Erik Bulatov: Come to Garage! by Ruth Addison

Erik Bulatov: Come to Garage! by Ruth Addison

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Zusammenfassung

This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s.

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Erik Bulatov: Come to Garage! by Ruth Addison

Since the beginning of his career in the 1960s, Russian artist Erik Bulatov has investigated the potential of painting as social commentary. A founder of the school of Moscow Conceptualism-alongside Ilya Kabakov, Collective Actions, and Komar & Melamid among others-Bulatov developed what has been described as conceptual painting, using text and image to explore spatial preoccupations that mirror his understanding of social relations. This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s. Introducing an innovative assessment of Bulatov's oeuvre, this richly illustrated publication includes an essay by Garage curator Snejana Krasteva exploring his use of monumental scale, an interview with the artist by Hans Ulrich Obrist, and several of Bulatov's texts spanning the period 1978-2006, which are translated into English for the first time.
Erik Bulatov (b.1933) lives and works in Moscow and Paris. Garage Museum of Contemporary Art's New Work series examines in depth the making of a large-scale commission, focusing on methods of research and production to provide new perspectives on the practice of a mid-career or established artist whose work resonates across cultures.
SKU Nicht verfügbar
ISBN 13 9785905110726
ISBN 10 5905110727
Titel Erik Bulatov: Come to Garage!
Autor Ruth Addison
Serie New Work
Buchzustand Nicht verfügbar
Bindungsart Paperback
Verlag Art Gid
Erscheinungsjahr 2017-07-07
Seitenanzahl 108
Hinweis auf dem Einband Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.