Lee Friedlander: Mannequin by Lee Friedlander

Lee Friedlander: Mannequin by Lee Friedlander

Lee Friedlander is one of the few artists in any medium to have sustained a body of influential work over five decades. To make the photographs in Mannequin, he returned to the hand-held, 35-mm camera that he used in the earliest decades of his career. Over the past three years, Friedlander has roamed the sidewalks of New York City, Los Angeles and San Francisco, focusing on storefront windows and reflections that conjure marketplace notions of sex, fashion and consumerism, while recalling Atget’s surreal photographs of Parisian windows made 100 years earlier. Thoroughly straightforward, their unsettling and radical new compositions suggest photographs that have been torn up and pasted back together again in near-random ways. Lee Friedlander (born 1934) first came to public attention in the landmark exhibition New Documents, at The Museum of Modern Art, New York, in 1967. The range of his work since then—including portraits, nudes, still lifes and studies of people at work—is anchored in a uniquely vivid and far-reaching vision of the american scene. More than 40 books about his work have been published since the early 1970s, including Self-Portrait, Sticks and Stones, Cherry Blossom Time in Japan, Family, America by Car, People at Work and The New Cars 1964. His career was the focus of a major traveling retrospective organized by The Museum of Modern Art in 2005. His work can be found in depth in the collections of The Museum of Modern Art, the Metropolitan Museum of Art, the San Francisco Museum of Art and the National Gallery of Art, among many others.

Friedlander has always been attracted to the tricks of light and the provocative doublings that arise from reflective surfaces-rearview mirors, glass walls, car windshields, and television sets recur throughout his careerHere he remains alert to the recombined ghosts that proliferate in the space between what's real and what's mere reflection, thus playing Pygmalion to these prefab Galateas by permitting them entry into that airy, vigorously mutational realm. -- Albert Mobilio * Bookforum *

Lee Friedlander was born in 1934 in Aberdeen, Washington. In 1948 he began to photograph seriously and by the 1960s had become widely recognized for his all-encompassing portrayals of the American social landscape--a term he coined. Friedlander's influential work has been the subject of many seminal exhibitions, including New Documents and Mirrors and Windows, both organized by John Szarkowski at The Museum of Modern Art, and more than 50 books, including Self Portrait (1970), The American Monument (1976), Factory Valleys (1982), Sticks and Stones (2004) and America By Car (2010).

SKU	Nicht verfügbar
ISBN 13	9781881337324
ISBN 10	1881337324
Titel	Lee Friedlander: Mannequin
Autor	Lee Friedlander
Buchzustand	Nicht verfügbar
Bindungsart	Hardback
Verlag	Fraenkel Gallery,US
Erscheinungsjahr	2012-09-13
Seitenanzahl	112
Hinweis auf dem Einband	Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.