Choreography Observed by Jack Anderson

Choreography Observed by Jack Anderson

Regular price
Checking stock...
Regular price
Checking stock...
Proud to be B-Corp

Our business meets the highest standards of verified social and environmental performance, public transparency and legal accountability to balance profit and purpose. In short, we care about people and the planet.

The feel-good place to buy books
  • Free delivery in the UK
  • Supporting authors with AuthorSHARE
  • 100% recyclable packaging
  • B Corp - kinder to people and planet
  • Buy-back with World of Books - Sell Your Books

Choreography Observed by Jack Anderson

For over twenty years Jack Anderson has been writing about dance performances. His essays and reviews have appeared in daily newspapers, specialist monthlies, and critical quarterlies. For the last ten years he has been a dance critic for the New York Times.

In Choreography Observed, Jack Anderson has selected writings that focus most directly on choreographers and choreography in order to illuminate the delights and problems of dance and to reveal the nature of this nonverbal but intensely expressive art form.

His essays and reviews deal with individual choreographers from Bournonville, Petipa, and Fokine to Balanchine, Paul Taylor, Meredith Monk, and Pina Bausch; individual works are also discussed in detail, such as Nijinsky's Afternoon of a Faun, Antony Tudor's Pillar of Fire, Alvin Ailey's Flowers, and Kei Takei's Light. Other pieces focus on the Baroque dance revival, contemporary multimedia dance theatre, choreography for men, the complex relationship between ballet and modern dance, and how--and how not--to revive the classics.

No other book--especially no other selection from the work of a single critic--has dealt with choreography in such an original and focused way. Anderson brings his trained eye and wide experience in the arts to bear on dance while stressing the primacy of the choreographer as auteur. By refusing to get bogged down in highly technical terminology, he makes his insights available to a wide range of readers interested in expanding their understanding of this ever more popular art form.
..Anderson here reveals the beating heart of dance: well done."—Kirkus Reviews

"In a series of sharply perceived essays that served originally as dance reviews, Anderson comments astutely on the art of choreography. This is not only a useful way to organize a book of dance criticism, it is also fascinating. Here a critic obviously passionate about the creation of dance as well as the execution of the art form arranges his dance criticism over the years by types of choreography....Anderson is clearly interested in the psychological and historical aspects of successful choreography but, beyond that, is sometimes mesmerized by the beauty of the dance. These essays, like good dancing, do not date and should be read by anyone interested in the performing arts."—Choice

THE CLOUDS OF THAT COUNTRY, FIELD TRIPS ON THE RAPID TRANSIT, and TRAFFIC: NEW AND SELECTED PROSE POEMS are among Jack Anderson's prior works. Anderson, a native of Milwaukee and a lifelong Manhattan resident, is a well-known dance writer and critic who has contributed to publications such as The New York Times, Dancing Times (London), and New York Theatre-Wire. Seven books about dance, including The One and Only: The Ballet Russe de Monte Carlo and Art Without Boundaries: The World of Modern Dance, have been authored or edited by him. He co-founded Dance Chronicle with George Dorris and co-edited it for 21 years.

SKU Nicht verfügbar
ISBN 13 9780877455936
ISBN 10 0877455937
Titel Choreography Observed
Autor Jack Anderson
Buchzustand Nicht verfügbar
Bindungsart Paperback
Verlag University of Iowa Press
Erscheinungsjahr 1997-03-01
Seitenanzahl 304
Hinweis auf dem Einband Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Hinweis Nicht verfügbar