The Sight of Sound by Richard Leppert

The Sight of Sound by Richard Leppert

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Zusammenfassung

This text examines the social meanings of music as they have been shaped not only by hearing, but also by seeing music in performance. The author is particularly interested in the relation of music to the human body, arguing that musical practices are inseperable from discourses of power.

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The Sight of Sound by Richard Leppert

Richard Leppert boldly examines the social meanings of music as these have been shaped not only by hearing but also by seeing music in performance. His purview is the northern European bourgeoisie, principally in England and the Low Countries, from 1600 to 1900. And his particular interest is the relation of music to the human body. He argues that musical practices, invariably linked to the body, are inseparable from the prevailing discourses of power, knowledge, identity, desire, and sexuality. With the support of 100 illustrations, Leppert addresses music and the production of racism, the hoarding of musical sound in a culture of scarcity, musical consumption and the policing of gender, the domestic piano and misogyny, music and male anxiety, and the social silencing of music. His unexpected yoking of musicology and art history, in particular his original insights into the relationships between music, visual representation, and the history of the body, make exciting reading for scholars, students, and all those interested in society and the arts.
Richard Leppert is Professor of Comparative Studies in Discourse and Society at the University of Minnesota. His most recent book is Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England (1989).
SKU Nicht verfügbar
ISBN 13 9780520203426
ISBN 10 0520203429
Titel The Sight of Sound
Autor Richard Leppert
Buchzustand Nicht verfügbar
Bindungsart Paperback
Verlag University of California Press
Erscheinungsjahr 1995-10-15
Seitenanzahl 345
Hinweis auf dem Einband Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.