JANET BURROWAY is the author of plays, poetry, essays, children's books, and eight novels including The Buzzards, Raw Silk (runner up for the National Book Award), Opening Nights, Cutting Stone, and Bridge of Sand. Her other publications include a collection of personal essays, Embalming Mom, in addition to a volume of poetry, Material Goods, and three children's books in verse, The Truck on the Track, The Giant Jam Sandwich, and The Perfect Pig. Her plays Medea with Child (The Reva Shiner Award), Sweepstakes, Division of Property (Arts & Letters Award), and Parts of Speech have received readings and productions in New York, London, San Francisco, Hollywood, Chicago, and various regional theaters. Her textbook Writing Fiction, now in its ninth edition, is the most widely used creative writing text in the United States. Her most recent books are a memoir, Losing Tim, and a collection of essays she has edited, A Story Larger Than My Own: Women Writers Look Back on Their Lives and Careers. She is Robert O. Lawton Distinguished Professor Emerita at the Florida State University in Tallahassee and has most recently taught in the MFA Program in Creative Writing at Northwestern University.
ELIZABETH STUCKEY-FRENCH, Associate Professor, MFA Iowa Writers Workshop (1992), specializes in fiction. She was a James A. Michener Fellow at the University of Iowa and is the author of a short story collection, The First Paper Girl in Red Oak, Iowa, and two novels, The Revenge of the Radioactive Lady and Mermaids on the Moon. Her stories have appeared in The Atlantic Monthly, The Gettysburg Review,The Southern Review, Five Points, and other literary journals. In 2005, she received an O. Henry Award for the story "Mudlavia," cited by juror Richard Russo as "favorite story."
NED STUCKEY-FRENCH, Assistant Professor, B. A., magna cum laude, Harvard College (1972), M.A., Brown University (1992), Ph. D., University of Iowa (1997). Dr. Stuckey-French specializes in the personal essay and modern American literature and culture, especially magazine culture. His study of magazine culture and class construction entitled The American Essay in the American Century is forthcoming from the University of Missouri Press. He is also editing (with Carl Klaus) a collection of essays on the essay, which includes work from Montaigne to the present, and it will appear from the University of Iowa Press.
His reviews and critical work have appeared in journals such as American Literature, The CEA Critic, Modern Fiction Studies, Fourth Genre, culturefront, and The Iowa Review, and in The Scribner Encyclopedia of American Lives, The Walt Whitman Encyclopedia and The Encyclopedia of the Essay.
He also writes creative nonfiction and is the book review editor for the journal Fourth Genre. His essays, which have appeared in magazines such as In These Times, The Missouri Review, The Pinch, and Walking Magazine, have been listed three times among the notable essays in the Best American Essays series. He is working on a memoir of his ten years as a trade union organizer in a Boston hospital.