One of the most exciting writers to have emerged in Britain for years -- Ian Rankin
A literary West Lothian question: why do Scottish writers dominate British crime fiction? With Denise Mina at least, the answer is pure class * DAILY TELEGRAPH *
Confirms Mina's place in the premier division ... atmospheric, intense and full of the disturbing flavour of inner-city lowlife * GUARDIAN *
Powerful, passionate and compelling. Mina can chill your blood and break your heart in the same sentence -- Mark Billingham
The plot is unrolled artfully ... the writing is lucid, and the minor characters breathe with an almost Dickensian life * SUNDAY TIMES *
Splendidly written ... magnificently readable * THE TIMES *
Something special ... A tour de force * TIMES LITERARY SUPPLEMENT *
Remember the name. This is a major talent heading for the top * LITERARY REVIEW *
One of Denise Mina's many attractions is her willingness to take risks with her characters. She delves deeper than most into emotions, whether of the police, victims or perpetrators; she eschews the usual formula of crime fiction....The financial and moral disintregration of families, the iniquities of the class system and prostitution all play a role. Mina's best * THE TIMES *
Thoughful attention to detail take the novel to another level...Scotland has produced some seriously good crime writers; THE END OF THE WASP SEASON places Denise Mina alongside Ian Rankin and Val McDermid * FINANCIAL TIMES *
Miss your bus stop....reading THE END OF THE WASP SEASON by Denise Mina, a gripping tale tracing the links between an elite private school, the suicide of a millionaire banker and the shocking murder of a wealthy young woman * GRAZIA *
Denise Mina is one of Scotland's most impressive crime writers. This dark, angry novel doesn't offer easy thrills or the intellectual diversion of a whodunnit. Instead it focuses on its deeply flawed characters, their motivations and the world they live in ... undeniably powerful * SPECTATOR *
One of the most exciting writers to have emerged in Britain for years * Ian Rankin *
A literary West Lothian question: why do Scottish writers dominate British crime fiction? With Denise Mina at least, the answer is pure class * DAILY TELEGRAPH *
Confirms Mina's place in the premier division ... atmospheric, intense and full of the disturbing flavour of inner-city lowlife * GUARDIAN *
Powerful, passionate and compelling. Mina can chill your blood and break your heart in the same sentence * Mark Billingham *
The plot is unrolled artfully ... the writing is lucid, and the minor characters breathe with an almost Dickensian life * SUNDAY TIMES *
Splendidly written ... magnificently readable * THE TIMES *
Something special ... A tour de force * TIMES LITERARY SUPPLEMENT *
Remember the name. This is a major talent heading for the top * LITERARY REVIEW *
One of Denise Mina's many attractions is her willingness to take risks with her characters. She delves deeper than most into emotions, whether of the police, victims or perpetrators; she eschews the usual formula of crime fiction....The financial and moral disintregration of families, the iniquities of the class system and prostitution all play a role. Mina's best * THE TIMES *
Thoughful attention to detail take the novel to another level...Scotland has produced some seriously good crime writers; The End of the Wasp Season places Denise Mina alongside Ian Rankin and Val McDermid * FINANCIAL TIMES *
Miss your bus stop....reading The End of the Wasp Season by Denise Mina, a gripping tale tracing the links between an elite private school, the suicide of a millionaire banker and the shocking murder of a wealthy young woman * GRAZIA *
Denise Mina is one of Scotland's most impressive crime writers. This dark, angry novel doesn't offer easy thrills or the intellectual diversion of a whodunnit. Instead it focusses on its deeply flawed characters, their motivations and the world they live in ... undeniably powerful * SPECTATOR *
