The Legend of Sleepy Hollow by Washington Irving

The Legend of Sleepy Hollow by Washington Irving

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The Legend of Sleepy Hollow by Washington Irving

The chief part of the stories, however, turned upon the favorite specter of Sleepy Hollow, the Headless Horseman, who had been heard several times of late, patrolling the country; and, it was said, tethered his horse nightly among the graves in the churchyard. The story was immediately matched by a thrice marvelous adventure of Brom Bones, who made light of the Galloping Hessian as an arrant jockey. He affirmed that on returning one night from the neighboring village of Sing Sing, he had been overtaken by this midnight trooper; that he had offered to race with him for a bowl of punch, and should have won it too, for Daredevil beat the goblin horse all hollow, but just as they came to the church bridge, the Hessian bolted, and vanished in a flash of fire. All these tales, told in that drowsy undertone with which men talk in the dark, the countenances of the listeners only now and then receiving a casual gleam from the glare of a pipe, sank deep in the mind of Ichabod. Irving wrote The Sketch Book during a tour of Europe, and parts of the tale may also be traced to European origins. Headless horsemen were staples of Northern European storytelling, featuring in German, Irish (e.g. Dullahan), Scandinavian (e.g. the Wild Hunt), and English legends and were included in Robert Burns's Tam o' Shanter (1790), and Burger's Der wilde Jager, translated as The Wild Huntsman (1796). Usually viewed as omens of ill-fortune for those who chose to disregard their apparitions, these specters found their victims in proud, scheming persons and characters with hubris and arrogance.

The chief part of the stories, however, turned upon the favorite specter of Sleepy Hollow, the Headless Horseman, who had been heard several times of late, patrolling the country; and, it was said, tethered his horse nightly among the graves in the churchyard. The story was immediately matched by a thrice marvelous adventure of Brom Bones, who made light of the Galloping Hessian as an arrant jockey. He affirmed that on returning one night from the neighboring village of Sing Sing, he had been overtaken by this midnight trooper; that he had offered to race with him for a bowl of punch, and should have won it too, for Daredevil beat the goblin horse all hollow, but just as they came to the church bridge, the Hessian bolted, and vanished in a flash of fire. All these tales, told in that drowsy undertone with which men talk in the dark, the countenances of the listeners only now and then receiving a casual gleam from the glare of a pipe, sank deep in the mind of Ichabod. Irving wrote The Sketch Book during a tour of Europe, and parts of the tale may also be traced to European origins. Headless horsemen were staples of Northern European storytelling, featuring in German, Irish (e.g. Dullahan), Scandinavian (e.g. the Wild Hunt), and English legends and were included in Robert Burns's Tam o' Shanter (1790), and Burger's Der wilde Jager, translated as The Wild Huntsman (1796). Usually viewed as omens of ill-fortune for those who chose to disregard their apparitions, these specters found their victims in proud, scheming persons and characters with hubris and arrogance.

Painting is as much a part of the Moses family tradition as the family homestead in Eagle Bridge, New York. There Will Moses has painted since he was a little boy, learning firsthand from his grandfather, folk artist Forrest Moses, who learned from his mother, Anna Mary Robertson Moses, better known as Grandma Moses. Developing his own folk style, Will has become an internationally beloved artist in his own right, his art displayed in collections throughout the world, including that of the White House.

His first picture book, The Legend of Sleepy Hollow, a retelling of Washington Irving's famous tale, was published by Philomel in 1995.

Will Moses' studio is at the Mount Nebo Gallery and Farm in Eagle Bridge, where he lives with his wife, Sharon, and their three children.


Painting is as much a part of the Moses family tradition as the family homestead in Eagle Bridge, New York. There Will Moses has painted since he was a little boy, learning firsthand from his grandfather, folk artist Forrest Moses, who learned from his mother, Anna Mary Robertson Moses, better known as Grandma Moses. Developing his own folk style, Will has become an internationally beloved artist in his own right, his art displayed in collections throughout the world, including that of the White House.

His first picture book, The Legend of Sleepy Hollow, a retelling of Washington Irving's famous tale, was published by Philomel in 1995.

Will Moses' studio is at the Mount Nebo Gallery and Farm in Eagle Bridge, where he lives with his wife, Sharon, and their three children.

SKU Nicht verfügbar
ISBN 13 9780698116481
ISBN 10 0698116488
Titel The Legend of Sleepy Hollow
Autor Will Moses
Buchzustand Nicht verfügbar
Bindungsart Paperback
Verlag Putnam Publishing Group,U.S.
Erscheinungsjahr 1999-08-16
Seitenanzahl 48
Hinweis auf dem Einband Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Hinweis Nicht verfügbar