The Pirate's Fiancee
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The Pirate's Fiancee by Meaghan Morris
'Appropriation', 'bricolage', 'recording', 'scavenging'-a scenario of image piracy has provided the buzzwords of pop cultural theory for most of the 1980s. while programmes for political action in culture have increasingly taken the form of a romance of buccaneering, the more sedate theoretical disputes about postmodernism have begun to generate a myth that feminists, or even women, have so far said little or nothing about one of the most action-packed debates of the decade. Taking her title from a 1969 film by Nelly Kaplan, Meaghan Morris considers the implications for feminism of a politics which transforms the materials of culture. She also considers the implications for post-modernism and pop theory of recognising the extent to which they already represent a borrowing of feminist thought. In a collection of essays on subjects ranging from blockbuster cinema to art photography, from Foucault to Mary Daly, from Susan Sontag and Jean Baudrillard to Paul Hogan, she argues that a feminist practice of rewriting discourses should emerge from a political critique of the positioning of women, rather than a vague thematics of changing things.| SKU | Nicht verfügbar |
| ISBN 13 | 9780860912125 |
| ISBN 10 | 0860912124 |
| Titel | The Pirate's Fiancee |
| Autor | Meaghan Morris |
| Serie | Questions For Feminism |
| Buchzustand | Nicht verfügbar |
| Bindungsart | Hardback |
| Verlag | Verso Books |
| Erscheinungsjahr | 1988-11-01 |
| Seitenanzahl | 304 |
| Hinweis auf dem Einband | Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden. |
| Hinweis | Nicht verfügbar |