Digital Baroque by Timothy Murray

Zu Produktinformationen springen
1 von 1

Klicken, um hineinzusehen

Digital Baroque by Timothy Murray

Regular price
Checking stock...
Regular price
Checking stock...
Proud to be B-Corp

Our business meets the highest standards of verified social and environmental performance, public transparency and legal accountability to balance profit and purpose. In short, we care about people and the planet.

The feel-good place to buy books
  • Free delivery in the UK
  • Supporting authors with AuthorSHARE
  • 100% recyclable packaging
  • B Corp - kinder to people and planet
  • Buy-back with World of Books - Sell Your Books

Digital Baroque by Timothy Murray

A surprising and original application of theories of new media art In this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book’s title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art? Making an exquisite and unexpected connection between the old and the new, Digital Baroque analyzes the philosophical paradigms that inform contemporary screen arts. Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts’ dialogue with early modern concepts. Among the works discussed are digitally oriented films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thierry Kuntzel, Keith Piper, and Renate Ferro; and interactive media works by Toni Dove, David Rokeby, and Jill Scott. Sophisticated readings reveal the electronic psychosocial webs and digital representations that link text, film, and computer. Murray puts forth an innovative Deleuzian psychophilosophical approach—one that argues that understanding new media art requires a fundamental conceptual shift from linear visual projection to nonlinear temporal folds intrinsic to the digital form.

Timothy Murray is professor of comparative literature and English, director of the Society for the Humanities, and curator of the Rose Goldsen Archive of New Media Art at Cornell University. He is the author of Drama Trauma: Specters of Race and Sexuality in Performance, Video, and Art; Like a Film: Ideological Phantasy on Screen, Camera, and Canvas; Theatrical Legitimation: Allegories of Genius in Seventeenth-Century England and France; the coeditor of Repossessions: Psychoanalysis and the Phantasms of Early Modern Culture (Minnesota, 1998); and editor of Mimesis, Masochism, and Mime: The Politics of Theatricality in Contemporary French Thought.

SKU Nicht verfügbar
ISBN 13 9780816634026
ISBN 10 0816634025
Titel Digital Baroque
Autor Timothy Murray
Serie Electronic Mediations
Buchzustand Nicht verfügbar
Bindungsart Paperback
Verlag University of Minnesota Press
Erscheinungsjahr 2008-12-16
Seitenanzahl 320
Hinweis auf dem Einband Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Hinweis Nicht verfügbar