Early Modern Print Media and the Art of Observation by Stephanie A Leitch

Early Modern Print Media and the Art of Observation by Stephanie A Leitch

Early modern printmakers trained observers to scan the heavens above as well as faces in their midst. Peter Apian printed the Cosmographicus Liber (1524) to teach lay astronomers their place in the cosmos, while also printing practical manuals that translated principles of spherical astronomy into useful data for weather watchers, farmers, and astrologers. Physiognomy, a genre related to cosmography, taught observers how to scrutinize profiles in order to sum up peoples' characters. Neither Albrecht Dürer nor Leonardo escaped the tenacious grasp of such widely circulating manuals called practica. Few have heard of these genres today, but the kinship of their pictorial programs suggests that printers shaped these texts for readers who privileged knowledge retrieval. Cultivated by images to become visual learners, these readers were then taught to hone their skills as observers. This book unpacks these and other visual strategies that aimed to develop both the literate eye of the reader and the sovereignty of images in the early modern world.

A specialist of early modern printmaking, Stephanie Leitch received a collaborative research fellowship from the ACLS for a new project about the role of copied images in early modern travel narratives. Her book Mapping Ethnography in Early Modern Germany (2010) won the Roland Bainton Book Prize in Art History.

SKU	Nicht verfügbar
ISBN 13	9781009444521
ISBN 10	1009444522
Titel	Early Modern Print Media and the Art of Observation
Autor	Stephanie A Leitch
Buchzustand	Nicht verfügbar
Verlag	Cambridge University Press
Erscheinungsjahr	2024-04-04
Seitenanzahl	360
Hinweis auf dem Einband	Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Hinweis	Nicht verfügbar