On Histories and Stories by A S Byatt

On Histories and Stories by A S Byatt

As writers of English from Australia to India to Sri Lanka command our attention, Salman Rushdie can state confidently that English fiction was moribund until the Empire wrote back, and few, even among the British, demur. A. S. Byatt does, and her case is persuasive. In a series of essays on the complicated relations between reading, writing, and remembering, the gifted novelist and critic sorts the modish from the merely interesting and the truly good to arrive at a new view of British writing in our time.

Whether writing about the renaissance of the historical novel, discussing her own translation of historical fact into fiction, or exploring the recent European revival of interest in myth, folklore, and fairytale, Byatt's abiding concern here is with the interplay of fiction and history. Her essays amount to an eloquent and often moving meditation on the commitment to historical narrative and storytelling that she shares with many of her British and European contemporaries. With copious illustration and abundant insights into writers from Elizabeth Bowen and Henry Green to Anthony Burgess, William Golding, Muriel Spark, Penelope Fitzgerald, Julian Barnes, Martin Amis, Hilary Mantel, and Pat Barker, On Histories and Stories is an oblique defense of the art Byatt practices and a map of the complex affiliations of British and European narrative since 1945.

Lewis Carroll, creator of the brilliantly witty Alice's Adventures in Wonderland, was a pseudonym for Charles Lutwidge Dodgson, a shy Oxford don with a stammer.

He was born at Daresbury, Cheshire on January 27, 1832, son of a vicar. As the eldest boy among eleven children, he learned early to amuse his siblings by writing and editing family magazines. He was educated at Christ Church College, Oxford, where he lectured in mathematics from1855 to 1881. In 1861 he was ordained as a deacon.

Dodgson's entry into the world of fiction was accidental. It happened one golden afternoon as he escorted his colleague's three daughters on a trip up the river Isis. There he invented the story that might have been forgotten if not for the persistence of the youngest girl, Alice Liddell. Thanks to her, and to her encouraging friends, Alice was published in 1865, with drawings by the political cartoonist, John Tenniel. After Alice, Dodgson wrote Phantasmagoria and Other Poems (1869), Through the Looking-Glass (1871), The Hunting of Shark (1876, and Rhyme? and Reason? (1883).

As a mathematician Dodgson is best known for Euclid and His Modern Rivals (1879). He was also a superb children's photographer, who captured the delicate, sensuous beauty of such little girls as Alice Liddell and Ellen Terry, the future actress. W.H. Auden called him one of the best portrait photographer of the century. Dodgson was also an inventor; his projects included a game of arithmetic croquet, a substitute for glue, and an apparatus for making notes in the dark. Though he sought publication for his light verse, he never dreamed his true gift-telling stories to children-merited publication or lasting fame, and he avoided publicity scrupulously Charles Dodgson died in 1898 of influenza.