves hunting for Bigfoot, but searching for a mythical creature in the dark isn't Jay's idea of fun. Especially because he always gets stuck looking out for his little sister while his dad plays with the cool gear, like night-vision goggles. But while out on a camping trip, a large creature starts hunting them, and then Jay's father goes missing. Jay is forced to start tracking the creature himself while still keeping his sister safe. It turns out that not only is Bigfoot real but it isn't the only threat in the woods. There's a different kind of monster out here, one who is armed with a gun. Jay must act fast to save his father before it's too late. And he needs Bigfoot's help to do it.

This short novel is a high-interest, low-reading level book for middle-grade readers who are building reading skills, want a quick read or say they don't like to read The epub edition of this title is fully accessible.

Gail Anderson-Dargatz, whose fictional style has been coined as Pacific Northwest Gothic by the Boston Globe, has been compared by critics to John Steinbeck, William Faulkner, Flannery O'Connor, Margaret Atwood, Alice Munro, Salman Rushdie and Gabriel Garcü¾™†”¼a Mü¾Œ–”¼rquez. Her novels have been published worldwide in English and in many other languages. A Recipe for Bees and The Cure for Death by Lighting were international bestsellers, published worldwide in English and in many other languages, and were both short-listed for the prestigious Giller Prize in Canada. The Cure for Death by Lightning won the UK's Betty Trask Prize among other awards. A Rhinestone Button was a national bestseller in Canada and her first book, The Miss Hereford Stories, was short-listed for the Leacock Award for humour.

Her mother, who also wrote, instilled literary confidence in Gail, so that by the age of eighteen, Gail knew she wanted to be the next Margaret Laurence, writing about Canadian women in rural settings. Laurence's interest in them made me feel that their and my experience was important.

In her early twenties, the future author got a job as a reporter for her hometown paper, the Salmon Arm Observer, but continued to enter her fiction in competitions, and she started to win. One submission caught the attention of the writer Jack Hodgins, who encouraged her to enroll in his course at the University of Victoria. She graduated from there with a B.A. in creative writing.

Gail's literary career began to take off when she won first prize in the CBC Literary Competition for a story taken from an early draft of her first novel, The Cure for Death by Lightning. When a Toronto literary agent took her on she already had a short story collection ready to go: The Miss Hereford Stories. Set in the 1960s in the fictional town of Likely, Alberta, (what you call a half-horse town) the book, with its cast of colourful eccentrics, was published in 1994 and nominated for the Stephen Leacock Medal for Humour. The Cure for Death by Lightning, her first novel, followed two years later.

Saturday Night magazine has said that the inclination to write about rural characters sets Anderson-Dargatz apart from many writers of her generation, who tend towards urban fiction. What does she find so fascinating about small-town and country life? Once you step off the concrete, life stops being abstract and starts being very real, very immediate, very fundamental and very sensual. On this topic, the Financial Post said, Anyone who thinks rural characters in Canadian fiction are dull and bland should pick up one of Gail Anderson-Dargatz's novels. ... The only certainty in her world view is that anything can, and very often does, happen.

Although she is influenced by Margaret Laurence, Alice Munro, her mentor Jack Hodgins and favourite writers such as Toni Morrison, she says her inspiration comes from the people and landscapes around me more than from other books. Her style has been called Margaret Laurence meets Gabriel Garcü¾™†”¼a Mü¾Œ–”¼rquez because her writing tends towards magic realism, but she says the ghosts and premonitions in her writing arise from family stories of the Thompson-Shuswap region, which she carefully transcribed. My father passed on the rich stories and legends about the region I grew up in, which he heard from the interior Salish natives he worked with. And my mother told me tales of her own premonitions, and of ghosts, eccentrics and dark deeds that haunted the area.

Gail Anderson-Dargatz has just recently returned home to the Thompson-Shuswap region found in so much of her writing, and she currently teaches advanced novel and advanced fiction in the Creative Writing MFA program at the University of British Columbia.

SKU Nicht verfügbar
ISBN 13 9781459834767
ISBN 10 1459834763
Titel Bigfoot Crossing
Autor Gail Anderson-Dargatz
Serie Orca Currents
Buchzustand Nicht verfügbar
Bindungsart Paperback
Verlag Orca Book Publishers
Erscheinungsjahr 2023-02-14
Seitenanzahl 128
Hinweis auf dem Einband Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.