No-one has had greater influence on acting as we know it than Stanislavski. His 'system' or interpretations of it - has become the central force determining almost every performance we see on stage or screen. His teaching is principally set out in three f
In An Actor Prepares Stanislavski deals with the inward preparation an actor must undergo in order to explore a role to the its full. He introduces the concepts of the 'magic of' units and objectives, of emotion memory, of the super-objective and many more now famous rehearsal aids."An Actor must work all his life, cultivate his mind, train his talents systematically, develop his character; he may never despair and never relinquish this main pupose - to love his art with all his strength and love it unselfishly." (Constantin Stanislavski)
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