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Lost Buildings of Worthing By Antony Edmonds

Lost Buildings of Worthing by Antony Edmonds

Condition - Like New
$39.99
5 in stock

Summary

A vivid and fascinating account of Worthing's old buildings and the people associated with them, beautifully illustrated with engravings and photographs.

Lost Buildings of Worthing Summary

Lost Buildings of Worthing: A Historic Town and its People by Antony Edmonds

Lost Buildings of Worthing is a lavishly illustrated record of dozens of handsome and historic buildings that have been demolished over the last 125 years. It is also a social history of Worthing, with compelling narratives about residents and visitors associated with the buildings discussed. The first section, 'Lost on the Seafront', features over twenty buildings that used to stand on Marine Parade; the second, 'Lost in the Town', deals with the historic heart of Worthing; and the third, 'Lost on the Periphery', focuses on buildings on the edge of the town, including those that stood on the ancient estates of Charmandean and Offington. There are more than two hundred engravings and photographs, together with six extracts from the Ordnance Survey map of 1879.

About Antony Edmonds

Antony Edmonds was born in Southsea and educated at Magdalen College, Oxford. A researcher and writer with a particular interest in the history of Worthing, he works as a freelance copy-editor and has published numerous articles about the town and its literary associations, especially with Jane Austen and Oscar Wilde. He lives in a village on the Hampshire / Sussex border.

Additional information

GOR010956709
Lost Buildings of Worthing: A Historic Town and its People by Antony Edmonds
Used - Like New
Paperback
Amberley Publishing
2019-10-15
256
1445699001
9781445699004
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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