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To Weave and Sing By David M. Guss

To Weave and Sing by David M. Guss

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Summary

Presents an analysis of the rich spiritual and artistic traditions of the Carib-speaking Yekuana Indians of Venezuela, who live in the dense rain forest of the upper Orinoco.

To Weave and Sing Summary

To Weave and Sing: Art, Symbol, and Narrative in the South American Rainforest by David M. Guss

"To Weave and Sing" is the first in-depth analysis of the rich spiritual and artistic traditions of the Carib-speaking Yekuana Indians of Venezuela, who live in the dense rain forest of the upper Orinoco. Within their homeland of Ihuruna, the Yekuana have succeeded in maintaining the integrity and unity of their culture, resisting the devastating effects of acculturation that have befallen so many neighboring groups. Yet their success must be attributed to more than natural barriers of rapids and waterfalls, to more than lack of 'contact' with our 'modern' world. The ethnographic history recounted here includes not only the Spanish discovery of the Yekuana but detailed indigenous accounts of the entire history of Yekuana contact with Western culture, revealing an adaptive technique of mythopoesis by which the symbols of a new and hostile European ideology have been consistently defused through their incorporation into traditional indigenous structures. The author's initial point of departure is the Watunna, the Yekuana creation epic, but he finds his principal entrance into this mythic world through basketry, focusing on the elaborate kinetic designs of the round waja baskets and the stories told about them. Guss argues that the problem of understanding Yekuana basketry is the problem of understanding all traditional art forms within a tribal context, and critiques the cultural assumptions inherent in our systems of classification. He demonstrates that the symbols woven into the baskets function not in isolation but collectively, as a powerful system cutting across the entire culture. "To Weave and Sing" addresses all Yekuana material culture and the greater reality it both incorporates and masks, discerning a unifying configuration of symbols in chapters on architectural forms, the geography of the body, and the use of herbs, face paints, and chants. A narrow view of slash-and-burn gardens as places of mere subsistence is challenged by Guss' portrait of these exclusively female spaces as systematic inversions of the male world, 'the sacred turned on its head'. Throughout, a wealth of narrative and ritual materials provides us with the closest approximation we have to a native exegesis of these phenomena. What we are offered here is a new Poetics of Culture, ethnography not as a static given but as a series of shifting fields, wherein culture (and our image of it) is constantly recreated in all of its parts, by all of its members.

About David M. Guss

David M. Guss is a poet, translator, editor, folklorist, and anthropologist who has lived and worked in various parts of Latin America. He is currently a Mellon Faculty Fellow at Harvard University.

Table of Contents

Illustrations
Acknowledgements
1 . INTRODUCTION: The Syntax of Culture
2* THE PEOPLE
'The Ones of This Earth"
Ihuruna, "The Headwater Place"
Ethnographic History
3* CULTURE AND ETHOS: A Play of Forces
The IIouse
Economic Activities
The Dual Nature of Reality
The Garden
The Geography of the Body
Ahacbito !Jato, 'The New Person"
The Six Souls
The First People
The Manipulation of the Invisible
Magic Herbs
Body Paints
Singing
4* "ALL THINGS MADE"
Tidi'uma
A Cycle of Baskets
Marriage
The Tradition
The Poetics of Basketry
5* ORIGIN AND DESIGN
Myths of the Origins of Artifacts
The Devil's Face Paint
The Designs
Shifting Fields
6* THE FORM OF CONTENT
Yododai
Edodicha
Fasting
The Fast Baskets
Weed Out Mawadi: The Tingkui Yechamatojo
7* TO WEAVE THE WORLD
A GALLERY OF BASKETS
Notes
Bibliography
Index

Additional information

GOR010913578
9780520071858
0520071859
To Weave and Sing: Art, Symbol, and Narrative in the South American Rainforest by David M. Guss
Used - Like New
Paperback
University of California Press
1992-07-01
288
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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