Claiming the Real by Brian Winston
This work rewrites the history of documentary film to take account of technological change. Winston explores the role of such figures as Grierson, Flaherty and Dziga Vertov, and examines both the principles and practice of the major movements in documentary, such as "cinema verite". He offers a revised definition of the essential difference between fiction and documentary, and identifies the ethical base of any film practice which attempts to capture "truth".
Brian Winston is the Lincoln Chair at the University of Lincoln, UK. He has an Emmy for documentary script-writing, has taught documentary in both the US and the UK, and has been involved with many international documentary film festivals and the Visible Evidence conference series. He was the founding director of the Glasgow (University) Media Group, whose pioneering studies of television news, Bad News (1976) and More Bad News (1980), have been re-issued as a classic of media sociology. He was also a founding chair of British Association of Film, Television and Media Studies and has been a governor of the BFI. In 2012, a feature-length documentary on Robert Flaherty A Boatload of Wild Irishmen which he wrote and co-produced won a Special Jury prize from the British University Council for Film and Video. His primary areas of interest are freedom of speech, journalism history, media technology and documentary film, all of which he teaches.
| SKU | Nicht verfügbar |
| ISBN 13 | 9780851704647 |
| ISBN 10 | 0851704646 |
| Titel | Claiming the Real |
| Autor | Brian Winston |
| Buchzustand | Nicht verfügbar |
| Bindungsart | Paperback |
| Verlag | Bloomsbury Publishing PLC |
| Erscheinungsjahr | 1995-04-01 |
| Seitenanzahl | 301 |
| Hinweis auf dem Einband | Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden. |
| Hinweis | Nicht verfügbar |