Billie Holiday by John Szwed
When eighteen-year-old Billie Holiday stepped into Columbia studios in November of 1933 to record ‘Riffin’ the Scotch’ and ‘Your Mother’s Son-in-Law’, it marked the beginning of what is arguably the most remarkable and important career in twentieth-century popular music. Today, Billie Holiday is an icon – an artist whose voice has weathered countless shifts in public taste, and whose impact on contemporary music is unquestionable. Most of the writing on Holiday has focused on the tragic details of her life – her prostitution at the age of fourteen, a her heroin addiction and alcoholism, her series of abusive relationships, the ravages of her voice by the time she was forty-four – or tried to correct the many fabrications of her autobiography. John Szwed’s Billie Holiday is a different book, one that stays close to her music, to her performance style, to the self she created and put on record and on stage. Drawing on revelatory new material, including unpublished memoirs and interviews, Billie Holiday is the first biography to consider the singer as an artist, examining how her life inflected her art, her influences, her uncanny voice and rhythmic genius, her singing style, a number of her signature songs, and her legacy. Published to coincide with the centenary of Holiday’s birth on 7 April, Billie Holiday is a major new biography of America’s First Lady of Jazz by one of the greatest music writers of today, offering a profound meditation on her art, and how it made sense of her life.
John Szwed’s swift, conversational and yet detail-rich new biography, Billie Holiday: The Musician and the Myth, communicates its artist-first priorities in the subtitle, and then makes good on them throughout … That’s about as fine a centenary-year gift as anyone had a right to expect * Guardian *
Insightful, investigative… entertaining and illuminating … a wonderfully engaging and revealing look at the great Lady Day. * The Scotsman *
Illuminating account restores to the singer the dignity of a true artist. * Observer *
A musicologist’s appreciation of the jazz singer… a marvel. * Independent *
Szwed’s book offers a fresh attempt to understand and explain the nature and scope of Holiday’s achievement. * Times Literary Supplement *
Insightful, investigative… entertaining and illuminating … a wonderfully engaging and revealing look at the great Lady Day. * The Scotsman *
Illuminating account restores to the singer the dignity of a true artist. * Observer *
A musicologist’s appreciation of the jazz singer… a marvel. * Independent *
Szwed’s book offers a fresh attempt to understand and explain the nature and scope of Holiday’s achievement. * Times Literary Supplement *
John Szwed is Professor of Music and Jazz Studies at Columbia University, and Director of the Center for Jazz Studies at Columbia University. He is the author of a number of books, including Billie Holiday: The Musician and the Myth, Alan Lomax: The Man Who Recorded the World and So What: The Life of Miles Davis.
| SKU | Nicht verfügbar |
| ISBN 13 | 9781785150272 |
| ISBN 10 | 1785150278 |
| Titel | Billie Holiday |
| Autor | John Szwed |
| Buchzustand | Nicht verfügbar |
| Bindungsart | Hardback |
| Verlag | Cornerstone |
| Erscheinungsjahr | 2015-03-26 |
| Seitenanzahl | 320 |
| Hinweis auf dem Einband | Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden. |
| Hinweis | Nicht verfügbar |