'The Close Up', 'The Face of Man' from THEORY OF FILM; 'Film and Reality', 'The Making of a Film' from FILM AND ACT; 'The Specificity Thesis' from PHILOSOPHICAL PROBLEMS OF CLASSICAL FILM THEORY; 'Projection' from FILM/CINEMA/MOVIE; 'Photograph and Screen', 'Ideas of Origin', 'Audience, Actor, and Star', 'Types; Cycles and Genres' from THE WORLD VIEWED; 1. FILM LANGUAGE; 'On editing' from FILM TECHNIQUE; 'Beyond the Shot', 'The Dramaturgy of Film Form' from FILM FORM; 'The Evolution of the Language of Cinema'from WHAT IS CINEMA; 'Toward a Non-Bourgeois Camera style; 'Some Points in the Semiotics of Cinema', 'Problems of Denotation in the Fiction Film' from FILM LANGUAGE; 'Semiotics in the Cinema: Metz and Wollen'; 'The Discourse of Pictures: Iconicity and Film Studies'; 'The Tutor Code of Classical Cinema'; 'Against the 'System of Suture''from THE SUBJECT OF SEMIOTICS; The Spectator-in-Text: The Rhetoric of STAGECOACH; 2. FILM AND REALITY; 'Basic Concepts'from THEORY OF FILM; 'The Cabinet of Doctor Caligari' from FROM CALIGARI TO HITLER; 'The Ontology of the Photographic Image; 'The Myth of Total Cinema' from WHAT IS CINEMA?; ' 'De Sica: Metteuren-scene' from WHAT IS CINEMA?; 'The Complete Film' from FILM AS ART; 'Cinematography: The Creative Use of Reality'; From METAPHORS ON VISION; 'Colonialism, Racism, and Representation: An Introduction'; 'Recent Developments in Feminist Criticism'; 3. THE FILM MEDIUM: IMAGE AND SOUND; 'Style and Medium in Motion pictures'; 'The Establishment Physical Existence' from THEORY OF FILM; 'The Close Up', 'The Face of Man'from THEORY OF FILM; 'Film and Reality' 'The Making of a Film' from FILM AND ACT; 'The Specificity Thesis' from PHILOSOPHICAL PROBLEMS OF CLASSICAL FILM THEORY; 'Projection' from FILM/CINEMA/MOVIE; 'Photograph and Screen', 'Ideas of Origin', 'Audience, Actor, and Star', 'Types; Cycles and Genres' from THE WORLD VIEWED; 'Ideological Effects of the Basic Cinematographic Apparatus'; 'Aural Objects'; 'Statement on Sound'; 'The Voice in the Cinema: The Calculation of Body and Space'; 'Technology and the Aesthetics of Film Sound'; 'Broadcast TV as Sound and Image' from VISIBLE FICTIONS; 4. FILM NARRATIVE AND OTHER ARTS
