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Italy and Its Invaders By Girolamo Arnaldi

Italy and Its Invaders
by Girolamo Arnaldi

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During the Renaissance, flourishing cities were ravaged by foreign armies, first the French, who during the siege of Naples introduced an epidemic of syphilis, then the Spanish, whose control preserved the country's religious unity during the Counter-Reformation but also ensured that Italy would lag behind during the Enlightenment.
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Italy and Its Invaders Summary


Italy and Its Invaders by Girolamo Arnaldi

From the earliest times, successive waves of foreign invaders have left their mark on Italy. Beginning with Germanic invasions that undermined the Roman Empire and culminating with the establishment of the modern nation, Girolamo Arnaldi explores the dynamic exchange between outsider and 'native,' liberally illustrated with interpretations of the foreigners drawn from a range of sources. A despairing Saint Jerome wrote, of the Sack of Rome by the Visigoths in 410, 'My sobs stop me from dictating these words. Behold, the city that conquered the world has been conquered in its turn.' Other Christian authors, however, concluded that the sinning Romans had drawn the wrath of God upon them. Arnaldi traces the rise of Christianity, which in the transition from Roman to barbarian rule would provide a social bond that endured through centuries of foreign domination. Incursions cemented the separation between north and south: the Frankish conquerors held sway north of Rome, while the Normans settled in the south. In the 9th Century, Sicily entered the orbit of the Muslim world when Arab and Berber forces invaded. During the Renaissance, flourishing cities were ravaged by foreign armies - first the French, who during the siege of Naples introduced an epidemic of syphilis, then the Spanish, whose control preserved the country's religious unity during the Counter-Reformation but also ensured that Italy would lag behind during the Enlightenment. Accessible and entertaining, this outside-in history of Italy is a telling reminder of the many interwoven strands that make up the fabric of modern Europe.

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Italy and Its Invaders Reviews


Arnaldi's interests stretch from the sack of Rome by Alaric to the American liberation of Italy in World War II...This elegant volume is an opportunity to consider the broad sweeps of history, illustrated through selected examples...It in some ways accomplishes more than the author claims, by making clear the central issues of Italian identity over centuries, and illustrating the shifting nature of how Italians have viewed themselves. A reader will be enriched by understanding the central flow of events that Arnaldi presents in their broadest context. -- John Lewis "Bryn Mawr Classical Review" (03/30/2006)
[Arnaldi's] interests stretch from the sack of Rome by Alaric to the American liberation of Italy in World War II...This elegant volume is an opportunity to consider the broad sweeps of history, illustrated through selected examples...It in some ways accomplishes more than the author claims, by making clear the central issues of Italian identity over centuries, and illustrating the shifting nature of how Italians have viewed themselves. A reader will be enriched by understanding the central flow of events that Arnaldi presents in their broadest context.--John Lewis"Bryn Mawr Classical Review" (03/30/2006)
Arnaldi's book is a little gem, informative and fair on the historical vicissitudes of the peninsula.--Antonio Santosuosso"International History Review" (09/01/2006)

About Girolamo Arnaldi


Girolamo Arnaldi is Professor Emeritus of Medieval History, University of Bologna and University of Rome, La Sapienza.

Additional information

GOR010400907
Italy and Its Invaders by Girolamo Arnaldi
Girolamo Arnaldi
Used - Like New
Hardback
Harvard University Press
2005-11-11
240
0674018702
9780674018709
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins.