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The Cult of Beauty Lynn Federle Orr

The Cult of Beauty By Lynn Federle Orr

The Cult of Beauty by Lynn Federle Orr


$55.99
Condition - Very Good
Out of stock

Summary

The Aesthetic Movement united romantic bohemians such as Dante Gabriel Rossetti, William Morris and Edward Burne-Jones, with maverick figures like James McNeill Whistler and this beautiful book brings together the finest pictures, furniture and decorative arts of this extraordinary era.

The Cult of Beauty Summary

The Cult of Beauty: The Victorian Avant-Garde, 1860-1900 by Lynn Federle Orr

The Cult of Beauty focuses on a period at the end of the nineteenth century when a group of artists, architects and designers found themselves linked by the search for a new Beauty. The Aesthetic Movement, as it came to be known, united romantic bohemians such as Dante Gabriel Rossetti, William Morris and Edward Burne-Jones, along with maverick figures such as James McNeill Whistler. The Cult of Beauty brings together the finest pictures, furniture and decorative arts of this extraordinary era, setting them in the context of this glittering cast of characters. This beautiful book also reveals how artists' houses and their extravagant lifestyles became the object of public fascination. The influence of the 'Palaces of Art' created by Rossetti and Morris, Lord Leighton and others led to a widespread revolution in architecture and interior decoration, while Oscar Wilde made his name promoting the idea of 'The House Beautiful'.

About Lynn Federle Orr

Stephen Calloway is Curator of Prints at the V&A. He curated Aubrey Beardsley and edited the accompanying book (V&A 1998). Lynn Federle Orr is Curator in Charge of European Art at the Legion of Honor, showcasing the European collections of the Fine Arts Museums of San Francisco.

Additional information

GOR006652947
9781851776283
1851776281
The Cult of Beauty: The Victorian Avant-Garde, 1860-1900 by Lynn Federle Orr
Used - Very Good
Hardback
V & A Publishing
20110321
288
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

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